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Special issue on the « Contemporaneities of Indigenous Poetry in the United States »
Edited by Aurore Clavier (U. Paris Cité), Mathilde Louette (U. Paris Cité) and Baptiste Rembert (Sorbonne U.)
ARGUMENT:
In Aldous Huxley’s Brave New World, humans are conditioned to seek out human companionship and to despise being by themselves. Helmholtz Watson, a lecturer of Emotional Engineering, relates a story to Bernard Marx about being disciplined for sharing some of his poems with the students he was paid to indoctrinate. When asked what the poems had been about, Helmholtz tells a surprised Bernard, “They were about being alone.”
Repetition governed the rhythms of early modern life through the practices of liturgy and prayer, the rote drills of grammar-school pedagogy, the iterative logic of print, and the rhetorical schemes (anaphora, epistrophe, ploce, tautology) that early modern writers were trained to use. Repetition could consolidate memory and community, generate affect, structure devotion, or signal decorum. Yet it could also misfire—becoming tedious, compulsive, alienating, or a mark of failure, excess, or exclusion. This panel asks what repetition did in early modern literature and culture, and for whom, treating it simultaneously as a stylistic device and a lived cultural practice.
How does lyric address create forms of relation across difference? This panel invites papers examining the intersections of poetry, lyric address, and peacebuilding, with particular attention to coexistence, care, responsibility, witness, repair, and collective life.
Northeast Modern Language Association 58th Annual Convention, Newport, RI, March 6-9, 2027 (Salve Regina University)
Deadline for abstract submissions: September 30, 2026
Please submit abstracts via the NeMLA portal: https://cfplist.com/nemla/User/SubmitAbstract/22533
This virtual seminar takes its inspiration from Saidiya Hartman’s citation of the Greek etymology of the word chorus: “to dance within an enclosure.” For Hartman, the chorus also furnishes a paradigm for thinking—to play on Jean-Luc Nancy’s notion—Black (non)being singular plural. In Wayward Lives, Hartman suggests that any of the minor figures can stand in for the others, not as a claim of homogeneity, but rather as a contention that their singularity can be read as paradigmatic of waywardness—in its queer heterogeneity—in general. The chorus of black femme and queer youth is thus at once a singular plurality and a plural singularity as they make beautifully riotous lives within the enclosure of social death.
Call for Papers – Volume 37, Issue 1 & 2 (2027)
Dear Colleagues,
Litera: Journal of Language, Literature and Culture Studies – Dil, Edebiyat ve Kültür Araştırmaları Dergisi, the official publication of the Department of Western Languages and Literatures at Istanbul University, invites submissions for its 2027 issues (Volume 37, Issues 1 & 2).
The International T. S. Eliot Society invites you to propose a conference paper for a guaranteed member society panel at The ALA (American Literature Association) Winter Symposium--"Music and American Literature" Jan 28-30 in Nashville, TN
I'm seeking participants for an APPA panel on "Poets' Novels" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.
Proposals on novels or experimental prose forms by writers who primarily identify or are recognized as poets will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support.
For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July
I'm seeking participants for an APPA roundtable discussion on "The Poet in the Novel" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.
Proposals on novels or experimental prose forms that feature a poet as protagonist will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support. Samuel R. Delany is likely to feature significantly.
For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July
Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia Nov. 5-7, 2026.
Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia, Nov. 5-7, 2026.
For Reference:
https://europe.umgc.edu/content/dam/umgc-europe/documents/upload/cultura...
Cultural Constellations: A Journal of Literature and Art
Past and present, the Pacific Northwest has functioned in literature as a dynamic space defined by transition, ecological precarity, and socio-political friction. This panel explores writers of fiction, poetry, memoir, and non-fiction whose work investigates the unique sense of place, history, and culture defining the region. We welcome papers that engage with the tensions between industry and preservation, indigenous sovereignty, labor movements, and the mythologies of the western wilderness.
Resurgens Theatre Company, along with the Georgia State University Department of English, is pleased to announce our fourth biennial conference on early modern verse drama by Shakespeare and his contemporaries, “Shakespeare’s Apocrypha Now.” We’re calling for papers that examine some aspect of Shakespeare’s non-canonical plays, i.e., those dramatic works that have been or are currently attributed to Shakespeare (as a whole or in part) that have yet to receive widespread scholarly and/or theatrical recognition. We particularly welcome topics on canonicity, collaboration, and performance-oriented concerns regarding Renaissance drama and/or early modern print culture.
The erotic is a point of infinite signification, a navel in humanity’s symbolic circuit. However, despite its resistance to formalization, it is always in the process of not being written. As Octavio Paz insists, the erotic is a metaphor indelible to the human. As such, it is unsurprising that the manifestations of the erotic in subjective embodied experience are variable and correspond to equally plural treatments of it across the academic panorama. This diverse archive is bound by certain distinguishable threads, in terms of the potentiality of the erotic, its singular relation to language, and to the sphere of sexuality.
The Robert Lowell Society invites papers on the musical engagements of Confessional and late-Confessional poets with a view to sponsoring a panel at the ALA Symposium "Music and the American Literary Imagination" (January 28-30, 2027, Nashville, TN). Such papers could include inquiries into:
The musical forms of Confessional poets' verse—e.g., Sylvia Plath’s stark meters and her refrains, or John Berryman’s jazz-like syncopation, or Adrienne Rich’s and Frank Bidart’s use of musical metaphors and structures;
Marianne Moore 2027, hosted by the Faculty of English at the University of Cambridge, will follow the highly successful formats of previous Moore conferences (Penn State 2003, Houston 2015, Buffalo 2020, Stanford 2025) with a schedule of panels, round tables and Q&As for a single audience over two and a half days. Exactly 100 years after Moore herself visited Cambridge, the purpose of the conference is to bring together an international and various group of readers with a strong predilection for thinking and writing about poetry, and put them to work newly and again on this singular, difficult, and discriminating poet. The schedule will take shape around readings between Marianne Moore and other writers.
6/26/26 - 8/31/26: Subs are OPEN for our big 10th Issue: A Day In The Life.
… um, like The Beatles’ song?
YES!
We’re interested in the ways in which art like this exists in the world — with such wildly different fragments and contrasting energies not just coming together but overflowing with a vivid, mad, inventive creativity! (We do like this song.)
So, do we want poems and artworks about this song, or pieces about The Beatles? NO!
Location and Date: May 20-23, 2027 University of Houston
In-person and Virtual: This panel will meet in-person
CALL FOR PAPERS FRAME 40.1 “(Be)Longing”
In the definition given by Podnieks, matrifocal literatures are written and narrated by mothers in the first-person or limited third-person voice, rendering maternal identity and experience from subjective perspectives. Such narratives (re)value the significance and meaning of maternal figures in cultural, social, and national arenas, and often contest or negotiate traditional ideologies of the “good” mother as self-sacrificing, nurturing, and sexless with her antithesis, the “bad” mother. In the last few years, we have seen the rise of matrifocal writings published to break taboos about previously silenced reproductive experiences, create a sense of community, support, and care, and, overall, empower people.
UVA Wise Medieval-Renaissance Conference XXXIX (9/17-19) deadline for submissions: June 26, 2026 full name / name of organization: University of Virginia-Wise Center for Medieval-Renaissance Studies contact email: kjt9t@uvawise.edu
When we think of the Central Valley, that strange opaque space between Los Angeles and San Francisco, we often think of heat, smog, and sometimes fruits and vegetables. What we don’t think about, however, is the immense literary scene of writers from the Central Valley and/or writing about the Central Valley. From Manuel Muñoz, to Gary Soto, to Juan Felipe Herrera, to Lee Herrick, to Marisol Baca, to David Dominguez, to many others, the Central Valley literary community is capacious and deserves attention. As such, this panel session invites papers that discuss the literary community of the Central Valley.
The Politics of Literary Form
Graduate Student Conference at Johns Hopkins University
Date: November 13–15, 2026
Location: Johns Hopkins University, Baltimore, MD
Keynote Speaker: Oliver Simons, Columbia University
Theme: Hip Hop and Rap Conference
Tentative date: November 19-22
Location: Houston, TX
Award for best presentation
Scholarship for top scholars
One hundred years:
still, the fire burns.
In 1926, Wallace Thurman, Langston Hughes, Zora Neale Hurston, and Aaron Douglas lit a match called FIRE!!, a journal by younger Black artists who refused to wait for permission.
It ran one issue. It changed everything.
Now, we strike the match, one century later.
FIRE!!! returns to publish twenty-one new pieces, paid, in the spirit of the original.
There are seats at this table for emerging African American writers, poets, photographers, makers, and artists.
“Science and Sensibility: Method Meets Art”
A Transdisciplinary Conference
Date: October 17-18, 2026
Location: University of Oxford, UK and online
Conference Webpage: https://labrc.co.uk/2026/06/15/science-and-sensibility-2026/
Call for Submissions: The Pocket Poet (Inaugural Autumn Issue 2026)
We are thrilled to announce the launch of The Pocket Poet, a new international poetry journal dedicated to powerful poems in small spaces. We are officially opening submissions for our Inaugural Autumn 2026 Issue and invite poets from every corner of the world to share their work with us. What We SeekWe are looking for original, engaging poetry that thrives in brevity. This includes:
The Australasian Modernist Studies Network and Modernist Studies in Asia present
JOINT AMSN / MSIA BIANNUAL CONFERENCE
NOVEMBER 19-21, 2026
Conference website: https://adelaide.edu.au/about/events/2026/joint-amsn-msia-conference/#ta...
INTOXICATING MODERNISM
The Intimacies of Kith seeks to bring together scholars who are also practitioners of poetry from Asian North American and Southeast Asian communities. Our goal is to create a shared space for poet-scholars to engage one another directly, creating opportunities for sustained dialogue across geographic and disciplinary boundaries.