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International Conference on Anglo-Indian Studies

updated: 
Monday, April 30, 2018 - 9:23am
Indian Institute of Technology Madras
deadline for submissions: 
Friday, May 25, 2018

Department of Humanities and Social Sciences,  Indian Institute of Technology Madras

Presents

Second International Conference on Anglo-Indian Studies (2-4 August, 2018)

Theme: “Researching Anglo-Indians in India and the Diaspora”

Concept Note and Call for Papers

Borrowers and Lenders Special Issue: Shakespeare and Gaming

updated: 
Monday, April 30, 2018 - 9:16am
Borrowers and Lenders
deadline for submissions: 
Wednesday, August 15, 2018

In what game designer Eric Zimmerman calls our 'ludic century', the proliferation of games of all sorts makes them a schema for (re)understanding the modes and habits of cultural production. Indeed, the practices of Shakespearean appropriation are frequently products of playful engagements, whereby the appropriator traverses the text, building virtual or imaginary worlds that interact with the received Shakespearean corpus, its margins, and its outliers in creative ways. Moreover, just as play may be likened to appropriation, aspects of Shakespeare games and game development might reflect and/or challenge traditional modes of humanistic inquiry, and adaptive play has the capacity to influence critical reading practices.

PAMLA 2018: Gay, Lesbian, and Transgender Literature and Culture

updated: 
Monday, April 30, 2018 - 9:16am
Pacific Ancient and Modern Language Association (PAMLA)
deadline for submissions: 
Wednesday, May 30, 2018

This panel invites submissions which discuss intersectionality in literature, media, or culture pertaining to Gay, Lesbian, Bisexual, Transgender, and Queer representations. You may, should you wish, engage in the conference theme of "Acting, Roles, Stages,” but any topic on gay, lesbian, bisexual, transgender or queer literature is welcome. However, you might want to explore such issues as acting as art and metaphor, theories of role play and theatricality, conceptions of the world stage and the public audience, and film adaptation, in connection to this session’s topic

Submit your proposal via our online system here: http://pamla.org/2018/topic-areas

Panel for SAMLA 90, "Women of the Avant-Garde and Political Dissent: Resisting Power from the Margins"

updated: 
Monday, April 30, 2018 - 9:15am
SAMLA 90, November 2nd-4th, "Fighters from the Margins: Socio-Political Activists and Their Allies"
deadline for submissions: 
Monday, June 4, 2018

This panel examines the role of avant-garde women in confronting models of gender, domesticity and political practices safeguarded by patriarchal society. From the margins of vanguardism women effectively engaged in syndicalist and anarchist movements that reacted to state politics, while urging the importance of launching social reforms and radical art. This panel will thus provide an overview of artists who participated in a variety of experimental trends such as Cubism, Futurism, Expressionism, Imagism, Vorticism, Dadaism and Surrealism, among others.

Authority and Transgression issue

updated: 
Friday, April 27, 2018 - 12:49pm
Modern Horizons
deadline for submissions: 
Tuesday, May 15, 2018

Modern Horizons invites submissions of essays on the theme of ‘Authority & Transgression’ for its June 2018 issue.

Volume 6 of Correspondences: Journal for the Study of Esotericism

updated: 
Friday, April 27, 2018 - 12:45pm
Correspondences: Journal for the Study of Esotericism
deadline for submissions: 
Saturday, April 27, 2019

 

Submissions are currently being accepted for Correspondences: Journal for the Study of Esotericism

Correspondences is an international, peer-reviewed online journal dedicated to the academic study of esotericism. The editors acknowledge that the use of this umbrella term for a widely variant field of alternate scientific and religious ideas is problematic. Correspondences therefore maintains an openness toward varying interpretations of the boundaries of the field of esotericism and encourages submissions from a variety of disciplinary backgrounds, such as History of Religions, Sociology, Art History, Philosophy, History of Science, Literature, Musicology, and Cultural Studies.

CFP for ASAP/10 Seminar: Global South Urbanism and Aesthetics

updated: 
Friday, April 27, 2018 - 12:39pm
Association for the Study of the Arts of the Present 10th Annual Conference
deadline for submissions: 
Saturday, May 5, 2018

Association for the Study of the Arts of the Present 10th Annual Conference, October 17-20, 2018, New OrleansConference website: http://asap10.tulane.edu/ CFP: SEMINAR ON GLOBAL SOUTH URBANISM AND AESTHETICS

LGBTQ Television Panel

updated: 
Friday, April 27, 2018 - 12:34pm
Mid-Atlantic Popular and American Culture Association
deadline for submissions: 
Saturday, June 30, 2018

Together, the Television area and the LGBTQ Studies area of the Mid-Atlantic Popular and American Culture Association seek proposals for a co-sponsored panel at the 2018 conference in Baltimore, Maryland

We invite papers that examine any aspect of the relationship between television and the LGBTQ community. Potential topics include but are not limited to:

 

*      Will & Grace, revivals

*      Pose, the Ryan Murphy empire

*      Riverdale, queerbaiting and youth culture

*      When We Rise, social movements on television

*      Queer Eye, makeover shows in the Trump era

Reconciliation through Cross-Cultural Collaboration

updated: 
Thursday, April 26, 2018 - 9:05am
Universities Art Association of Canada/L'Association d'art des universites du Canada
deadline for submissions: 
Tuesday, May 1, 2018

Following milestone moments in Canadian history, namely the Truth and Reconciliation Commission, it has become imperative that all members of the nation should be implicated in processes of conciliation and reconciliation. This turn must include immigrants, migrants, and refugees who diaspored to Canada through colonial networks of their own, and whose presence has been largely overlooked in the “difficult binary” constructed between colonizer and the colonized in both historical and emergent discourses on decolonization. How might these postcolonial subjects enter into artistic or curatorial collaboration with Indigenous peoples of Canada that both acknowledge cultural diversity and their shared colonial beginnings?

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