popular culture

CALL FOR PAPERS

Rethinking Space Beyond the Pandemic

The present epoch will perhaps be above all the epoch of space.
— Michel Foucault

We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in folklore, fiction, film, popular culture, and related topics.
Submissions should be sent electronically (as an e-mail attachment in .doc or .rtf). Please indicate the title of your submission in the subject line of your e-mail.
Please follow MLA style.
Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright.
Manuscripts will be peer-reviewed independently by at least two scholars in the field.
Copyright for published articles remains with the author.

Piers Haggard’s groundbreaking The Blood on Satan’s Claw was released in the US on April 14, 1971. To celebrate its 50th anniversary, Horror Homeroom will be running our fourth special issue on the film and its profound and persistent influence.

We invite proposals for the Tenth Anniversary Conference of the EBSN, which will take place via the online Zoom meetings platform, October 29-31 2021.

Deadline for abstracts: February 15, 2021. Notifications by April 15, 2021. Please submit abstracts to Conference Administrator Raven See at rsee11@elmira.edu 

The International Conference organized by

The Korean Society for Feminist Studies in English Literature (KFSEL)

May 28-29, 2021

Feminisms Now: A Virtual Conference

 The Korean Society for Feminist Studies in English Literature (KFSEL) presents a virtual conference on “Feminisms Now” to be held on Zoom from Friday, May 28, 2021 to Saturday, May 29, 2021.

As an increasingly popular genre, true crime has enjoyed a fascinating surge in both academic and cultural interest over the last twenty years. As a relatively new academic discipline, scholars such as Mark Seltzer, David Schmidt, Tanya Horeck, and many others have published ground-breaking studies of the phenomenon of true crime and our various responses to it. However, the gap between popular culture’s interest in true crime and the burgeoning academic discipline remains wide, and True Crime Index invites reviews that seek to close this gap.

Call for Papers

THIS CFP WAS ALREADY POSTED EARLIER. I HAVE SLOTS ON Arthur Conan Doyle, P.D. JAMES's Adam Dalgliesh series, MARGERY ALLINGHAM, HDF KEATING, James M Cain, Horace McCoy, W R Burnett, Paul Cain

AND in Bengali detective fiction:

Priyonath Chattopadhyay, Panchkori Dey, Mihir Kumar Sinha, Nihar Ranjan Gupta, Sunil Gangyopadhyay, Suchitra Bhattacharya's Mitin Mashi series

IF INTERESTED PLEASE SEND ABSTRACT ON ANY OF THE ABOVE ONLY.

Edited volume

"Adapting Print Genres for the Victorian Stage" will consider how British plays within the Victorian era (1837-1901) interacted with and responded to news stories, social movements, or cultural debates appearing in print genres, including newspapers, the periodical press, and literature. Often, a theatrical adaptation of a popular novel appeared even before its serialization had concluded, as in the case of Charles Dickens's 1839 novel Nicholas Nickleby, which appeared on 19 November 1838 at the Adelphi Theatre, adapted by Edward Stirling, a mere eight numbers into its serialization.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is accepting submissions for Volume 12, Issue 1. Articles should be 4000-6000 words including notes and bibliography. Reviews should be 1000-2000 words and should treat an apropos issue in Robert E. Howard and pulp studies rather than merely the merit of the book(s) reviewed.
 
Deadline for submissions is Sunday, February 14, 2021. Editorial decisions will be announced by Sunday, March 21, 2021. Publication of Volume 12, Issue 1 will be Friday, June 11, 2021.
 

PopMeC is an academic collective interested in investigating the articulation of the numerous and heterogeneous representations which have been constructing images of the US. The research group’s work is focused on how the US—their history, society, and diverse cultures—have been represented in popular media and cultural products. We foster a participative, engaging collaboration among scholars of any level interested in the field, as well as we aim at allowing postgraduate and early career participants to receive feedback and support in an academic safe space.

These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film. Now that the mythological equines volumes are nearly full and ready for being finalized, this CFP addresses the next volumes in the process.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

Deadline for proposals: July 25, 2021

Announcing the Reframing Hollywood series at Mississippi University Press, January 2021

The Reframing Hollywood series will feature dynamic and original short monographs and edited collections, each of which explore a single film of significant cultural impact which has emerged from the American film industry since the turn of the new millennium. These vibrant critical explorations of contemporary American film will offer a stimulating, academic, yet accessible interrogation of a single work from a variety of critical perspectives.

The Velvet Light Trap #89: "Media Awards: Beyond the EGOT"

Deadline: January 31st, 2021 to vltcfp@gmail.com

Embodiment:
Do You Need Some Body to Love?DEADLINE: January 16th, 2021

CALL FOR PROVOCATIVE CONVERSATION-STARTERS

In 2021, Signum University’s Annual Texas Language and Literature Symposium (TexMoot) invites you to join us virtually, as we consider the conditions and consequences of corporeality in ancient and medieval literature, classic sci-fi and fantasy, and contemporary pop culture. Please submit your proposal using the form here: http://texmoot.org/call-for-papers.