Journal of Literary and Cultural Disability Studies
Special Issue: ‘Rethinking the Species Divide: Disability and Animality in Literature and Culture’
Guest Editors: Liz Shek-Noble and Chelsea Temple Jones
This collection of critical essays explores how contemporary British authors engage with the theme of crisis in their fiction (as apparent in novels and short stories by Kazuo Ishiguro, Julian Barnes, A S Byatt, Ian McEwan, Graham Swift, Hilary Mantel, Zadie Smith, Pat Barker, Martin Amis, among others.)
‘Crisis’ can be investigated not only as informing any aspect of fiction involving sociopolitical and cultural systems, but also as a mode of challenge to established power structures and modes of representationacross narrative traditions.
Submissions should focus on one or more of the aforementioned major contemporary British authors (though you are welcome to propose additional British authors who explore the theme of crisis).
We are seeking submissions by Māori, Indigenous Australian, Torres Strait Islander, and First Nations scholars for an edited collection on plants in Australian and Aotearoa New Zealand children’s and Young Adult literature. We would like to centre Indigenous Australian and Māori perspectives, and are encouraging submissions or expressions of interest from academics, writers, and postgraduate students.
If you have any questions or ideas about potential chapters you’d like to discuss, please contact us. We’re happy to discuss any ideas you may have.
Over the past decade, the media ecology has been dramatically shifting with the advent of online “overthe-top” streaming services, the streaming wars that followed, and the platformization of the web. As the distance between big tech companies and legacy media players rapidly dwindles, rippling effects can be felt across industries, audience practices, regulatory frameworks, and more. Simultaneously, the rise of streaming services also continues to provoke further theorizations on topics that have concerned media scholars for decades regarding the asymmetrical dynamics of power and influence as it relates to globalization processes, representation, identity, politics, cultural and national mediations, and economic development.
Call for Papers
For a Book of Essays on Forgotten Disney
Since Walt Disney released the first animated talking short Steamboat Willie in 1928, the Disney name has been associated with many classics of film and television. Recognized worldwide, these works and their characters have received extensive popular and critical attention and overshadowed other interesting but less significant offerings in Disney’s prolific oeuvre. This
call for proposals for a special issue of Transnational Screens
“From Yesterday’s Margins to Today’s: Towards Decolonizing Curricula, Pedagogy, and Research in Transnational Screen Media”
edited by Sheetal Majithia and Dale Hudson
JAm It! is an annual, peer-reviewed journal of American Studies created by junior faculty, early-stage researchers, and PhD students. We publish academic articles, book reviews, and creative writing, favoring fresh and original contributions.
We aspire to be an inclusive and eclectic journal – an intellectual hub of exchange for a wide range of critical approaches to the field of American Studies, both in Italy and abroad. Each issue will feature a chosen methodology, with the aim of giving the broadest possible outlook on that particular branch.
We are currently seeking contributions for our 6th issue.
The Fractured States of America
Expressions of interest are sought for contributions to a planned 2022 special issue of Australian Feminist Studies (Routledge/Taylor & Francis) devoted to the topic of ‘The Home’. We anticipate publishing wide-ranging sets of ideas that capture the current and emerging challenges and opportunities for feminist thinkers examining aspects of the home and housing more generally.
We welcome contributions from scholars in any discipline, including architecture, built environment, design, sociology, social policy, geography, politics, anthropology, cultural studies, film, and literature.
Intraspection, a journal of rhetoric, culture, and style, is accepting submissions on a rolling basis.
(Deadline Extended to June 30th, 2021)
South Atlantic Review Special Issue: “Post-Normative?”
Guest Editors: Horacio Sierra, Bowie State University & Austin Svedjan, Louisiana State University
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
2022 will be the 40th anniversary of Alice Walker’s The Color Purple. With a goal of celebrating this work and introducing it to a new generation of readers, this is a call for proposals for original critical essays about the novel.
The volume will appear in spring 2022 as part of the following subset of Salem Press’s Critical Insights collection: Salem Press - Critical Insights: Works
Whether we praise or deride it, we now live in its shadows and must reckon with what it has bequeathed us. Western thought is haunted by the Enlightenment
(Genevieve Lloyd, Enlightenment Shadows, 2013)
The Nathaniel Hawthorne Review invites submissions for a special issue on Hawthorne and Religion, with guest editor Jonathan A. Cook. Over the course of his career, Hawthorne earned a reputation as the nation’s leading imaginative interpreter of New England Puritanism and its nineteenth-century cultural legacy, but the exact nature of his religious predilections remains open to debate. Was he a bona fide Christian? If he was, why didn’t he go to church? What credence did Hawthorne give to his ancestral Calvinism? What impact did his wife’s Unitarianism have on him? Did Hawthorne have a well-kept “secret” that influenced his depiction of repressed guilt? What did Hawthorne think of contemporary evangelical Protestantism, and of the nation’
Call for Papers
Planetary Health Humanities and Pandemics
Heike Härting and Heather Meek (eds.)
Chinese fandoms are a growing area of interest attracting attention from groups as diverse as academia, industry, and even government. Although the foci of these groups vary, at the core are questions related to the function, organization, interests, and activities of fan groups. As Chinese media and entertainment industries mature and transnational collaborations increase, content and celebrity figures both inside and outside the Chinese context are increasingly distributed, consumed, and implicated in the formation (or extension) of fan communities.
Call for Papers
Title: Peer Review and the Pandemic
Deadline: 1 September 2021
JNT: Journal of Narrative Theory solicits submissions that address the intersection of narrative, history, ideology, and/or culture, all broadly defined. Of particular interest are narrative and history; cultural studies and popular culture; discourses of class, gender, sexuality, race, nationality, subalternity, and ethnicity; film theory and media studies; post-structural, postcolonial, and ecocritical approaches to narrative forms (literary or otherwise); along with essays that span or subvert epistemic and/or disciplinary boundaries.
Call for Contributions: Collection Mental Health Narratives – History, Concepts, Education, Practice
Edited by Ronja Bodola, PhD; Michelle B. Moore, PsyD; Cody Roi, D.O.
Call for Papers
Essays and Studies, the journal of the Department of English, Jadavpur University invites scholarly essays for its non-themed issue to be published in 2022. Faculty members and researchers (specializing in Literature/English Literature) in India and abroad are requested to send us by 31 July 2021 a 500 word abstract indicating the subject/focus of their essays. The authors of the selected abstracts will receive a confirmation email by 21 August 2021. They will then be expected to mail in their essays by 30 November 2021.
Screen Bodies invites submissions to be considered for a forthcoming general issue. We welcome work that focuses on matters of embodiment in media arts from any of the disciplinary or methodological perspectives described below. Research articles are typically between 6k–9k words. Please see our website for details about the inclusion of artwork/images (www.berghahnjournals.com/submissions).
Special Issue: World and Nation: Tropes of Representation in Contemporary Scottish Writing, December 2021
Deadline: 15 June 2021
Guest Editor: Petronia Popa-Petrar (Babeș-Bolyai University, Cluj-Napoca, Romania), email@example.com
Following the pandemic, the ways in which mobile bodies are being administered and governed are in sync with advanced techniques of demographic control, which manifests into increasing digital surveillance on mobilities. Conversely, the neo-liberal economic order reifies speed and mobility, while ‘deterritorialization’ continues to constitute an important paradigm for the ‘flows and networks’ in a globalized world.
Special Edition of Revenant: ‘Contemporary Legend: the stories we tell and how we tell them’
Deadline for abstract submissions: Thursday 30 September 2021.
Guest Editors: David Clarke, Sophie Parkes-Nield, Andrew Robinson and Diane A. Rodgers (Centre for Contemporary Legend, Sheffield Hallam University)