A full 43% of Lydgate’s works in the DIMEV have no print or online editions. Rather than situating Lydgate in relation to his “big works” that have (sometimes multiple) editions – “Siege of Thebes,” “Troy Book,” and “Fall of Princes” – we should take our cue from Thomas Warton, who in 1840 wrote that “to enumerate Lydgate’s pieces, would be to write the catalogue of a little library.” We invite proposals addressing “Lydgate’s Little Library” – those pieces that demonstrate his “versatility of talents” (to quote Warton) and do not get the scholarly or pedagogical attention that his larger works do.
The Early Proverb Society emphasizes the functions of that mobile, morphic form, the proverb. EPS showcases our readings at a round table (three to four discussants and one respondent) and a panel of papers (three speakers) at the 55th Congress, May 7-10, 2020. All methodological approaches are welcomed warmly.
Round table: Medieval Proverbs: Exchanges, Clashes, and Transactions
What can we learn from unexceptional texts and artifacts in the Middle Ages? How can we critically assess the metrics by which we evaluate quality? How can medieval studies reconcile, or recover from, the history of Orientalism in its estimation of non-European medieval traditions? This panel builds on conversations during the 2019 Medievalists @ Penn Conference on Mediocrity (https://middling-ages.tumblr.com), which we seek to carry in more explicitly transcultural directions.
The Games Culture Society showcases the importance of games —and their various manifestations — in medieval culture. Importantly, the theoretical implications of games extends beyond the temporal and spatial borders of the game space itself into larger aesthetic, ethical, cultural, and social arenas. The GCS serves to highlight the importance and multivalent purpose of games in medieval culture as a way to understand better their function in society both then and now. We are pleased to announce the following Calls For Papers for the 55th International Congress on Medieval Studies at Kalamazoo, May 7 – 10, 2020:
Building on a great conversation at Kalamazoo this spring, Marian Homans-Turnbull and Alexandra Reider are organizing a panel on medieval translation and multilingualism for the International Medieval Congress to be held in Leeds, UK, on 6-9 July We welcome submissions on any medieval language(s), and we're especially eager for submissions on non-English languages this year! Translating Back: Vernacular Sources and Prestige-Language Adaptations Multilingual cultures develop complex practices—and theories—of translation.
“The Middle Ages” are created and maintained by those who imagine them today, lending urgency to the project of narrating a global medieval that resists the field’s racist and nationalist myths. Given a need for new imaginaries:
From the Codex Amiatinus’s depiction of Ezra writing in a book to that of Hildegard of Bingen receiving and dictating her supernatural visions in the frontispiece to the Scivias, interest in representing the labors of scholars spanned the length of the Middle Ages. Not only do depictions of scholarly labor such as these, whether visual or textual, shed light onto the material culture and historical practices of medieval scholarship, but they also reveal the ways in which medieval artists and writers sought to convey ideas about the work that they themselves performed and the functions they served in society.
Medieval refugees’ stories can be difficult to access, but our own encounters with contemporary refugee crises may hint at the disruption that accompanied mass displacement in the Middle Ages. As millions across the globe continue to be uprooted, what can we learn about the experience of displacement in the medieval world? Persecution, war, plague, poverty, and other factors all contributed to forced migration and exile, as seen in the expulsions of Jews from England and France; the expulsion of Andalusi Muslims during Spain’s Reconquista; displacements caused by the Mongol invasions; and in the migration of peoples escaping the Black Death.
Sacred space is, in part, defined by its possible violation, examples of which abound in the Middle Ages. The martyrdom of Saint Nicaise, killed in his church by Vandals, is preserved in narrative and art. In Bokenham’s “Life of Saint Margaret,” the saint complains that her relics have been abandoned in churches destroyed by conflict and neglect. Legal sources also betray anxiety about the instability of sacred space: several sources note that damaging church property was an excommunicable sin, while Gratian’s decretals dictate the reconsecration of churches desecrated by bodily fluids.
Call for Papers: SHARP @ RSA 2020
The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Philadelphia, PA on 2-4 April, 2020. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation. We plan to sponsor at least two panels under the banner “New Voices in Book History,” so we welcome applications from participants new to RSA or SHARP, especially early career researchers.
After ‘Emancipation’: The legacies, afterlives and continuation of slavery.
University of Nottingham, 21-23 June 2020.
The University of Nottingham’s Institute for the Study of Slavery (ISOS) is a multidisciplinary centre which pursues research on both historical and contemporary slavery and forced labour in all parts of the globe and through all periods.
Kinney Center for Interdisciplinary Renaissance Studies, University of Massachusetts Amherst, February 22, 2020
What are the ecological affordances of thinking with the medieval and early modern past? How can the environmental humanities inspire eco-mimetic modes of thinking and writing? This think-tank conference invites research-in-progress that parses the entanglements of nature and culture, the human and the nonhuman, the material and the metaphysical, to explore how medieval and early modern ecocritical scholarship might speak directly to contemporary political and social concerns.
The conference will include three panels, grouped thematically according to distinct modes of ecological entanglement:
55thICMS, Kalamazoo, May 7-10, 2020.
Co-sponsors: BABEL Working Group and the Society for Medieval Feminist Scholarship
Organizer: Ann M. Martinez
A roundtable session at the International Congress on Medieval Studies at Western Michigan University (www.wmich.edu/medievalcongress) examining the continuing effects of Tolkien's depictions of race in medievalist works; Rachel Cooper will preside.
A paper session at the International Congress on Medieval Studies at Western Michigan University (www.wmich.edu/medievalcongress) examining depictions of what comes in the wake of war and death in works in the Tolkienian tradition; Carrie Pagels will preside.
CALL FOR PAPERS
“Reassessing the Matter of the Greenwood”
Sponsored Session of the International Association for Robin Hood Studies (IARHS)
International Congress on Medieval Studies, Kalamazoo, MI, May 7-10, 2020
“Bad” Food in the Middle Ages (A Roundtable)
Sponsored Session of the Medieval Association of the Midwest (MAM)
International Congress on Medieval Studies, Kalamazoo, MI, May 7-10, 2020
Gender in Global Medieval Mysticism
March 20-21, 2020
Ashoka University, Sonipat, Haryana, India
Professor Liz Herbert McAvoy, Swansea University
Professor Sa'diyya Shaikh, University of Cape Town
The panal orgnaizers invite proposals for twenty-minute papers on any topic related to Hiberno-Latin literature and studies.
As medievalism has made its way into mainstream medieval studies, and the teaching of medievalist film alongside medieval texts has become commonplace, what new opportunities and challenges do scholars of medievalist film studies face? These shifts have prompted heated debates in recent years on the values and dangers of teaching Game of Thrones in medieval studies classes, the inadequate framing of medievalist films as adaptations in literature classes and as fiction in history classes, and the formal differences between cinematic and written texts. This roundtable seeks short presentations that address some aspect of this development in scholarship and teaching.
Early Modern Resilience and Resistance: Deadline July 29th, 2019
For this session, we seek proposals exploring the factors shaping nineteenth- and twentieth-/twenty-first-century literature (in its broad sense) about the Middle Ages as well as the differences in approaches to the Middle Ages in each century. What historical, social, and intellectual views shaped nineteenth-century approaches to the Middle Ages? In what ways were these views limited or biased based on what the Victorians knew and believed and did not know, particularly when compared to advances in historical, psychological, and political knowledge in the next centuries? Conversely, what shaped twentieth-/twenty-first-century views of the Middle Ages?
Despite the fact that, as Jonas Wellendorf has recently pointed out, “students of Old Norse literature and literary culture have long been aware that hagiographical and ecclesiastical literature has a longer written history in the North than the native saga genres,” (The Routledge Research Companion to the Medieval Icelandic Sagas, 48)there is still, generally, an imbalance in the critical studies of Old Norse-Icelandic hagiography in comparison to studies of the konungasögur and Íslendigasögur.
CFP: Jerusalem the Holy City
The Stanford University Center for Medieval and Early Modern Studies (CMEMS) is pleased to announce that we will sponsor three sessions at the 55th International Congress on Medieval Studies in Kalamazoo, Michigan (May 7-10, 2020). Among these are two linked panel sessions entitled “Jerusalem: The Holy City.” The first considers medieval imaginings of a distant Jerusalem across textual, visual, and material culture, while the second considers Jerusalem as an interreligious experience among Judaism, Christianity, and Islam.
Despite a growing body of exciting research on medieval animality, the beast epic, which should loom large in this area of interest, has largely remained on its side lines.
IMC Kalamazoo (May 7-10, 2020)
Organizer: Elizabeth S. Leet (email@example.com)
Much early ecocriticism focused on natural spaces as complements to human agency. For example, studies of the hortus conclusus in medieval romance emblematize this view of nature as a fecund space mastered by humans. In our time of climate crisis, however, ecocritics seek to complicate anthropocentric views of medieval environments. By studying climates and environments that reject human dominion and endanger human lives, we may examine the violence these environments enact and evaluate the models they offer for human survival and care amidst climate disaster.
From Bede’s accounts of Britain’s originary myths to current scholarly and popular engagements with the Anglo-Saxon past, to encounter early medieval England is to depict or enact strangeness.
Coleridge's famous phrase "the willing suspension of disbelief" implies that disbelief (i.e., secularity) is a pre-condition of fictionality. That argument is made explicitly in Catherine Gallagher's well-known article "The Rise of Fictionality"—but it is also often assumed in medieval studies, as fictionality is localized in secular romance and rarely considered in devotional contexts. Where do fictional writing and sincere belief meet, and how do they interact? This panel welcomes papers that investigate the relationship between fictionality and belief from any angle, but which might respond to one or several of the following questions.