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modernist studies

Identities under Siege: The Other in Fascist Discourses

updated: 
Thursday, September 7, 2017 - 10:46am
NeMLA 2018
deadline for submissions: 
Saturday, September 30, 2017

Please consider submitting an abstract for the following panel at the 2018 NeMLA convention in Pittsburgh, PA on April 12-15, 2018: Identities under Siege: The Other in Fascist Discourses

Limits of Laughter in Cultural Discourse and Practice

updated: 
Wednesday, September 6, 2017 - 1:15pm
Ramakrishna Mission Residential College (Autonomous), Narendrapur
deadline for submissions: 
Sunday, October 8, 2017

DEPARTMENT OF ENGLISH

Ramakrishna Mission Residential College (Autonomous), Narendrapur

Inter-University Students’ and Researchers’ Conference 2017

November 10-11, 2017

On

Limits of Laughter in Cultural Discourse and Practice

 

The End of Temporality

updated: 
Wednesday, September 6, 2017 - 12:51pm
ACLA 2018 Annual Meeting
deadline for submissions: 
Thursday, September 21, 2017

The American Comparative Literature Association's 2018 Annual Meeting

University of California, Los Angeles (UCLA)

March 29th-April 1st, 2018

Hemingway Society Panels for ALA 2018

updated: 
Wednesday, September 6, 2017 - 12:51pm
The Hemingway Society
deadline for submissions: 
Monday, January 1, 2018

Call for Papers

American Literature Association Annual Conference

May 24-27, 2018

San Francisco, CA

http://americanliteratureassociation.org/

 

The Ernest Hemingway Society will sponsor two panels at the upcoming ALA Conference:

 

Ambulance Driver: Hemingway and the First World War

Kzoo 2018: Innovative Technologies: Modern Responses to the Medieval (A Roundtable)

updated: 
Wednesday, September 13, 2017 - 10:12am
Hortulus: The Online Graduate Journal of Medieval Studies
deadline for submissions: 
Friday, September 15, 2017

Hortulus: The Online Graduate Journal of Medieval Studies is sponsoring a roundtable at the Kalamazoo International Congress on Medieval Studies in 2018.  Innovative Technologies: Modern Responses to the Medieval (A Roundtable)  Please send abstracts of no more than a page, along with a current CV and the Participation Information Form (available on the Medieval Congress Submissions page:http://wmich.edu/medievalcongress/submissions) to Gwendolyne K

Off the Road: Travel and Road Trip Narratives, Fragments, and Aesthetics (ACLA 2018 Conference)

updated: 
Friday, September 8, 2017 - 2:50pm
Nicole Dib / University of California, Santa Barbara; Jacqueline Foertsch, University of North Texas
deadline for submissions: 
Thursday, September 21, 2017

In American Road Narratives: Reimagining Mobility in Literature and Film (2015), Ann Brigham elaborates the identity building capacities of the road trip genre, and takes on the problem of mobility in women’s and minority writing. By challenging our privileging of mobility as a cultural mythology, Brigham complicates the required agency behind the very act of going on the road, analyzing ethnic and minority literature in light of contemporary political tensions.

 

ACLA 2018-The Story of Memory: Remembering, Forgetting, and Unreliable Narrators (UCLA, 3/29-4/1, 2018)

updated: 
Thursday, September 7, 2017 - 1:19pm
ACLA
deadline for submissions: 
Thursday, September 21, 2017

CFP: ACLA 2018

The Story of Memory: Remembering, Forgetting, and Unreliable Narrators

UCLA, Los Angeles, CA

March 29-April 1, 2018

Abstract Submission Deadline: September 21st , 2017

 

Contact: Mavis Tseng

Assistant Professor, Taipei Medical University

mavistseng@tmu.edu.tw

maviscomplit@gmail.com

 

 

 “We talk about our memories, but should perhaps talk more about our forgettings, even if that is a more difficult – or logically impossible – feat.”

Julian Barnes, Nothing to Be Frightened of

 

REMINDER: Modernism's World Languages

updated: 
Thursday, September 7, 2017 - 10:40am
NeMLA 2018: Pittsburgh, PA (April 12-15)
deadline for submissions: 
Saturday, September 30, 2017

As Douglas Mao and Rebecca Walkowitz indicate in their article “The New Modernist Studies,” recent trends in modernist studies have operated a radical revision of the term “modernism,” moving away from the idea that modernism is confined to a single place (Europe, North America, and the West in general) or a single time (roughly 1890-1940). As the map of “transnational” and “global” modernisms expands, ever more attention has been given to new languages, phenomena of bilingualism and multilingualism, and translation as a fundamental practice in modernist writing (Yao, Rogers).

Always Periodize? Methods and Implications of Literary History (ACLA, March 29--April 1st, 2018)

updated: 
Thursday, August 31, 2017 - 4:14pm
Ralph Clare, Boise State University; Matthew Mullins, Southeastern Baptist Theological Seminary; Jeffrey Severs, University of British Columbia
deadline for submissions: 
Thursday, September 21, 2017

In the very first issue of Comparative Literature René Wellek challenges A. O. Lovejoy’s insistence that the explanatory power of traditional periodization has been exhausted. In the pages of PMLA, Lovejoy had advocated that literary critics think in terms of “Romanticisms” in the plural rather than “Romanticism” in the singular. “I propose to show,” Wellek counters, “that there is no basis for this extreme nominalism, that the major romantic movements form a unity of theories, philosophies, and style, and that these, in turn, form a coherent group of ideas each of which implicates the other.” Nearly seventy years later, the question of periodization has become central to literary studies once again.

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