interdisciplinary

CALL FOR BOOK CHAPTER PROPOSALS

We’re seeking chapter-length contributions to an edited volume on politics and the Western. The working title for this project is A Fistful of Politics: The Western and Political Thought. We’re anticipating that much of our collection will deal with Western films, but we’re open to—and excited about—contributions that discuss anything within the Western genre (prose fiction, films, television series, comics, poetry, video games, theater, music, etc.) in connection with politics and political thought.

Literary multilingualism studies is a relatively new but burgeoning area of research. With the impact of translation studies, the ‘transnational turn’ within literary studies, and the growing relevance of the ‘postmonolingual condition’ in the contemporary world, multilingual and translingual writing practices – considered in the past to be exceptional and unusual – are now at the forefront of literary studies.

This session adopts an interdisciplinary approach to women’s communities centered at French religious houses, and interprets creative, devotional, and other kinds of output inspired by these institutional contexts. How did music, art, liturgies, and literature figure in representations and articulations of these women’s voices? We consider how such works created networks among writers, readers, and performers, and we investigate how convents, functioning as inspiration and narrative loci, shaped lyric and text. We aim to newly demonstrate how particular institutional contexts framed gendered expression and communal life, and how particular works reflected and fashioned women’s voices, within and beyond convent walls.

Decay as a state of nature is inevitable, yet it is something that could be at least postponed: decay in art as the main decadent idea has been on the cultural front row long enough to make certain conclusions about its essential characteristics. Decay as a philosophical issue is much more complex than its natural incarnation: French Symbolists and, later, fin de siecle authors regarded decay as an inseparable part of any type of cultural cognition. Its original interpretations can be found in the ideas of Schopenhauer, Hartmann, Nietzsche, Wagner, Bergson's intuitivism, modern scientific discoveries and folklore. The art of decay feels the need to justify its aesthetic principles, to explain to the public audience its goals and tasks.

This panel seeks original contributions to the study of the Italian Spaghetti Western, its filmmakers, and their production through perspectives such as Feminist theory, Men’s Studies and Queer Studies, (De-)Coloniality, and Auteur Theory. Politics, the Mexican Revolution, the invention of an American Civilization through the experience of the Wilderness, and Western Symbolism are lenses that can be applied to the analysis. Original approaches that emerge from a specific ideology and/or iconography are also welcome. Particular attention will be given to those papers that examine how the Italian Spaghetti Western satirizes both American and Italian cultures through the representation of a world destabilized by violence and death.

The Mythopoeic Society invites paper submissions for an online conference that focuses on the connections between and among Inkling authors and the literary tropes of the horror sub-genre of speculative fiction, to be held through Zoom and Discord February 4-5, 2022.

INTERDISCIPLINARY RESEARCH PAPERS IN LITERATURE, LANGUAGE AND CULTURE STUDIES

The last date for submission of paper : 31st October 2021

Send to: editor.litoracle@gmail.com

‘In 1900 he believed in fairies; that was bad enough; but in 1930 we are confronted with the pitiful, the deplorable spectacle of a grown man preoccupied with the mumbo-jumbo of magic and the nonsense of India’

                            W. H Auden’s ‘The Public versus the late Mr William Butler Yeats’, 1939

Si pensamos el sujeto de la política y el sujeto de la revolución como un sujeto constitutivamente vulnerable, entonces la revolución es completamente distinta. Ya no es un proyecto de poder, es un proyecto de cuidado"- Paul B. Preciado

“We pass under the shade of the magnolias and red oaks that sprout everywhere in Atlanta. Trees easily outnumber residents.”
                                                                                                             –The Downstairs Girl (2019) by Stacey Lee

The Journal of the International Arthurian Society (JIAS) welcomes submissions for a special issue (2022, volume 10) on Arthurian medievalism, or post-medieval adaptations, re- imaginings and recreations of medieval Arthurian texts, artefacts and spaces (real or imagined). The guest editors seek especially interdisciplinary and co-disciplinary explorations of how Arthurian myth makes meaning in a range of media, including (but not limited to) literary texts, television, film, games, visual arts, architecture, commodity culture, experiential medievalism, the heritage sector, and geographical spaces.

Saudi women have always been perceived distinctly in both Arab and global communities. It’s not a secret that Saudi women have occupied the focus of international interest for a long time. Although this interest may come across as “care,” leading political global forces hide behind the promises of “caring” about women’s rights to achieve political gains. In the latter sense, this concept is manipulated and misused. The misuse of “care” has led to Saudi women’s “hypervisibility” as oppressed, powerless, inferior, and unheard while their true power is still invisible. Evidently, to communicate their unique perception of “care,” Saudi women have utilized different tools ranging from publishing traditional genres to posting on social media.

This panel holds space for depictions of embodied practices/practices of agency in bodies of women of color, queer, nonbinary, trans, and other subjectivities in postcolonial literature and literatures of the Global South. What is the relation between the body and exercising agency? How might we think of these practices as embodied and embodying: as practices done in/through/by the body, as well as practices that reify the body? What are the limitations of these projects, and to what degree are they successful? How might these practices be adopted by readers outside of the text?

CALL FOR PAPERS

Stanley Cavell: A Retrospective

Vita-Salute San Raffaele University of Milan

Palazzo Arese-Borromeo (Cesano Maderno), September 23th - 24th 2021 

Website: https://cavellretrospective.wixsite.com/september2021

The conference will take place physically at Palazzo Arese-Borromeo in Cesano Maderno (25 minutes from the city center of Milan), but will also be streamed on Microsoft Teams.

To attend online, click on the following links: