Following the lead of the 2016 Slavic Studies Conference held in Padua and Venice, we propose to further the discussion of Slavic Studies among young scholars by hosting a new meeting at the University of Genoa. This second edition of the conference, directed at doctoral students and recent PhDs (whose degrees have been completed within the last 4 years), will be devoted to the topic of ostranenie.
Voyeurism functions in fiction in many ways: as state surveillance, as individual stalking, and even, arguably, in the acts of reading and writing. This panel will consider voyeurism through voyeur-tinged original fiction and critical papers both on voyeuristic works of fiction and on the voyeurism of the reader/writer/character relationship.
This panel examines the imbrication of the avant-garde with mass-produced art in order to discern the relationships between the proliferation of images and capitalism in the advent of modern visual culture. Imitating the shock value of advertising, the avant-gardists appeal to the eye of the viewer to gain visibility in the domains of art and draw the consumer’s attention to its product, thereby revealing the profit-oriented motives of marketplace exchanges. Immaterialities such as images are thus transformed into commodities that blend high and low aesthetic genres that participate in the consumer society.
This panel explores the sense of place as part of the indigenous language of American artistic production of Modernism in the context of the European avant-garde. Though U.S. poets and artists were influenced by the formal techniques of Cubism, Futurism, Expressionism, Dadaism and Surrealism, they were also determined to search for the essence of an expressive language that defined its authenticity as opposed to European foreignness. One of their avenues of research was the exploration of the distinctive features of the American soil as a means of contributing novel aspects to modern aesthetics. The genuine character of the environment is closely linked to the strong attachment to rural or urban spaces and the value they acquire for the observer.
This panel proposes that early modern transformations in rape law placed pressure on issues concerning female self-possession, sexual knowledge, pleasure, and consent and that these tensions were critiqued and, at times, exploited by playwrights and authors of the period. In what ways do sixteenth and seventeenth century poetry, drama, and literature explore the injustices and ambiguities arising from the elision of resistance, coercion, and consent in sexual encounters?
CALL FOR PAPERS
from undergraduat students
26th Annual St. Francis Writers’ Conference (formerly known as the ELL)
to be held at the
University of St. Francis
Saturday, November 18, 2017
featuring author and award-winning reporter/columnist
Maudlyne Ihejirika as keynote speaker
Please submit abstracts for proposed papers or samples of creative writing
by May 31, 2017, and completed papers (approx. 2000-3000 words or
1500-2000 words for AP and introductory students) or presentations no
This ASLE (Association for the Study of Literature and Environment) panel at the 31st annual meeting of the Society for Literature, Science, and the Arts in Tempe, AZ 9-12 November, invites 15-minute papers that address the conference theme in terms of the Anthropocene. What might be lost and/or what might be gained with this new measure of geological time, and what it might mean to weigh and measure -- to demarcate meaning or value -- in an age at once characterized by a new awareness of vertiginous scale and complex interconnection, and by the seeming collapse of agency itself into a singularity, an idea of "Man"?
The multi-media possibilities of the web, the optic flexibility of digital books, the ability to record image and sound cheaply and share that material quickly and widely over a variety of platforms, have drastically undermined poets' dependence on the page and print-based forms of distribution. Something has changed in the manner we encounter poetry. To what extent, though, have these technological changes transformed the forms and functions of poetry as such? Have they finally produced the necessary conditions for truly 'verbi-voco-visual' work, a one-time dream of the modernist avant-garde? Have multimedia forms of poetry displaced more traditional forms and formats?