modernist studies

This panel will address the relationships between literature and materiality in the Latin American cultural production of the 19th and 20th. The topics of the panel include, but are not limited to: subject/object relationship; commodity fetishism; materiality and visuality; forms, surfaces, and their boundaries; the text as an object; thing theory. Please send 300-500 word abstracts and brief biographical statements (English or Spanish) to Laura Gandolfi, gandolfi@princeton.edu

Deadline: September 15th

Working Through Psychoanalysis:
Freud's Legacy in Art, Cinema, Literature and Popular Culture

An interdisciplinary conference at the University of Leeds, UK
15th-17th April, 2011

Guest speaker, D.M. Thomas,
author of The White Hotel

Call for Papers

Panel Title: Translating "Controversial" Arabic Literature
Conference: International Federation of Translators XIX World Congress: Bridging Cultures, San Francisco, CA, August 1-4, 2011

Picturing Women's Health 1750-1910
A One-Day Postgraduate Interdisciplinary Conference

University of Warwick, Saturday 22nd January, 2011

The 2011 Festival of Original Theatre conference sponsored by the Graduate Centre for the Study of Drama at the University of Toronto will focus its discussion and praxis entirely on the field of Post-Colonial theatre. The 2011 F.O.O.T. festival is designed to reflect the multi-cultural diversity of the city we inhabit, and to encourage an integrative approach between the theoretical and practical. The festival intends to promote and discuss contemporary trends in the emerging field of post-colonial performance studies as it relates to contentious issues ever-present in various cultural/multi-racial communities (such as race, marginality, migration, agency and hegemony).

Limina is an online, refereed, academic journal of historical and cultural studies based in the Discipline of History at The University of Western Australia.

We are especially committed to publishing the work of postgraduate students and early career researchers, realising the importance of developing an early publication record, as well as the difficulties in doing so.

Recognising the fact that many articles get bogged down in the review process, at Limina we guarantee initial feedback on articles and the review process within 4 – 6 weeks, (ensuring your work is not buried somewhere for months on end).

Call for Papers

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NY – Hyatt New Brunswick
Host Institution: Rutgers University

Deadline: September 30, 2010

The 42nd Annual Convention will feature approximately 360 sessions, as well as dynamic speakers, cultural events, and pre-convention workshops. The complete Call for Papers for the 2011 Convention is available at: http://www.nemla.org/convention/2011/cfp.html

Please include with your abstract:

The CRILA short story research group (JE2536) of the Université d'Angers, France, will be hosting an international conference in collaboration with Edge Hill University, U.K. on "The Figure of the Author in the Short Story in English," 8-9 April 2011 at La Maison des Sciences Humaines, Université d'Angers, France.

Plenary speaker: Charles E. May, Professor Emeritus, California State University, Long Beach.

Feminisms and modernities have had a long and interlocked history. Now that we are, arguably, in a post-feminist, post-modern era, is it a fitting moment to stop and take stock of this critical encounter?
This provocation emerges out of a particular trajectory of debates, controversies and confrontations in gender studies over the past two decades. Judith Butler's Gender Trouble (1990) destabilised understandings of these interlocked categories about two decades after feminism emerged as a serious tool of critical inquiry. In 1990, also, Gayatri Spivak in The Postcolonial Critic re-located critical feminisms outside the Anglophone world.

As a genre, the short story cycle, or composite novel, has appealed for over 100 years to a wide range of American authors. The major characteristic of this genre is a collection of stories that are both interrelated and self-sufficient—what Madison Smartt Bell calls a "mosaic" quality that contributes to a holistic, yet fragmented "modular design." While critical attention to this genre has focused mostly on matters of either form or content, scholars have not usually considered the form's effect on the text's content, particularly related to gender identity formation.

CFP: Popular Culture and the Classroom
Southwest/Texas Popular Culture Association & PCA/ACA Joint Conference
April 20-23, 2011
San Antonio, TX
Proposal Deadline: December 15, 2010
Conference Hotel: Marriott Rivercenter San Antonio
101 Bowie Street
San Antonio, TX 78205
Phone 1-210-223-1000

Papers (panelists) needed to examine role of popular culture in today's classrooms (which includes secondary classrooms or college classrooms) at the Southwest and Texas Popular Culture Association/American Culture Association Annual Conference (meeting with the PCA/ACA) April 20-23, 2011 in San Antonio, TX.

Word, Image, and Contemporary Lyric Voice(s)

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
www.nemla.org
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

http://ace.iafor.org/Submissions.html

Education systems across the world are becoming increasingly socially, ethnically and culturally diverse, both as a consequence of globalization and in response to internationalization. The conference theme, "Globalization or internationalization?", has a particular focus on adult, distance and access education, and the organizers encourage submissions that approach this question from a variety of perspectives. However, the submission of other topics for consideration is welcome and we also encourage sessions within and across a variety of disciplines and fields related to Education, including: