CFP: Horror Comes Home (edited collection; film and television)
Deadline: Abstracts 1/15/18; Essays 8/1/18
The horror genre in film and television is no stranger to images of home. As Carol Clover notes, most horror occurs within a “terrible place,” often a space that, in fact, represents home, transforming it from a refuge to a prison or a supernatural battleground.
How do our understandings of home shift within the horror genre when “home” might mean a coffin, a sideshow, a hotel, a tent, or transitory refuge? What happens to notions of home when it is the site of physical or psychological violence or contamination? This volume seeks to engage with the spectrum of these representations of home within the horror genre.