The Mythgard Institute at Signum University is pleased to announce the third annual Mythgard Midatlantic Speculative Fiction Symposium (known affectionately as MidMoot III) on September 24-25, 2016 at the University of Maryland at College Park. Additional details about the symposium will be announced in the summer, including special guests. We are accepting proposals now for short presentations intended to foster discussion. Presentation topics are welcome in the following areas:
This is a call for short proposals (title + 50-100 words) that could be developed into longer essays for a collection on intertitles - the printed text in silent movies. Potential topics include:
Intertitles and silent cinema
Intertitles and translation
Intertitles and adaptation
Intertitles in other mediums
Reading on screen
Projected text/embedded text
intersections of text and image
Short proposals due: July 1st, 2016
Email: Gregory Robinson ~ email@example.com
For more information on the project, visit:
'While we talk, the sun is getting older. It will explode in 4.5 billion years.'
Jean François Lyotard, 'Can Thought Go on Without a Body?'
'living on can mean a reprieve or an afterlife, "life after life" or life after death, more life as more than life, and better; the state of suspension in which it's over - and over again'
Jacques Derrida, 'Living On: Borderlines'
'Whether my life had been before that sleep
The Heaven which I imagine, or a Hell
Like this harsh world in which I wake to weep,
I know not'
Percy Bysshe Shelley, 'The Triumph of Life'
The Verbal Text & National Literary Historiography
An Interdisciplinary Conference
10-12 November 2016
Queen Mary University of London
Call for Papers
Deadline for proposals: 1 June 2016.
Confirmed keynote speakers: Tsitsi Jaji (Duke), Peter Howarth (Queen Mary).
There will be performances by poets from South Africa and the United Kingdom.
IDENTITY & THE SELF '16 / Interdisciplinary Conference on Cultural Identity and Philosophy of the Self will be held on November 11-12, 2016 in Istanbul. The conference is organized by DAKAM (Eastern Mediterranean Academic Research Center).
Papers will be published in DAKAM's online library and in the proceedings e-book (with an ISBN number), which will be given to you in a DVD box and will be sent to be reviewed in the "Thomson & Reuters WOS' Conference Proceedings Citation Index-CPCI"
Deadline for abstract submission: August 5, 2016
Deadline for registration: September 30, 2016
Deadline for full papers submission: October 7, 2016
"American Communities: Between the Popular and the Political"
2016 Biannual Conference of the Swiss Association for North American Studies, SANAS
University of Bern
November 4-5, 2016
RSAA 2017: Transporting Romanticism: Mediation and Mobility
16-18 February 2017
Wellington, New Zealand
Co-hosted by Massey University and Victoria University of Wellington
Proposals due: 20 August 2016
Please send a 250 word abstract, and one-page CV, for either a scholarly or a creative ASLE (Association for the Study of Literature and Environment) panel at the upcoming annual conference of the Society for Literature, Science, and the Arts, themed "Creativity." Ten-minute papers or creative presentations/ readings may focus on any of the following subjects:
New ecopoetics, ecofiction, or 'nature writing'
The good, bad, or ugly of 'created environments'
Creative ecocritical theory
Creativity within/ creating the materialist turn in theory
The (eco)process in process theory
Theories of artistic/scientific creativity
Keynote lectures: Peter Greenaway and Prof. Richard Wilson
For Deleuze and Guattari there are modes of literature that offer themselves to the state, to official and institutional discourse, and thus to the hierarchically transcendent. These reactionary forms are to be contrasted with the resistant, revolutionary, and immanent 'lines-of-flight' of 'minor literature'.
RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
An International Conference on the Risk Humanities
Durham University, UK
12-13 July 2016
(Professor of African and African American Studies, Duke University)
(Australian Research Professor, University of Queensland)
(William H. Wannamaker Professor of Romance Studies, Duke University)
Acting Out: The IV International Flann O'Brien Conference
Department of English Studies, Salzburg University
July 17–21 2017
Anne Fogarty (University College Dublin)
Stanley E. Gontarski (Florida State University)
Maebh Long (The University of the South Pacific)
Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016
All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.
Akda: The Asian Journal of Literature, Culture, Performance is an international peer-reviewed journal that seeks to publish cutting-edge articles in the areas and intersections of Literary, Cultural, and Performance Studies. We especially welcome articles that will inaugurate new and dynamic directions for scholarly inquiry on the literary and cultural production of the Asian region. Further, in our commitment to diversity and to multicultural dialogue, we welcome contributions that may potentially be relevant to the concerns of the region from various national and cultural backgrounds. The journal is supported by a distinguished editorial board that represents the journal's scholarly depth and geographic scope.
This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
What happens when instructors of English migrate from the borders of a physical classroom to digital teaching environments? As administrators and students call for more courses to be made available online, instructors are placed in the position of translating or recreating courses typically taught in face‑to‑face environments to digital spaces. This panel calls for presentations of instructors' experiences—successes and otherwise—teaching English courses online. This call welcomes instructors of literature, first‑year composition, rhetoric, writing, English for non‑native speakers, technical writing, literary criticism, and creative writing.