poetry

Call for Papers

dialog, No. 46, Autumn 2025

dialog, a Peer-reviewed, Bi-annual International Journal of the Department of English and Cultural Studies, Panjab University, Chandigarh, India is open to submissions for its next issue, No. 46, Autumn 2025 (ISSN: 0975 - 4881) (final stages of publication). dialog provides a forum for interdisciplinary research on diverse aspects of culture, society and literature. For its 46th issue, Department of English and Cultural Studies, Panjab University specifically invites:

The 

CFP: WHAT MIRACLE: NEW REVELATIONS ON THE PROSE POEM

**The deadline for this CFP has now been extended to Wednesday, April 1.** 

October 15 and 16, 2026, in Rome, Italy

Internationale Tagung
Istituto Storico Austriaco a Roma

Austrian Negatives
In the Darkroom of the Habsburg Empire
Maria Giovanna Campobasso, Flavia Di Battista, Matteo Zupancic
7-8 October 2026
Deadline: 10th May, 2026

Californian Williams Seeking papers that elaborate Williams’s relationship to California and West Coast culture, broadly defined or focused on various Los Angeles poetry scenes, Williams’s reading tours, engagement with Hollywood, or relations to western modernism. One-page abstract to Mark C. Long mlong@keene.edu no later than Friday, March 20, 2026

 The Literature and Religion session invites abstracts for a panel that explores the multifaceted role of religion and spirituality within literary cultures, especially as they intersect with social hierarchies, power structures, and conflict. Religion has long shaped literary expression.

“The poetry of witness reclaims the social from the political and in so doing defends the individual against illegitimate forms of coercion.”- Carolyn Forché

“But is it enough that a poem “remembers” when we are now entrenched in an era of total recall?”– Cathy Park Hong, “Against Witness“

Unearthed invites submissions for an upcoming issue devoted to witnessing in a time of social and ecological rupture. We welcome work that refuses to look away from injustice and chronicles radical resilience.

On Sean Bonney: Poetic Radicalism at the Turn of the Third Millennium

A two-day international conference to take place at

Université Paris Cité

10th and 11th of December, 2026

Organising committee:

Bastien Goursaud (Université de Picardie – Jules Verne)

Andrew Hodgson (Université Paris Cité)

Abigail Lang (Université Paris Cité)

Elise Legal (Université Paris 8)

Sean Mark (Université Catholique de Lille)

Seminar for Modernist Studies Association Conference

How text appears on the page has been of periodic interest to poets for centuries. This interest grew in late-nineteenth and early twentieth-century poets as shown by the work of Stephane Mallarmé and by artistic movements such as Dada. Concrete poetry, a style of poetry mostly from Germany and Brazil in the 1950’s (Thomas) adhered to this interest. Other types of experimental poetry have worked on the liminal edges between text and image, where the appearance of the text supersedes its content, as in more recent work by Susan Howe. Generally speaking, as Greg Thomas argues, this poetry is “concerned with complicating or undermining linguistic sense” (Thomas 4) in its turn to the visual.

The UC Davis English Graduate Student Association (EGSA) is hosting its fourth annual student-led Connections Conference under the wide-ranging theme of “Time.” This year’s conference considers “Time” in its broadest sense. According to the Oxford English Dictionary, “time” is defined as “A finite extent or stretch of continued existence.” Time has also been conceptualized in other terms.

Seeking submissions exploring the formal contours of ecopoetics across time, cultural traditions, and media environments.

250-word abstract, brief bio and CV by March 20, 2026. 

Nikki Skillman, Indiana University-Bloomington

nskillma@iu.edu

In 1966, Seamus Heaney published Death of a Naturalist, the collection that would launch his career and establish him firmly in the public eye as a poet of place whose local accents and autobiographical bent marked a new direction in twentieth century Irish poetry. In the same year, Heaney accepted a lectureship at his alma mater, Queen’s University Belfast, and made his first appearance on Ireland’s Late Late show, reading Blackberry Picking and gaining a mass audience thanks to the power of broadcast media. 

Call for Papers - Fall 2026 Issue  

The Dragon Lode Journal, a peer reviewed publication through the International Literacy Association, is now accepting submissions for the Fall 2026. The Dragon Lode is dedicated to literacy, language arts, and the teaching of reading and writing. 

We seek original, unpublished work that engages with contemporary issues and questions, genre studies, literary theory, and research related to children’s literature and reading. Submissions may address (but are not limited to): 

2/15/26 - 4/30/26: Subs are open forIssue #9: Collaborations!We are seeking both poetry and art.There are no theme / subject restrictions.