journals and collections of essays

Call for Papers

Edited volume

Title

 The Detectives: critical essays on select English and Bengali detective fiction

To be edited by Dr Debayan Deb Barman, Assistant Professor and Head, Department of English,  THLH Mahavidyalay, (University of Burdwan),

Mallarpur, Dist- Birbhum,

 West Bengal, India.

Email:. debayanvodabarman@gmail.com

Concept note

CALL FOR CHAPTER PROPOSALS 

Africana and American and Female in Young Adult Fiction 

Edited by Ymitri Mathison

(editor of Growing Up Asian American in Young Adult Fiction, University Press of Mississippi, 2018. Winner: Children’s Literature Association Edited Book Award, 2020)

This volume, currently under advanced contract with the University Press of Mississippi, is a call for original critical essays.

Description:

The Dalhousie Review is currently soliciting submissions of poetry, fiction, and non-fiction that explore the complexities of historical and contemporary European identities and that present European life in ways that may be unfamiliar to contemporary readers:

• POETRY: Poetry submissions may consist of up to five poems and in any style.
• FICTION: Fiction submissions may be up to 8,000 words in length, and no submission may consist of more than one story.
• NON-FICTION: Non-fiction submissions may be up to 4,000 words in length, and no submission may consist of more than one essay.

Utopia on the Tabletop: CfS

“Quite the contrary, Skepticus. I believe that Utopia is intelligible, and I believe that game playing is what makes Utopia intelligible.”

— Bernard Suits, The Grasshopper: Games, Play, and Utopia

We invite abstracts of 200-500 words on the theme of utopia and tabletop roleplaying games (TTRPGs). Please also include either a 50-300 word bio, or a CV, or a link to your website. Send abstracts to j.c.walton@sussex.ac.uk by 1 February 2021 with “Submission” in the subject line. Chapters of 5,000-8,000 words will be due 1 September 2021.

In the mid-twentieth century, Kenneth Burke's massive body of work on the "new rhetoric" was widely considered to be a watershed for the rhetorical tradition and its interlocutors. Routing classical and new rhetorical concepts through contemporary understandings of the unconscious, ideology, media, discourse, literature, politics, ecology, and economics, Burke rendered "mere rhetoric" relevant to the concerns of modernity.  In 2020, his trailblazing approaches to terms such as identification, orientation, attitude, hierarchy, interpretation, occupation, action, trope, etc.

Call for Papers – CLOSURE: The Kiel University e-Journal for Comics Studies #8 (November 2021) / Thematic Section: »Non-Narrative Comics«

Open Section

In the fall of 2021, CLOSURE will once again offer a forum for all facets of comics studies. From literary, cultural, media, social and image research to the sciences and beyond: the seventh edition of CLOSURE continues our ongoing search for the best and most innovative articles and reviews representing the state of the art in comics research. We welcome detailed close readings as much as comics theory and pioneering approaches to the medium — our open section comprises a diverse range of interdisciplinary studies of all things ›comic‹.

CR: The New Centennial Review Special Issue CFP

“21st Century Religion: 

Global Christian Reconstructionism and its Radical Discontents”

Need additional chapters on

“REPRESENTATION OF CHILDHOOD IN ART AND LITERATURE”

We are editing a volume that proposes to promote original, critical research works. Essays will study, interpret and question the critical issues relating to childhood and children. In order to refurbish the interdisciplinary prospect of the field, works offering newer insights and concentrating on its representation in other literatures or other forms of arts like painting, films etc. will also be encouraged.

We encourage potential writers to contribute essays on these particular areas-

1. Childhood and language

2. Childhood and film

3. Childhood in Performative and Visual arts

4. Childhood and food

Ecology as Modernity’s New Horizon:

Narratives of Progress, Regression and Apocalypse in the Anthropocene

Editors:Agnieszka Soltysik Monnet & Christian Arnsperger

University of Lausanne, Switzerland

agnieszka.soltysikmonnet@unil.ch         christian.arnsperger@unil.ch

Deadline for submission of article proposal (max. 300 words): November 15, 2020

The concept of evil received much attention throughout the 20th century. Despite the industrial scale atrocities committed in Nazi Germany, Stalinist Russia, and Maoist China, alongside the genocides in Cambodia, Bosnia-Herzegovina, and Rwanda, as well as the explosion of serial killers like Ted Bundy, Jeffrey Dahmer, and Andrei Chikatilo in the latter part of the 20th century, the first two decades of the 21st century have been largely unconcerned with rigorous discussion of such evil.

The James Fenimore Cooper Society Journal is the official publication of the James Fenimore Cooper Society. Published twice a year, this publication promotes the study of the life and works of James Fenimore Cooper (1789-1851). 

Popular culture scholars often refer to a 40-year cycle of nostalgia, and so it is not surprising that there has been a recent wave of movies and television shows set in the 1980s.  The Netflix series Stranger Things, the film IT: Chapter One, the interactive film Black Mirror: Bandersnatch, and the ninth season of American Horror Story, titled “1984,” all provide prominent examples of recent texts that have used the semantic texture of the 1980s as a dramatic setting.  The fact that these texts all use the ’80s as a context for horror stories suggests the sense that an undercurrent of demonic violence undergirds the glittering fads, suburban affluence, and Reaganite yuppieism associated with the 1980s, even as these te

Sillages critiques is an international, peer-reviewed open-access e-journal devoted to the literatures and the arts of anglophone cultures from the sixteenth century to the present day. It is MLA- and DOAJ-listed and publishes articles both in English and French. Attached to the Sorbonne Department of English Studies and its Literature and Culture Research Centre (VALE, Sorbonne Université), Sillages critiques publishes cutting-edge articles on literature, culture and theory.

We welcome individual submissions as well as proposals for thematic issues presented by guest editors.

https://journals.openedition.org/sillagescritiques/