online conferences

CALL FOR PROPOSALS

#IFM2025 Resonances Conference

June 10-13, 2025, via Zoom

The 7th Interactive Film and Media Annual Conference invites you to engage with the theme "Resonances," exploring how media fosters deep, meaningful connections in our daily lives. This year’s conference delves into how personal and communal experiences shape our interactions and understanding of the world. We encourage submissions that critically engage with the theme and its subtopics, including:

• Response: How do we form thoughtful responses to crises in an unstable world?

*This is a hybrid interdisciplinary conference funded by the Humanities Research Centre at the University of Warwick, accompanied by potential publication opportunities.*

In A Dying Colonialism (1959), Frantz Fanon, one of the most significant thinkers on decolonisation, writes firmly:

‘There is not occupation of territory, on the one hand, and independence of persons on the other. It is the country as a whole, its history, its daily pulsation that are contested, disfigured, in the hope of a final destruction’ (p. 65).

Terrifier 3 (in cinemas at the time of sharing this call) has defied all expectations, attracting widespread commercial and critical success, and becoming the number one film in the USA. Since the creation of Art the Clown in the short film The 9th Circle in 2008, the Terrifier franchise has gone from strength to strength, challenging some of the fundamental assumptions underpinning Hollywood filmmaking over this period. Damien Leone’s films, boasting low budgets, a grindhouse aesthetic and an impressive level of envelope-pushing gore (bolstered explicitly by practical effects), have turned Art and Sienna into modern horror icons and continued to unashamedly appeal to genre fans.

Title: "Future Memory: Intersections of Memory, Technology, and Narrative in Literature and Film"

Please find the panel and submit to ACLA: Future Memory: Intersections of Memory, Technology, and Narrative in Literature and Film Across Time | American Comparative Literature Association (acla.org)

Infrastructures, both visible and invisible, are all around us and they permeate our lives in various ways. Larkin defines infrastructures as “built networks that facilitate the flow of goods, people, or ideas and allow for their exchange over space” (327). Though most commonly associated with its physical manifestations, the term infrastructurealso encompasses intangible elements that play a crucial role in society. Thus, infrastructures are not merely "limited to pipes, roads, and wires" but should, instead, be understood as “interdependent networks of materials, people, and nature that enable the functioning of modern life” (Lockrem 529).

CALL FOR PAPERS
The 12th International Conference
Synergies in Communication (SiC 2024)
31 October- 1 November 2024
(hybrid format)

International Conference on "Precarious Wetlands in Anthropocene: Representations in Literature, Cinema and Media"

Conference Date: 12-13 December 2024 (Virtual)

Organised by: School of Liberal Arts and Humanities & CoE-Literature Studies, Woxsen University, Hyderabad, India

Concept Note

ACLA: GROWING UP IN THE GLOBAL SOUTH: CHILDREN AGENCY AND WORLD-MAKING IN CONTEMPORARY LITERATURE

Title: Beyond Backwardness: Revisiting Rural Spaces as Sites of Resistance, Renewal, and Radical Potential Organizers: David Delgado López (Visiting Assistant Professor, Carleton College), Kelly Ferguson (Assistant Professor, Miami University), Brittany Frodge (Lecturer, Ohio State University) Description: Due to varied complex historical processes such as industrialization, urbanization, and colonization, the rural has often been articulated in literature and other cultural products as an underdeveloped space tied to the past that can only progress through civilizing acts of modernization; Domingo Faustino Sarmiento’s Facundo or Civilization and Barbarism (Argentina, 1845), Camilo José

Please consider submitting a proposal for our third edition of “American Afterlives” @ the 52nd annual Louisville Conference on Literature and Culture, February 17-18, 2025 (virtual) and February 20-22, 2025 (in person).

The LCLC seeks submissions for “American Afterlives,” a dedicated panel stream that crosses the pre-1900/post-1900 divide. Presentations will focus on ways of rethinking the chronologies by which we structure stories and studies about American literature and culture. Previous panels and papers have considered aesthetic experiments and traditions, remediations of early American texts, speculative and historical fiction, cultural histories of technology, and more.

Please note that abstract submissions must be sent through the ACLA submission portal online. For details, see the seminar posting on the ACLA website: https://www.acla.org/comparative-literature-and-politics-detranslation 

The 2025 annual meeting of the American Comparative Literature Association will be held virtually, May 29-June 1, 2025.

RT: Gone Too Soon: Sunsetting and Transitioning Digital Projects (sponsored by the Digital Humanities Caucus) [ID 96]

Title: Interactive Narratives: Rethinking Interactivity and Digital Archiving

ACLA Conference Dates: May 29–June 1, 2025, Online

Call for Papers and Book Chapters

This seminar invites submissions that explore intentional illegibilites deployed in literary and visual forms in the African diasporas of the Atlantic and Indian Ocean worlds. Despite their intertwined histories of slavery and colonialism, these regions have typically been understood as hermetically sealed off from one another in the humanities. The fields of literary studies and visual culture, however, illustrate how racialized subjects across these aqueous geographies have relied on shared strategies of opacity and obfuscation, leveraging forms such as the photograph and the novel whose histories and development were imbricated in colonial processes.