popular culture

Zines are extremely versatile and shapeshift across various historical and cultural contexts. The term covers a wide range of objects with different aesthetic and material qualities as well as contexts of production and reception: Zines accommodate the collective concerns of fans and activists (zintivism) and the personal voice of the diarist and letter writer. Since the rise of digital media, zines and their aesthetics have become portable: Digitised and digital zines exist alongside blogs, social media, podcasts, and substacks, which seem to exhibit zine-y tendencies, while digital infrastructures have changed the ways that print zines are produced, distributed, and archived.

CARIBBEAN CARNIVAL SPACE AND NEW MEDIA

Studies in Theatre and Performance Special Issue Call for Papers

ContactZone, Journal of the Italian Association for the Study of Science Fiction and the Fantastic (AISFF), is accepting abstract submissions for a special issue dedicated to dystopias.

The opposite of utopia, dystopia presents a negative vision of the future, often apocalyptic. This special issue wants to juxtapose different dystopian horizons, tackling the construction of the future from different perspectives along the trajectories of gender, class, ecology, religion and so forth.

Contributions can feature any literature (including graphic novels) or media production (film, TV series, games) from any nation or culture.

Abstract submission:

Este panel invita a explorar la cultura de internet del mundo hispanohablante y sus representaciones en producciones artísticas. El meme fue acuñado por el biólogo Richard Dawkins en 1976 para referirse a la difusión de “tunes, ideas, catch- phrases, clothes fashions, ways of making pots or builduing arches” (249) mediante procesos de imitación. Décadas más tarde, el estudio de Patrick Davison (2012) corroboraría que la idea de “meme” había evolucionado gracias a las redes sociales y había pasado a tener el poder de exclusivamente cumplir un objetivo humorístico. Autores como B. E. Wiggins y G. Bret Bowers (2014) argumentan que la circulación del meme es una herramienta conversacional que alienta la participación de la cultura digital.

Special dossier | to be published in vol 5 no 2 (May 2024)

A fundamental element of the American imaginary, superhero and heroic narratives have seen a new apogee since the turn of the century. New and old heroes and heroines have populated popular culture, giving rise to a variety of texts that tackle diversity, nostalgia, and the need for imaginaries and narratives that help us deal with the struggles inherent to our current times.

This special dossier, edited by Marica Orrù, will collect essays on (super)hero figures in twenty-first century US popular culture, with a specific focus on diversity, cross-genre texts, and transmedia representations. 

Topics of interest include, but are not limited to:

Extended deadline

CFP: Edited volume on Vikingism: Viking-Age Scandinavians in Modern British and North American Media  

Vikings — their history, traditions, mythology and material culture — have taken contemporary media by storm. Popular culture is awash with Viking tropes and themes which have generated explosive interest in cinema, television, video games, music, literature, genre fiction and comics. This volume aims to provide a ground-breaking and innovative understanding of twentieth- and twenty-first century Vikingism. We are inviting scholars with relevant expertise to contribute essays which address any of the following questions:

The Velvet Light Trap, Issue 94 (to be published Fall 2024)

 UPDATE NEW DEADLINE: 10/1/2023

Creative Labor and Precarity

Special Issue Theme

Psychology and Popular Culture

Call for Papers for 2024 Conference

The Psychology and Popular Culture area concerns itself with the ways in which popular culture both reflects and shapes the nature of our psychology.

The Psychology and Popular Culture area invites all interested persons to present papers on a broad array of topics inclusive of psychology and popular culture, such as:

Monsters, Monstrosities, & the Monstrous CFP

Do you do monster scholarship? If so, we encourage you to consider submitting a paper to the new Monsters, Monstrosities, & the Monstrous area of the Popular Culture Association for the PCA National Conference in Chicago, March 27-30, 2024. https://pcaaca.org/page/nationalconference

CALL FOR CHAPTERS. The humanitarian Crisis in the 21st century: challenges of liberal democracies to deal with the humanitarian crisis 

Publisher: Nova Science Publishers

Maximiliano E. Korstanje- University of Palermo, Argentina

Christina Akrivopoulou – Hellenic Open University, Greece – Editor in Chief of Int. Journal of Human Rights and Constitutional Studies.

PCA CONFERENCE 27-30 March 2024, CHICAGO, IL

The Vampire Studies Area of the PCA welcomes papers, presentations, panels, and roundtable discussions that cover all aspects of the vampire as it appears throughout global culture.

We're accepting paper proposals for the following seminar at the ACLA annual meeting, which will be held in Montreal, March 14–17, 2024. Papers should be submitted online through the ACLA portal. Feel free to email with any questions.
 

Mirror / Mirror

Organizers: Hilary Bergen (The New School), Sandra Huber (Concordia University)

Multiple award-winning author Ann Leckie is extremely well-regarded in speculative fiction, but relatively understudied in academia. With a new book out in June 2023 that expands the world of the Imperial Radch trilogy, it is an exciting time to be an Ann Leckie scholar. This session invites essays that address her work broadly.

CALL FOR PAPERS: Special Issue of Mississippi Quarterly

“Hurricane Katrina at 20: Rethinking the Literary and Cultural Legacies of the Storm” 

 Guest Editors, Courtney George and Judith Livingston (Columbus State University)

On August 29, 2005, Hurricane Katrina made landfall on the Gulf Coast with catastrophic results for the surrounding communities, which are still recovering today. Almost immediately, journalists, artists, and scholars began producing significant work about Katrina—work that has continued, especially as we begin to view the disaster and its circumstances in the context of our current social justice and climate-related struggles.