Sexy Beast: Amorous Monsters, Incest, and Bestiality in Medieval Celtic, Anglo-Saxon, and Scandinavian Literature, a panel featured at the 49th NeMLA Annual Conference, April 12th-15th, 2018, Pittsburgh, PA.
The International Layamon's Brut Society is accepting proposals for the 53rd International Congress on Medieval Studies, May 10-13, 2018, Western Michigan University, Kalamazoo, MI.
Land and Language in Layamon’s Brut
The 'animal turn' is one of the newest and most exciting developments in medieval scholarship. Researchers are increasingly interrogating the role of animals in society and culture, the interaction between human and beast, and the formation of human and non-human identities.
The Medieval Romance Society is hosting two inter-related sessions on the role of animals in romances at the 53rd International Congress on Medieval Studies 2018, Western Michigan University, Kalamazoo. We welcome papers which draw on a broad range of methodologies and address a variety of themes relating to animals.
Session I: The Animal in Medieval Romance I: The Animal as Friend
BFS Journal 18
BFS Journal 18 is due out in October/November
The journal is a mix of articles and is keen to accept submissions from people who want to write about fantasy, horror and science fiction. Our focus is primarily the former, but our readers have interests across all three genres.
Academic articles for the BFS Journal should be between 2500 and 6000 words. We prefer nearer the former, as this is about the size of a conference paper. References in the text should be (Author, Date of Edition: Page Number) with a full publication listing for the bibliography given for each article at the end. Please don't use footnotes in your submissions.
The editors of the Yearbook of Langland Studies invite submissions to a cluster on personification for YLS 33 (2019). In keeping with the journal’s broad interpretation of the scope of Langland Studies, we invite notes and essays which approach the topic from any angle, and which investigate either Piers Plowman itself or texts that are in some way relevant to or contiguous with its tradition. Submissions are due to email@example.com by June 1, 2018. Please contact the journal with any questions.
The problematic use of ideas established in nineteenth century, using medieval literature and culture, to define nascent senses of nationalism lingers over the field of Medieval Studies. The nineteenth century saw the construction of Western European national identity using, for example, texts such as the Chanson de Roland, the Nibelungenleid, and the works of Thomas Malory. However, the biography of the French national hero Charlemagne was written by the German Einhard; the German national epic is about a group of Burgundians; and King Arthur has equal ties to his Celtic and French development as he does to his Englishness.
The 53rd International Congress on Medieval Studies, Western Michigan University (Kalamazoo, Michigan), May 10-13
The Saints in Icelandic Sagas and Poetry after 1550
Organizer: Daniel C. Najork
Call for Papers - Romanian Review of Eurasian Studies
Romanian Review of Eurasian Studies, year XIII, No. 1-2 /2017 invites professors, researchers and Ph.D. students to submit their research articles and reviews for publication until 15 September 2017.
Our journal is indexed in ERIH PLUS, ProQuest, EBSCO, CEEOL and Index Copernicus databases.
The RES Essay Prize aims to encourage scholarship amongst postgraduate research students in Britain and abroad. The essay can be on any topic of English literature or the English language from the earliest period to the present.
The competition is open to anyone studying for a higher degree, or who completed one no earlier than January 2015
The winner will receive:
- Publication of the winning essay in the June 2017 issue of The Review of English Studies
- £500 worth of OUP books
- A free year's subscription to The Review of English Studies
*How to enter*
CFP: 53rd International Congress on Medieval Studies
Session Title: “Medieval History and Marxist Thought”
Session Organizer: Luke Fidler (Department of Art History, University of Chicago)