Feminism does not exist in singularity, and its plurality centers disenfranchised narratives and perspectives. Due to the interwoven structural oppressions based on the social construct of identities, intersectionality’s formation provides a foundation and praxis to theorize and contribute to the dismantling of systemic oppressions. The whitening of intersectionality participates in commodification (Bilge 2015), in stark opposition to its original intentionality (Crenshaw 1991), and calls into question the plurality of feminism as if a hegemonic conceptualization of ‘feminism’ would be preferred, enhanced, or (en)forced.
This panel explores topographies of memory and architecture as a powerful force for cinematic storytelling, cityscapes’ psychosis, etc. As part of the special session, we are looking for contributions examining and analyzing diverse relationships between cinema, television, architecture, and memory and their links with contemporary Spanish media and identity. Submissions in English and Spanish, although we recommend the latter.Since Foucault conceptualized the notion of “heterotopy” as those ephemeral or stable places in relation to the parameters of exclusions of the dominant groups, the emergence of the internet and social media has further transformed traditional heterotopias.
NeMLA 53rd Annual Convention
March 10-13, 2022
Baltimore, Maryland (USA)
The social media that most college students regularly use facilitate the acquisition of communicative skills, as well as the creation of a classroom community that aids in learning. This panel will explore how social media can be used in the language classroom to promote real-world language proficiency.
Whether he parodied, plagiarized, appropriated, translated, borrowed, or critiqued, Oscar Wilde’s work contains a web of references that vigorously engages with the voices of others. The way Wilde spoke with and through his sources may reveal not only his own influences and allegiances, but also aspects of larger conversations within late Victorian culture involving artistic production, Decadence, theater, journalism, scholarship, poverty, gender issues, sexuality, prison reform, and more.
While the Covid pandemic left many feeling isolated, from tragedy has emerged a new surge in modes of fan interaction and fan fiction that further challenge who, what, and how “canon” is determined in fictional worlds that have long since been closed by the authors and script writers.
Fumbling Towards Ecstasy: The Intersectionality of Music and Deviance Collection
Editor:Sylvia M DeSantis
This volume will explore the avenues through which 20th century musicians, and their enthused audiences, created necessarily deviant cultural movements. From the optimism engendered by the Big BandEra to socially justice-mindedGrunge in the ‘90s, musicians have used their stage power to resist, reward, and recreate long-standing cultural codes.
The 5th International Conference on Research in Humanities and Social Sciences, happening on the 17th– 19th December 2021, Berlin, Germany is the premier forum for the presentation of new advances and research results in education theory and practice.
This conference is a prestigious event, organized to provide an international platform for academicians, researchers, managers, industrial participants, and students to share their research findings with global experts. All full paper/abstract submissions will be peer-reviewed and evaluated based on originality, technical and/or research depth, accuracy and relevance to conference theme and topics.
Sociology and Anthropology
This panel , presenting at the 53rd Annual Convention of the Northeast Modern Language Association (March 10-13, Baltimore, MD), is entitled "Other Times in Neo-slave Novels: Anachronisms, Alternate Timelines, Parallel Universes, and More." Read below for the panel abstract.
Over the past decade, the media ecology has been dramatically shifting with the advent of online “overthe-top” streaming services, the streaming wars that followed, and the platformization of the web. As the distance between big tech companies and legacy media players rapidly dwindles, rippling effects can be felt across industries, audience practices, regulatory frameworks, and more. Simultaneously, the rise of streaming services also continues to provoke further theorizations on topics that have concerned media scholars for decades regarding the asymmetrical dynamics of power and influence as it relates to globalization processes, representation, identity, politics, cultural and national mediations, and economic development.
It’s a statistic we hear often: America incarcerates more people per capita than any other nation. Yet, most Americans can go about their daily lives without thinking about their physical proximity to prisons or the people locked within. With few exceptions, prisons are built in rural, remote areas, set back from main highways and not visible from shopping centers, restaurants, and housing developments. Likewise, America’s political landscape works hard to obfuscate the realities of life locked up, reducing discourses of mass incarceration to shocking statistics and incomprehensible numbers.
This roundtable will convene literary and media scholars with poets themselves to explore the present and future of poetic cultures online, both in the U.S. and around the world. Our largest question can be simply put: to what extent have platforms for digital “prosumption” and online networking transformed the social life of contemporary poetry? We understand this inquiry to entail a diverse array of other, finer pointed questions: How does social media now condition the politics of contemporary poetry, where “politics” signifies both the institutional lifeforms of poetry’s production and circulation, and the ostensible public efficacy of poems themselves?
Sponsors: Brescia University College, University of Winnipeg, Canadian Literature: A Quarterly of Criticism and Review, and Sequential: Canadian Independent Comic Book Magazine
Organizing Committee: Dominick Grace (Brescia University College), Candida Rifkind (University of Winnipeg), Zachary Rondinelli (Brock University), Meaghan Scanlon (Library and Archives Canada), Ivan Kocmarek (Independent Researcher)
Call for Participants (10 minutes + Q&A Session)
Comics studies has been an established field long enough now to have consistent theoretical touchstones: Scott McCloud, Thierry Groensteen, and a handful of others. But much contemporary work on comics continues to rely on the same theoretical frameworks, returning to Understanding Comics over and over again. This session invites panelists to speculate on new directions for formal comics theory, leaving behind individual texts and close readings to ask for innovations our theories of comics as a medium. Of course, because of the abbreviated nature of conference papers, it will be impossible to put forward a fully-formed, all-encompassing new theory.
Deadline July 1st
CFP: Reimagining the Victim in Post-1970s Horror Media
Editors: Madelon Hoedt, Marko Lukic
Whether we praise or deride it, we now live in its shadows and must reckon with what it has bequeathed us. Western thought is haunted by the Enlightenment
(Genevieve Lloyd, Enlightenment Shadows, 2013)
Dark academia is a recently emerging term of phrase describing not only an aesthetic within popular culture but also a type of genre involving an academic background, elements of the gothic, and the spectacular. Like the speculative supergenre, dark academia often borrows freely from other literary and cultural categorizations, in the way of crime fiction, classical Greek & British mythologies, artistic aesthetics, paranormalcy, romance, villainy, stoicism, and posthumanism. Oftentimes within dark academia, the Other represents a romanticized villain and/or monster with whom the reader and reviewer empathizes with. Through this romanticization, we often find that nostalgia for a colonial history takes centerstage.
This panel will explore the many existing and potential connections between video games and the literary world. Many leading games have explicitly referred to works of literature, either within their storyworlds or in their marketing (for instance, Bioshock’s interactive rebuttal of Ayn Rand’s ideas). More broadly, emerging video game theory has often defined itself either by analogy or by opposition to existing concepts from literary theory. Book genres such as the choose-your-own adventure format (eg. Steve Jackson’s Sorcery! series) have also anticipated video gaming, and in turn been remastered as games using the same text and narrative structure.
Chinese fandoms are a growing area of interest attracting attention from groups as diverse as academia, industry, and even government. Although the foci of these groups vary, at the core are questions related to the function, organization, interests, and activities of fan groups. As Chinese media and entertainment industries mature and transnational collaborations increase, content and celebrity figures both inside and outside the Chinese context are increasingly distributed, consumed, and implicated in the formation (or extension) of fan communities.
“The complex relation between the private, the individual and loneliness is unique and necessary to Adorno’s work, despite the rich annoyance of his particular mode of provocation.” (Fred Moten, “The Phonographic mise-en-scene” 2004)
As Anis Bawarshi and Mary Jo Reiff argue in Genre: An Introduction to History, Theory, Research, and Pedagogy, genres are not mere “text types,” buckets that writers fill with familiar conventions, but dynamic “social actions” that exist in activity systems (3, 78). And as suggested by contemporary texts across modes and media, for instance Alison Bechdel’s Fun Home (which blends features of comics, autobiography, comedy, and tragedy) or Ana Lily Amirpour’s A Girl Walks Home Alone at Night (which merges conventions of horror movies and westerns), contemporary authors and artists appear to be increasingly invested in the work of challenging genre conventions and meshing genres.
CALL FOR PAPERS
Rape Culture in American Television
Edited by Ralph Beliveau and Lisa Funnell
Although academia’s interest in disability studies emerged in the late 1980s, an ever-growing body of research has emerged since then, mainly from Anglo-Saxon and Nordic countries.
WinC Magazine is the official publication for Women in Comics Collective International (WinC), which was founded in May 2012.Autumn 2021 Issue Submissions CallSeptember 2021 | Theme: Changes...When you think of Autumn, what words come to mind? Cool nights, foliage colours, warm cider, crisp breezes, new weather events, pumpkins?
Resilience During the Harlem Renaissance and Beyond
Special Edition of Revenant: ‘Contemporary Legend: the stories we tell and how we tell them’
Deadline for abstract submissions: Thursday 30 September 2021.
Guest Editors: David Clarke, Sophie Parkes-Nield, Andrew Robinson and Diane A. Rodgers (Centre for Contemporary Legend, Sheffield Hallam University)
Please consider submitting an abstract for the following panel at the 2022 Northeast Modern Language Association Conference to be held from March 10-13, 2022, in Baltimore, MD. Abstracts are accepted from June 15 to September 30, 2021.
Submit abstracts at the NeMLA portal: https://www.cfplist.com/nemla/Home/login
Social Justice, Speciesism, and Food Studies: The Next Frontier
Pikachu’s Transmedia Adventures: The Continuing Adaptability of the Pokemon Franchise
The conference seeks to explore the narratives of displacement and to demonstrate the validity of a cross-disciplinary approach which brings together the historical, cultural, social and literary expertise in the handling of text. The conference will particularly focus on time and space representations and on treatment of the theme of cultural ambivalence and identity conflict. The subject of displacement will be regarded as both a migration, voluntary or forced, and a sense of being socially or culturally “out of place”.
Papers are invited on topics related, but not limited, to: