We are extending the deadline to Nove. 15, since the proposal submission link did not work properly. It does work now.
FORUM Postgraduate Journal Call for Papers
Issue 31 (2020): Art, Disease, and Expression
Science and art are the very nature of human attempts to understand and describe the world around us. As COVID-19 continues to dominate public discourse across the world - its ongoing effects trickling into every facet of our lives - the relationship between our health and how it affects the way we move through society has never felt more prescient. The 31st issue of FORUM aims to explore what has been identified as ‘sickness’ in literature and art through the years. How have the body and mind been treated by writers, artists, and cultural commentators - in sickness and in health.
CALL FOR CHAPTERS
Proposed Title of the Book
Disaster, Holocaust, and Dystopian Literature: Concepts and Perspectives
Understanding Disaster, Holocaust and Dystopian Literature
Theorizing Disaster, Holocaust and Dystopian Literature
Pandemic Fear and Literature
The Evelyn Scott Society invites abstracts of 1-2 pages on the American writer Evelyn Scott (1893-1963). Papers may focus on any of her works (novels, short stories, memoir, poetry, young adult literature), and they may take any contemporary critical approach. We encourage papers that engage with the themes of the 2021 Society for the Study of American Women Writers Conference: Ecologies, Survival, Change. Scott’s work showed keen awareness of the “dynamic, interlocking systems that make up our world,” and often revealed stresses and fault lines where systems conflicted. She also frequently represented resilience in the face of change and hardship, but also probed characters and situations where change was experienced irrevocably as loss.
For MLA 2022, Washington D.C., ChLA + MSA Allied Organization Co-Sponsored Session (non-guaranteed)
Proposals are invited for a volume in the MLA's Approaches to Teaching World Literature series entitled Approaches to Teaching the Works of Jorge Luis Borges.
Essays in this volume could address teaching Borges's work by focusing on topics such as philosophy, religion, mythology, detective fiction, gender relations/gender conflict, politics, the fantastic, history, popular literature, film and other arts, translation. Borges’ works are taught in so many different courses and contexts (Modern Languages, English, History, Philosophy, Religion) that we welcome essays teaching Borges in non-traditional settings or to non-literature students. Contributors are also invited to propose essays on topics not mentioned above.
Emerging Subjects: Transnational Modernism and the Urban Imaginary
We are proposing the following CFP for ACLA 2021, which will be held virtually.
Outside the Western Box—In Search of the Primary
Organized by the Charles Olson Society
American Literature Association, May 27-30, 2021
The Charles Olson Society will sponsor a session at the American Literature Association Conference, to be held in Boston, May 27-30, 2021.
This is a call for papers for a panel to run at NeMLA 2021, which will be conducted virtually March 11-14, 2021. Submit an abstract by October 19, 2020 [deadline extended] here: https://www.cfplist.com/nemla/Home/S/18807
This panel seeks to convene a conversation that theorizes the relationship between the detective novel, the art novel as it has been understood since modernism, and professional literary study—and in doing so move the critical study of detective fiction beyond the impulse to validate the genre as an object of study or redeem it from the stigma of genre.
Life Writing as World Literature, ACLA April 8-11, 2021 (Virtual)
This panel brings the fields of world literature and life writing together to explore social, economic and ideological contexts informing the circulation, translation and reading of auto/biographical texts. Redefinitions of world literature highlight the “effective life” of works “within a literary system beyond that of its original culture” (Damrosch 2003) or underscore that literature now “is unmistakably a planetary system” (Moretti 2000).
Originally an 18th-century German innovation, the bildungsroman became a popular literary genre across the Anglo-American world during the 19th century. A ‘coming of age’ novel about young adults in search of meaning, the genre was the literary medium of choice for many Western writers exploring the moral and psychological developments of characters traversing unfamiliar worlds and encountering new challenges and adventures.
What is boredom and why do we feel bored? Recently, research on boredom has gained momentum in the scientific community, particularly in neuroscience and clinical psychology, where the symptoms of boredom and the behavioral patterns of the bored person are scrutinized (i.e. Boredomlab). Boredom, however, has been explored by philosophers for centuries and has been making a persistent appearance in the modern novel from nineteenth and century to present, in the moments of contemplation, waiting, idleness or complaints of bored characters.
The International Research Journal, Thesis, announces the call for manuscripts for the December edition
Thesis is an international research journal with double-blind peer review, which is published by AAB College in Prishtina.
The journal presents an international forum for empirical, qualitative, critical and interpretative studies, on interdisciplinary research in the Social Sciences and Humanities: Economics, Law, Linguistics, Media Studies and Communication, Pedagogical & Educational Research, Political Sciences and International Relations.
This panel is a part of the 52nd Annual Convention of the The Northeast Modern Language Association. The conference will take place at the Marriott Hotel Downtown in Philadelphia, PA, with the support of the University of Pennsylvania, the local host institution.
The deadline for abstracts is September 30, 2020.
We invite participants to explore some of the ways in which Afro-Latin American experience was narrated by writers, scientists, and politicians in Latin America 19th to mid-20th century and beyond. We encourage participants to address Anglophone, Hispanophone, and Lusophone contexts of the said regions and the ties between these.
In a letter to Lucilius, Seneca distinguishes between a person's being and "the trappings in which he is clothed," urging his interlocutor to "consider [the] soul" in order to distinguish true being from false appearance. In addition to the distinction he makes between being and appearance, Seneca indicates here an analytical tool by which Lucilius can learn to see beyond illusory appearances in order to comprehend the true nature of things (animum intuere). Seneca's instrumental approach to this analysis constitutes a major component of the Ancient tradition of introspective analysis: across genres ancient authors such as Virgil, Propertius, Martial, Horace, Tacitus, Plato, and Aristotle performed similar analyses.
Caribbean novelists, poets, and playwrights have contributed inestimable riches to the world of literature. How have the themes and styles of established Caribbean voices, including Brathwaite, Walcott, Cliff, and Naipaul, been adapted or diverged from by younger Caribbean voices? Abstracts should be a maximum of 300 words and be submitted via the Northeast Modern Language Association website. Go to http://www.buffalo.edu/nemla/convention/callforpapers/submit.html
The 52nd NeMLA (Northeast Modern Language Association) Convention (Philadelphia, PA) is now going to be held on a hybrid/virtual platform between March 11 and 14, 2021. This means you can present your papers virtually from anywhere in the world without having to travel to Philadelphia, PA. We now hope to hear more from scholars and students living outside of the US. Please consider sending your abstracts to our panels by September 30! See this link for more instructions: http://www.buffalo.edu/nemla/convention/callforpapers/submit.html
Reposting my own panel description here for anyone interested in global modernism and print networks:
52nd Northeast Modern Language Association Convention
March 11-14, 2021 / Philadelphia, PA
In light of the 2020 COVID-19 pandemic and public debate about who or what kind of work is deemed “essential,” this panel seeks to examine the intersection of literature and labor, prioritizing depictions of precarious workers who are sacrificing their personal well-being for the public good, but also to maintain their own economic security.
Despite the proliferation of critical engagements with theories of reading by scholars of literary studies, it seems fair to say that relatively little has changed since Paul de Man claimed, “the resistance to theory is in fact a resistance to reading, a resistance that is perhaps at its most effective, in contemporary studies, in the methodologies that call themselves theories of reading but nevertheless avoid the function they claim as their object” (The Resistance to Theory 15). This panel asks, is this resistance brought to a theory of reading, as if from “the outside,” or is resistance internal to any theory of reading? In what ways does reading generate and/or depend on its own resistances?
A chapter which explores the fiction of middlebrow author Molly Keane (alias: M.J. Farrell) in realtion to the Gothic is sought to round off the edited collection Middlebrow Gothic: Dark Domesticity in British Popular Fiction, 1920-1960.
The original CfP is as follows:
The concept of evil received much attention throughout the 20th century. Despite the industrial scale atrocities committed in Nazi Germany, Stalinist Russia, and Maoist China, alongside the genocides in Cambodia, Bosnia-Herzegovina, and Rwanda, as well as the explosion of serial killers like Ted Bundy, Jeffrey Dahmer, and Andrei Chikatilo in the latter part of the 20th century, the first two decades of the 21st century have been largely unconcerned with rigorous discussion of such evil.
Call for papers for Northeast Modern Language Association conference in Philadelphia, PA
March 11-14, 2021
The mid-twentieth century saw seismic shifts for British women, including those living under British rule in the colonies, in the public and private spheres. These years are often imagined as a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the Front. But this narrative needs reexamining.
In this session, we will especially focus on how the British classic literature of the 19th and early 20th centuries have been adapted concerning Thatcherism, the heritage industry, colonialism, Britishness (Englishness). The so-called "Heritage Fever," which hit British society in the 1980s, was largely supported by national-led policy. In the 1980s, for example, cultural heritage preservation movements spread nationwide; museums and heritage centers around the country were created. A great deal of British interest in the so-called “Old England,” such as visiting historic sites, became an honor factor.
East Delta University Journal of English Studies
Department of English
East Delta University
Title of the Issue: “Multiculturalism and Multilingualism in Contemporary Humanities Studies”
Panel Session in Italian / Cultural Studies and Media Studies at the Northeast Modern Language Association (NeMLA) Convention Chairs
Lauren Surovi (University of Wisconsin-Madison)
Corie Marshall (University of Wisconsin-Madison)
The Modernist Review, an online journal associated with the British Association of Modernist Studies, is looking for submissions for an issue on Black Lives Matter and Modernist Studies. The deadline for 200-word abstracts is the 23rd September - we look forward to reading your submissions.
Content warning: police brutality
Commitment—a concept which names the title of Theodor Adorno’s 1962 critique of a text’s thematic engagement with politics—entails a work’s capacity to mark a site of historical intervention. “When I am committed,” says Jean-Paul Sartre, “I reveal the situation by the very intention of changing it…I strike at its very heart, I transfix it, and I display it in full view…with every word that I utter, I involve myself a little more in the world." For scholars of the modernist documentary, commitment serves as a starting point for attempts to better understand the historical import of literary experiments in reportage.