CFP: Women Filmmakers: Genre and Gender in French, British and US Cinema and TV Series
Women Filmmakers: Genre and Gender in French, British and US Cinema and TV Series
3-4 July 2025
University of Le Mans, France
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Women Filmmakers: Genre and Gender in French, British and US Cinema and TV Series
3-4 July 2025
University of Le Mans, France
Call for papers
Who/What Counts
“What Matters” is an invitation to rethink the weight of habits, established structures and validated categories. Arguing that someone/something counts goes against economic/budgetary/financial accounting, which is typically the work of a dominant power that keeps precise accounts, compiling or capitalising, trying to contain or control. What matters is an invitation to give an account of what does not seem to count, what is unthought of or invisible (Fricker 2007, Le Blanc 2009).
Although a monster with a head of swarming snakes, Medusa has been firmly embraced as a snake sister by more women. In her 1975 essay “The Laugh of the Medusa,” Hélène Cixous pioneeringly urges women to re-visit their mythological snake sister - Medusa - who has long been (mis)construed as ugly and sinful. Cixous writes, "You only have to look at the Medusa straight on to see her. And she’s not deadly. She’s beautiful and she’s laughing” (885). In current feminist terms, Medusa is often read sympathetically: “The ugliness she first experienced as an unjust punishment” is transformed into her greatest strength she “learned to use as a weapon” (Zimmerman 3).
The Centre for Creative Technologies, University of Galway
May 22nd and 23rd 2025
Technology and Film Labour: Crafting the Look of the Film
Investigating the impacts of technological change on below the line film labour.
Recent technological developments such as the widespread adoption of virtual production processes and the use of generative AI have had a transformative effect on film production workflows and below the line film craft. The relationships between production departments as well as the roles and functions of cinematography, production design, sound design costume, location and visual effects have all been affected by technological change.
"Framing the Unreal: Exploring Graphic/Visual Science Fiction and Fantasy"
ICLA Research Committee on Comics Studies and Graphic Narrative 20th Anniversary Conference
Ca' Foscari University of Venice, Italy - November 11-15, 2024
https://www.comics-studies.com/events/sff2024
Call for Papers
Panel #9: "Nightmares from the Past, Visions of the Future: Alternative Futurism & Comics"
Date and Location: 19-20 June 2025, Paris, France
Keynote Speakers: Claire BOWDITCH, Loughborough University, UK, Elaine HOBBY, Loughborough University, UK, Leah ORR, University of Louisiana, USA
With a new edition of Aphra Behn’s works on the go, and as Canterbury prepares to erect a statue in her honour, the moment seems ideal to re-examine Behn’s place and her work in criticism and in the collective imagination. Challenging the image of Behn as loyal to a conservative Tory imagination, this conference aims to emphasize movement, mobility, decentering, and innovation in her oeuvre.
The 4th International Conference on Natural Language Processing for Digital Humanities will co-locate with EMNLP in Miami, USA!
The proceedings will be published in the ACL anthology. The event will take place on November 15-16 2024.
https://www.nlp4dh.com/nlp4dh-2024
Submission deadline: September 1, 2024
The focus of NLP4DH is on applying natural language processing techniques to digital humanities research. The topics can be anything of digital humanities interest with a natural language processing or generation aspect. A list of suitable NLP4DH topics include but are not limited to:
The Northeast Popular Culture Association (NEPCA) Sports Area invites submissions for NEPCA’s annual conference to be held online October 3 – 5, 2024, and in person at Nichols College, MA. Virtual sessions will take place on Thursday evening and Friday morning via Zoom. In-person sessions will take place on Friday evening and Saturday morning with broadcast via Zoom.
NEW Deadline: Thursday, July 11, 2024 (Pete Murphy's B-Day!)
(Tentative) Conference Date(s): Friday August 16, 2024
Format: Online (via Zoom, PST)
Abstract: 150 words + short biographical statement + time zone
Submit to: bld45conference@gmail.com
Contact for inquiries: Noah Gallego @noahrgallego@gmail.com, cc: Rachel Birke @ rbirk001@g.ucla.edu (Subject Line: BLD45 Conference)
"Undead, undead, undead"
Sustainability: Which Way Now?
Bhabani Shankar Nayak
Dr Samuel O Idowu
Dr Amr Khafagy
Background
The Department of English Literature, The English and Foreign Languages University, Hyderabad, is organizing a three-day international conference entitled “Whither Integrative Humanities? Paths and Challenges” from 28th to 30th August, 2024.
Hard Bodies: Aesthetic, Materiality, and Mediality of Masculinity in American and European Art and Visual Culture, c. 1900 – today
Goethe-Universität Frankfurt a.M., Germany, 9th–11th January 2025
Deadline: 15th July, 2024
Description:
The hard body is omnipresent in contemporary culture. It evokes purity, whiteness, and resistance to cracking or contamination. It is the result of disciplined self-optimization (physical training, a strict diet, dietary supplements, and/or surgery) and part of the iconography of white supremacy. Contemporary artists only refer to the hard male body to destroy it – like Candice Lin in her installation A Hard White Body (2017).
In Richard Barnfield’s The Affectionate Shepheard (1594), the identity of the aptly-named Ganymede, who is gendered as a “boy,” appears to be labile in the eye of the poetic persona: “If thou wilt be my Boy, or else my Bride.” Such indefiniteness surrounding gender identity is typical of early modern English pastoral, which relies on classical precedents to idealise the life of enamoured shepherds in idyllic landscapes. Indefiniteness is also noticeable in the figure of the “amorous girl-boy” Ganymede in Thomas Lodge’s romance Rosalynde (1592), as well as in that of their Shakespearean counterpart in the pastoral comedy As You Like It (c. 1599).
3-Day International Conference on Interdisciplinary Dialogues (ICID-2024)
We are glad to invite you to present your research paper at the 3-Day International Conference on Interdisciplinary Dialogues (ICID-2024), organised by Chinmaya Vishwa Vidyapeeth (Deemed to be University), Kerala from 10th to 12th August 2024 in the online mode. This conference provides SIX MAJOR TRACKS to discuss the significance and scope of interdisciplinary research and provides opportunities for collaboration and networking with researchers from India and abroad.
XI International Conference on American Studies
Akaki Tsereteli State University in Kutaisi, Georgia will host a two-day international biennial multidisciplinary conference on American studies. The conference is dedicated to the memory of Professor Vasil Kacharava, the former president of the Georgian Association for American Studies and one of the founding fathers of American Studies in Georgia. It is organized by Prof. Vakhtang Amaglobeli Center for American Studies at Akaki Tsereteli State University (ATSU), ATSU Foreign Affairs and Development Office and John Dos Passos Association of Georgia.
Singularly remembered for his influential role in authoring the Constitution of India, Ambedkar’s
thinking continues to provoke new thoughts on the normative orders of the social and the state.
However, foregrounding the centrality of “community” in understanding the social and the state,
this conference invites scholars to rethink Ambedkar as a paradigmatic figure—a writer and a
thinker—on community, understood as critical, even conflictual, constellations of affinities and
associations.
The idea of such a conference itself was an offshoot of conversations and contestations among a
few scholars of Humanities and Social Sciences in Hyderabad, working and worrying
CFP: Panel exploring the representations of motherhood in Canada for the in-person conference “Looking Back and Ahead: Exploring Uniquely Canadian Cultural Narratives” (University of Debrecen, Hungary, October 24-25, 2024)
The ‘growth’ of Translation Studies: View from Asia
CFP
Epistémè (Sorbonne Nouvelle) sponsored Panel – RSA, Boston, 2025
Thanatic Self-Fashioning: Attempted Suicides in Early Modern England, On- and Off-Stage
The Margaret Cavendish Society will sponsor two or more sessions (panels or roundtables) at the Renaissance Society of America Annual Meeting in Boston, MA. The RSA conference in 2025 will be held jointly with the Shakespeare Assocation of America.
As an aesthetic and cultural movement, Afrofuturism began with Mark Derry’s 1993 essay, “Black to the Future.” Derry poses a difficult question: “Can a community whose past has been deliberately rubbed out, and whose energies have subsequently been consumed by the search for legible traces of its history, imagine possible futures?” The clear answer is a resounding, “YES!” Not only can Black folk imagine possible futures, but they can also write, paint, and sculpt them into being. In this special issue we invite contributors to explore what these possible futures look like. How do Afrofuturist artists reimagine a world where Black folks can be/are free? What is the cost of such freedom?
"Ekphrastic Criticism: Comparing Music and the Visual Arts to Poetry and Prose," 121st PAMLA conference, Palm Springs, CA, Nov 7-10, 2024.
The English Department at the University of the Incarnate Word welcomes presentation proposals for its inaugural international interdisciplinary symposium on “Social Justice and the Teaching of World Literature.” The study and teaching of global texts actively allows for an inclusive representation of diverse voices and perspectives. This symposium seeks to explore more deeply the intersection between teaching world literature and social justice issues as they emerge in the 21st century.
Call for abstract
International Conference on Dark Tourism (ICDT)
Hybrid Mode
Theme:
Exploring the Murky Depths: A Conference on Dark Tourism in Modern Societies Where Historical Narratives Encounter Geographical Landscapes.
Date-14-16 September, 2024
With the advent of capitalism, always gendered and racialised, as a mode of production, profound changes have taken place in the ways in which various societies, human relations and ecosystems have evolved (Moore, 2016, Kaplan 2009). Technological development has always been integral to the directions and configurations of capitalism, as it has evolved over the last three centuries. Further, the globalisation of capitalism, with the imperialist phase of European expansionism, followed by US-American expansionism as well as later, in the emergence of Chinese state capitalism, has brought technology to the front and centre of social, economic and political relations at every level (Lewis, 2022).
Since the Modern age, democracy stands as the characteristic Western form of government. We cannot consider such a political regime as just one among other possible ways of understanding the organization of power. Rather, it is the accomplishment of a certain culture and a certain anthropological vision. As a matter of fact, in its multifaceted variants, democracy is the most evident outcome of modern political thought, rooted in the theoretical bedrock of the natural law doctrine.
CFP: Rethinking South Asia: Postcoloniality & Decolonial Frames and Praxis
24th Annual South Asian Literary Association (SALA) Online Conference
January 18th and 19th, 2025
The early modern world was shaped by significant cultural exchanges between Europe and Asia. This roundtable seeks to broaden the scope of Renaissance studies by exploring the immense contributions of East, Southeast, and South Asia to global developments in Europe and beyond. We invite presenters to examine the dynamic interactions between Asian and European societies, emphasizing the multi-directional flow of ideas, goods, and artistic practices.
Call for Papers
Small Forms in Circulation: Infrastructures, Practices, Publics
Humboldt University of Berlin, November 28-30, 2024
Submission deadline: June 12, 2024
Acceptance letters in August
Echoes of the Earth: Interplay of Literature and Landscape
Throughout history, terrestrial landscapes have captivated human curiosity, serving as a significant muse for creative practitioners. Whether it be the enigmatic allure of towering mountains, the mystical charm of dense forests, or the vast expanse of oceans, the natural environment has served as a symbolic platform for portraying human existence, emotive expression, and contemplation of the human condition.