popular culture

DLC+ | "Slop" and "Nostalgia" – Current Keywords in Digital Literary Culture Mini-Conference

updated: 
Friday, February 13, 2026 - 1:45pm
Digital Literary Cultures (DLC+)
deadline for submissions: 
Saturday, March 14, 2026

Current Keywords in Digital Literary Culture: “Slop” and “Nostalgia”

May 14th, 2026

Virtual Mini-Conference

https://dlcplus.org/ 

 

DLC+ is excited to announce the second installment of its Current Keywords in Digital Literary Culture series, mini-conferences devoted to studying the most pressing and emerging concepts actively shaping digital literary culture. 

 

Literary and Cinematic Representations of Carceral Los Angeles

updated: 
Friday, February 13, 2026 - 11:59am
MLA 2027
deadline for submissions: 
Monday, March 16, 2026

While Los Angeles has regularly been called the “City of Angels,” historian Kelly Lytle Hernández has argued that a more appropriate epithet would be the “City of Inmates,” as Los Angeles has historically been a site for innovations in imprisonment, surveilling, policing, and oppressing various communities for their race, ethnicity, class status, sexuality, and other out-group identifications. Literature and cinema have long been fertile sites for examining the ramifications of police- and prison-centric ideologies within American society and culture, particularly for a city that defined itself by cinema.

MLA 2027 - Nabokov in the '70s / Nabokov's Afterlife

updated: 
Friday, February 13, 2026 - 10:40am
International Vladimir Nabokov Society
deadline for submissions: 
Friday, March 20, 2026

The International Vladimir Nabokov Society seeks paper proposals for presentations on the following themes for the Modern Language Association’s Annual Convention (January 7-10, 2027, Los Angeles):  

 

 Nabokov in the ‘70s / Nabokov’s Afterlife

Comics and Film: A Space Odyssey

updated: 
Friday, February 13, 2026 - 10:15am
Film and TV School of the Academy of Performing Arts (FAMU)
deadline for submissions: 
Wednesday, April 1, 2026

Film and TV School of the Academy of Performing Arts (FAMU) Prague, Czech Republic

August 20–21, 2026

Call for Papers Deadline for proposals: April 1, 2026

Conference Directors: Petra Dominková (FAMU, Prague, Czech Republic), Thomas Ballhausen (Inter-University Organization Arts & Knowledges + Mozarteum University Salzburg, Austria)

 

Online Panel MLA 2027: “Nolite te bastardes carborundorum”: Testimony and Resistance in Atwood’s Works

updated: 
Friday, February 13, 2026 - 9:55am
Margaret Atwood Society
deadline for submissions: 
Monday, March 23, 2026

The Margaret Atwood Society invites paper proposals for an online panel on testimony and resistance in Margaret Atwood’s work. In keeping with the MLA 2027 presidential theme, this panel welcomes papers that examine how Atwood’s narratives represent coercion and constraint while also tracing the risk and agency at stake in claiming liberatory space. Possible topics include but are not limited to:

 

• Testimony, witnessing, and the politics of voice

• Surveillance, secrecy, confession, and the archive

• Gendered power, reproductive politics, and bodily autonomy

• Critical reception and adaptation

 

JOKING MATTERS: HUMOUR, ETHICS, AND SOCIAL DIFFERENCE (HUMOUR IN THE 21ST CENTURY)

updated: 
Monday, February 9, 2026 - 2:10pm
Humanities and Social Sciences
deadline for submissions: 
Sunday, March 15, 2026

In an era marked by digital mediation, political polarization, and heightened ethical scrutiny, humour has become a high-stake cultural practice: jokes travel rapidly, provoke backlash, generate solidarity, and often become flashpoints for debates around offence, free speech, and accountability. In the twenty-first century, humour has emerged as one of the most powerful, contested, and ubiquitous modes of cultural expression. Circulating across literary texts, theatrical stages, digital platforms, popular media, and everyday social interactions, humour today functions not merely as entertainment but as a deeply performative, political, and ethical practice.

Wilde West Coast

updated: 
Saturday, February 7, 2026 - 4:31pm
Oscar Wilde Society / MLA 2027
deadline for submissions: 
Sunday, March 15, 2026

Wilde West Coast

 

The Oscar Wilde Society invites abstracts for a special session at the 2027 MLA (Modern Language Association) Convention in Los Angeles, January 7–10 2027.

 

Sports Medievalism - TSW Special Issue

updated: 
Saturday, February 7, 2026 - 4:31pm
The So What/Arthuriana
deadline for submissions: 
Tuesday, March 31, 2026

In athletics, athletes are often described as ‘throwing down the gauntlet’ when they record a particularly impressive jump, race, throw, indicating a raise in the competition stakes, a nod to their fellow competitors that they are the champion to beat. In the 2001 movie A Knight’s Tale, jousting enthusiasts are depicted like modern day sports fans, with Ulrich’s friends even singing a football chant in the pub. 

 

Lyrics as Literature: Scholarly Perspectives on Song Lyric Craft

updated: 
Saturday, February 7, 2026 - 4:31pm
Melissa Talhelm/Southern Connecticut State University
deadline for submissions: 
Tuesday, March 31, 2026

The song lyric occupies little space in academia, where it is less studied, less appreciated, and perceived as less-than other kinds of writing. Despite music’s ubiquitous cultural presence, the song lyric—as creative work—suffers from what renown songwriter Jimmy Webb calls a “status problem”: songwriters do not enjoy the same standing as writers of other kinds of traditionally studied literature. The most common way that song lyrics have earned scholarly attention is by conflating the form with the poem. Goldstein’s (1969) The Poetry of Rock is one of the first books to attend to lyrics as poetry.

Jason Lives – essays on the Friday the 13th franchise

updated: 
Saturday, February 7, 2026 - 2:33pm
Reece Goodall, University of Warwick
deadline for submissions: 
Saturday, May 30, 2026

Jason Lives – essays on the Friday the 13th franchise

In 1980, inspired by the success of John Carpenter’s Halloween two years prior, Sean S. Cunningham wanted to create a horror film that would serve as a ‘roller coaster ride’ – that film, Friday the 13th, would launch one of the key horror franchises of the 20th century, comprising twelve films, a TV series, a selection of books, games and merchandise, and the establishment of hockey mask-wearing killer Jason Voorhees as a cultural phenomenon.

Call for Papers: ‘Video Games & Horror’

updated: 
Saturday, February 7, 2026 - 2:33pm
Journal of Gaming & Virtual Worlds
deadline for submissions: 
Tuesday, July 28, 2026

Call for Papers: Journal of Gaming & Virtual Worlds

Special Issue: ‘Video Games & Horror’

Abstract deadline: 1 April 2026
Full article draft deadline: 28 July 2026

View the full call here>>

https://www.intellectbooks.com/journal-of-gaming-virtual-worlds#call-for-papers

The Journal of Gaming & Virtual Worlds is excited to announce a call of content for an upcoming Special Issue focused on horror in video games. 

Call for Papers: SCMS Horror Studies SIG Graduate Student Essay Prize

updated: 
Saturday, February 7, 2026 - 2:32pm
SCMS Horror Studies Special Interest Group
deadline for submissions: 
Friday, February 20, 2026

Call for Papers: SCMS Horror Studies SIG Graduate Student Essay Prize

The SCMS Horror Studies Scholarly Interest Group is delighted to announce that submissions are now open for our annual Graduate Student Essay Prize.

The winning essay will be published in an upcoming issue of the open-access journal Monstrum and the author will receive:

‘A breeze in God’: The Spirituality of Music and Song

updated: 
Monday, February 2, 2026 - 3:30pm
Parthenope University Naples Italy
deadline for submissions: 
Thursday, April 30, 2026

‘A breeze in God’: The Spirituality of Music and Song

 

International Conference.

 

September 10th-11th 2026.

 

Parthenope University, Naples, Italy

 

Organised by Raffaella Antinucci (Parthenope), Adrian Grafe (Textes & Cultures research lab, Université d’Artois, France)

 

From Haworth to Eternity: Adapting the Brontës on Stage, Screen, and Beyond

updated: 
Monday, February 2, 2026 - 3:29pm
Brontë Studies
deadline for submissions: 
Monday, October 5, 2026

Inspired by the Brontë Parsonage Museum’s 2025 exhibition From Haworth to Eternity,

Brontë Studies invites new and original articles of no more than 7,500 words that respond to the theme of ‘the Brontës and adaptation’ across film, screen, and the visual and performing arts—including digital, transmedia, and other emerging media forms. The special issue will be published in 2027.

Multiverse Convention 2026 - LEARN Track Call for Submissions

updated: 
Monday, February 2, 2026 - 3:29pm
Kenneth Broome, Jr.
deadline for submissions: 
Friday, May 1, 2026

Event Date & Location: October 16th – 18th, 2026, at the Hilton Peachtree City, 2443 HWY 54 West, Peachtree City, Georgia, 30269

Deadline for Submissions: Friday, May 1, 2026

Name of Organization: Multiverse Convention

Organization Website: https://www.multiversecon.org

Contact Email: Kenneth Broome, Jr., Learn@Multiversecon.org

CONVENTION THEME:

Italian Americans as Other: Italianità, Difference, and Diasporic Belonging

updated: 
Monday, February 2, 2026 - 3:23pm
Italian American Studies Association
deadline for submissions: 
Friday, March 20, 2026

For much of the twentieth and twenty-first centuries, Italian Americans have occupied an uneasy position within U.S. racial, cultural, and national narratives—simultaneously marked as insiders and outsiders, assimilated and othered, white and not-quite-white. This call for papers invites scholars to revisit and re-theorize Italian American identity through the lens of Otherness, drawing on and expanding the concept of Italianità as articulated by Fred Gardaphé and Anthony Julian Tamburri.

Punk (1976-2026). Memories and Commemorations of a Transmedial Culture

updated: 
Thursday, January 29, 2026 - 12:28pm
Nicolas Labarre (UR CLIMAS)
deadline for submissions: 
Tuesday, March 31, 2026

On November 26, 1976, the Sex Pistols released “Anarchy in the UK” in Great Britain, the first single from what would become Never Mind the Bollocks, Here Comes the Sex Pistols the following year. This conference – part of a larger project involving a series of events in Bordeaux and a collaboration with the Lycée Magendie (Magendie high school) – takes as it starting point the 50th anniversary of the release, on November 26, 2026, while seeking to investigate the meaning of such a celebration.

Reel Men, Real Trouble: Masculinity in 21st Century Global Cinema

updated: 
Thursday, January 29, 2026 - 12:27pm
MLA
deadline for submissions: 
Tuesday, March 10, 2026

This panel examines configurations of masculinity that have emerged in conjunction with contemporary global political, technological, and cultural shifts in the last decade. We invite papers that engage with films across geographical contexts. Please submit a 250-word abstract and bio.

Deadline for submissions: March 10, 2026.

Megha Anwer, Purdue University (manwer@purdue.edu) and Anupama Arora, University of Massachusetts Dartmouth (aarora@umassd.edu)

The Book City. Literary Geography of Urban Spaces: Inscriptiuons, Circulations and Practices

updated: 
Thursday, January 29, 2026 - 12:27pm
Caroline MARIE / Université Paris 8
deadline for submissions: 
Friday, February 27, 2026

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Monster Media Conference 2026

updated: 
Thursday, January 29, 2026 - 12:08pm
Julia Larsen / University of Edinburgh
deadline for submissions: 
Sunday, March 15, 2026

 

Sensation: The Sounds, Visions, and Words of David Bowie

updated: 
Thursday, January 29, 2026 - 12:04pm
University of Agder
deadline for submissions: 
Wednesday, April 1, 2026

Call for papers

 

Sensation: The Sounds, Visions, and Words of David Bowie

 

Academic conference, University of Agder, Norway

29. – 30. September 2026

 

Falmouth Horror & Gaming 2026

updated: 
Thursday, January 29, 2026 - 12:04pm
Falmouth University
deadline for submissions: 
Wednesday, April 1, 2026

Falmouth Horror & Gaming 2026

7th, 8th and 9th July 2026

Now, That’s What I Call Pop!: Explorations in Nineteenth-Century Pop Culture

updated: 
Thursday, January 29, 2026 - 12:03pm
MLA 2027
deadline for submissions: 
Friday, March 20, 2026

The LLC 19th-Century American Forum welcomes proposals for papers exploring the vibrant landscape of pop culture in the nineteenth-century USA, from vaudeville to sheet music to moving pictures. How have these examples contributed to Hollywood's legacy? Send 250-word abstracts and 100-word bios to DeLisa Hawkes (ddhawk@wm.edu) by Friday, March 20, 2026.

 

Cruzando Imaginarios: Representaciones culturales entre México y los EE.UU.-- Edited volume

updated: 
Thursday, January 29, 2026 - 12:03pm
María R. Matz (Associate Professor, University of Massachusetts Lowell) and María del Mar López Cabrales (Professor, Colorado State University)
deadline for submissions: 
Friday, May 15, 2026

La frontera entre México y los Estados Unidos trasciende su mera definición geopolítica. Más allá de ser una simple demarcación territorial, esta línea divisoria se ha convertido en un espacio dinámico y multifacético que encarna la complejidad de las relaciones entre dos naciones con historias entrelazadas. Es un lugar de encuentro y desencuentro, de intercambio y conflicto, de esperanza y desilusión. Es un terreno fértil donde florece una identidad única, ni completamente mexicana ni totalmente estadounidense, sino una vibrante amalgama que desafía las categorías convencionales. La frontera es testigo de historias de migración, de sueños perseguidos y de vidas transformadas con el cruce de dos realidades.

Impregnable: Mediated Meanings of the Body in Resistance

updated: 
Thursday, January 29, 2026 - 12:03pm
Emerald Vaught
deadline for submissions: 
Saturday, March 21, 2026

CALL FOR PAPERS
Impregnable: Mediated Meanings of the Body in Resistance

Impregnability has many strong meanings - not becoming pregnant but also capable of withstanding assault. It's a term that lives in connotative alignment with infertility, of non- and un-reproducibility, but it also carries presence over absence, power over victimization. Think protesters who link arms to create an impregnable wall of resistance. Think castles that cannot be stormed. Indeed, the word literally means “unable to be defeated or destroyed; unassailable.”

Violence in Early Modern English Drama: From Stage to Screen

updated: 
Thursday, January 29, 2026 - 11:37am
ESSE 2026
deadline for submissions: 
Saturday, January 31, 2026

ESSE 2026 conference, Santiago de Compostela (SPAIN)

31st August - 4st September 2026

Seminar 61.- Violence in Early Modern English Drama: From Stage to Screen

From the brutality of Titus Andronicus to the psychological torment of The Duchess of Malfi, early modern English drama is saturated with violence—performed or described, symbolic or spectacular. This seminar will explore how violence has functioned as a dramatic, cultural, and ideological force in early modern English theatre, and how its representations have evolved across time, including contemporary screen adaptations and TV series that borrow early modern tropes of violence, such as House of Cards or Game of Thrones.

Manchester and beyond: Oasis, identity and performance

updated: 
Thursday, January 29, 2026 - 11:33am
Université Rennes 2
deadline for submissions: 
Monday, March 30, 2026

Manchester and beyond: Oasis, identity and performance.

Call for book chapters

On the occasion of (What’s The Story) Morning Glory’s 30th anniversary and the band’s phenomenal 2025 reunion, multidisciplinary contributions within the fields of cultural studies, literature, history, musicology, linguistics, and political science (among others) are sought for an edited volume examining Oasis’s place in British popular culture. 

- IIHTC 2026 - International Conference on Innovations in Technology for Humanity

updated: 
Thursday, January 29, 2026 - 10:18am
KIIT University (www.kiit.ac.in)
deadline for submissions: 
Saturday, June 20, 2026

Instructions for Authors

International Conference on Innovations in Technology for Humanity (IIHTC 2026)  invites original research contribution from different fields as mentioned in topics provided that the context of the work is clearly explained. Papers must be submitted on or before the last date of paper submission. After this deadline, you will not be able to register new papers, however you will be able to edit the information of existing submitted papers. 

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