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CALL FOR PAPERS
AS SEEN ON TV: A SPECIAL SECTION IN JDTC's SPRING 2010 ISSUE
Brian Herrera and Henry Bial, Guest Editors
For this special section of the Journal of Dramatic Theory and Criticism, we invite essays of 20-25 manuscript pages, exclusive of notes, exploring the intersection of broadcast television with live theatre and performance.
REMINDER: Deadline is approaching soon---July 1.
Call for Participation
Institute for Comics Studies
Comic Book Convention Conference Series
DRAGON*CON 2nd ANNUAL COMICS & POPULAR ARTS CONFERENCE
Atlanta, Georgia September 4-7, 2009
The Institute for Comic Studies and Dragon*Con present their second annual academic conference for the studies of comics and the popular arts to take place at Dragon*Con, the largest multi-media, popular culture convention focusing on science fiction and fantasy, gaming, comics, literature, art, music, and film in the US. For more info on Dragon*Con, visit http://dragoncon.org/
Neo-Victorian Families: Gender, Sexual and Cultural Politics
Motion comics are (in most cases) digitized, panel-by-panel, animated translations of comic books or graphic novels. This new medium has gained high visibility most recently as a result of Warner Bros.' adaption of D.C.'s WATCHMEN into the motion comics format as part of the studio's overall efforts to promote the live-action film version of the famed graphic novel. Several additional comics have, however, been adapted into this format, including BATMAN: BLACK AND WHITE, STEPHEN KING'S "N.", I AM LEGEND, SPIDER WOMAN, and ASTONISHING X-MEN, among many others.
Call for Papers: Gender & Sexual Identity
2010 Southwest/Texas Popular Culture/American Culture Association 31st Annual Conference in Albuquerque, New Mexico February 10-13, 2010
"Form in Space and Time"
"Writing Our Hope" is a bi-annual literary journal of creative nonfiction and poetry that publishes student work on themes of tolerance and equality. Submitted works should have a hopeful tone, focusing on solutions and possibilities in the present and future, rather than only a description or cataloguing of injustices in the past or present. In its first two years, "Writing Our Hope" has published the work of high school students, but it is now expanding to include works by college undergraduates, ages 17-24, and their professors.
In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.
I am looking for one more paper to complete this SAMLA special session panel. I welcome papers on any aspect of the Steampunk genre. Papers could address literature, film, art, or other cultural manifestations of Steampunk. Of particular interest are discussions of the ways that Steampunk engages with notions of time and historical discourse, the materiality of Steampunk, and the intersections of technology and literature. By June 1, please send a one-page abstract that includes audio/visual needs and a short vita (with complete contact information) to Kathryn Crowther, Georgia Institute of Technology at kathryn.crowther@lcc.gatech.edu
How is digital technology changing methods of scholarly research with pre-digital sources in the humanities? If the "medium is the message," then how does the message change when primary sources are translated into digital media? What kinds of new research opportunities do databases unlock and what do they make obsolete? What is the future of the rare book and manuscript library and its use? What biases are inherent in the widespread use of digitized material? How can we correct for them? Amidst numerous benefits in accessibility, cost, and convenience, what concerns have been overlooked?
CITYSCAPES/LITERARY ESCAPES// COLLOQUE URBANITÉS LITTÉRAIRES
The University at Buffalo (SUNY) in collaboration with the journal Formules (Paris) will host an international conference on "Urbanités Littéraires" / "Cityscapes/Literary Escapes."
The goal of the conference is to study relations between writing and the urban environment, and specify interactive engagements between literature, architecture, and urbanism. Principle aspects to be examined are:
Papers are welcome on William Blake and his influence on any one of the many artists or movements he impacted, including not only literature but visual arts and music: including but not limited to the Pre-Raphaelites, the Ancients, W.B. Yeats, James Joyce, Ginsberg and the Beats, Van Morrison, Billy Bragg, Patti Smith, composer William Bolcom, -- not to mention popular writers like Joyce Carol Oates, Thomas Harris, etc. What do the artists "half create/And what perceive" in their own vision of William Blake? What is Blake's legacy today? E-mail abstracts or complete papers (limited to 10-12 minutes presentation time) to Josephine McQuail or mail to Dr. J. McQuail, Box 5053, 5 William L.
Call for Papers: Alfred Hitchcock
Abstract/Proposals by November 15th 2009
Southwest/Texas Popular & American Culture Associations - 31st Annual Conference
Albuquerque, New Mexico
February 10-13, 2010
Hyatt Regency Albuquerque
330 Tijeras
Albuquerque, NM 87102
Phone: 1-505-842-1234
Fax: 1-505-766-6710
Panels now forming for presentations on the films and career of Alfred Hitchcock. Listed below are some suggestions for possible presentations.
CFP: Society for Cinema Media Studies Conference, Los Angeles, March 2010
Motion comics are (in most cases) digitized, panel-by-panel, animated translations of comic books or graphic novels. This new medium has gained high visibility most recently as a result of Warner Bros.' adaption of D.C.'s WATCHMEN into the motion comics format as part of the studio's overall efforts to promote the live-action film version of the famed graphic novel. Several additional comics have, however, been adapted into this format, including BATMAN: BLACK AND WHITE, STEPHEN KING'S "N.", I AM LEGEND, SPIDER WOMAN, and ASTONISHING X-MEN, among many others.
From King of the Jungle to Cultural Icon will be an interdisciplinary essay collection marking the 100th anniversary of Tarzan of the Apes. Since its debut in serial format in 1912, Edgar Rice Burroughs' narrative about an orphaned white boy being raised by a band of black apes in the African jungle has become a transnational literary classic, frequent cinematic, film and comic book icon and powerful—as well as problematic—cultural archetype. This collection will allow critics from a wide range of disciples to explore the past place, present status and future importance of Tarzan in popular print, visual and material culture.
William Blake and His Influence
CFP: Disney's Documentaries
Contributors are being sought for articles to complete an edited volume (working title "Beyond the Mouse: Disney's Documentaries and Docudramas") that is designed to explore the full range of Disney films designed to educate viewers about specific people, places, things, events and concepts from the real world.
Postscript General Call for Papers
The Virginia Woolf Miscellany seeks short essays (2,000 words maximum) investigating Virginia Woolf's interactions with periodicals. Particularly welcome are essays that read periodicals themselves as complex cultural texts while contextualizing and/or historicizing Woolf's contributions. Essays that shed new light on Woolf's evolving attitudes towards journalism and the print marketplace are also welcome.
Submit essays via email attachment to Patrick Collier at pccollier@bsu.edu.
The theme of the Conference is "Afterlives: Survival and Revival". In an effort to facilitate a wide-ranging, interdisciplinary conversation, we encourage scholars working in any discipline to submit abstracts addressing this theme. The conference theme is designed to promote reflection on appropriations, adaptations and continuities in cultural production. A selection of the papers presented at the conference will be published in a special issue of The Southern African Journal of Medieval and Renaissance Studies (accredited for South African research subsidy purposes).
Suggested topics include, but are by no means limited to:
• new ways of looking at old texts
• textual appropriation and imitation
• textual transmission
Call for Papers and Panels
What Postcolonial Theory Doesn't Say
A conference at the University of York, UK, 3-5 July 2010, in partnership with the University of Leeds and Manchester Metropolitan University
Postcolonial Studies is firmly ensconced in the Anglophone metropolitan academy: the field has its own specialised journals, academic posts, postgraduate courses, and dedicated divisions within learned bodies. But how well have these configurations travelled to other locations, institutions and disciplines? What topics, questions and approaches remain unexplored? And what's 'theoretical' about postcolonial theory anyway?
TWENTY-FIRST CENTURY MEDIEVALISMS:
CONTEMPORARY RE-CREATIONS OF THE MEDIEVAL
CALL FOR PAPERS
PROPOSALS DUE BY 12/31/09
Sponsored by THE SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES
For "Time, Temporality, History": 31st Annual Medieval and Renaissance Forum, Plymouth State University (Plymouth, NH), 16-17 April 2010
The editors of Reception: Texts, Readers, Audiences, History, the journal of the Reception Study Society, invite submissions for its second issue, which will appear in the fall of 2009.
NEMLA, Montreal, Quebec April 7-11 2010
Lost Pasts/Broken Futures: Forgetting as Narrative Crisis in Film
Numerous films--from Memento and Eternal Sunshine of the Spotless Mind to Manchurian Candidate and Spellbound--are preoccupied with acts of forgetting. More than just a plot element, forgetting serves as a narrative device that keeps afloat multiple narrative possibilities, forcing the viewer to engage manifold variables by denying the possibility of a singular narrative. This panel invites papers that investigate how the act of forgetting--rather than the attempt to remember--is used as a narrative device in film. Send abstracts to Thomas Knauer at thomas.knauer@sunyit.edu.
This panel will examine the practice of importing characters and plot lines from one literary work to another. This panel hopes to reveal how the relationship between the newer work and its source material affects the way the way that readers and audiences receive both works, particularly when this relationship crosses cultural, chronological, and genre divides. Please send abstracts to Michael Rio and William Duffy at wsduffy@buffalo.edu.
The group Colporteurs is pleased to announce their annual conference, which will be held on Wednesday, 23rd September 2009 at the Department of Italian Studies at Bologna University (via Zamboni, 32 – Bologna, Italy).
The chosen subject has been inspired by the theme (Declensions of Space) of this year PhD seminar in "Modern, Comparative and Postcolonial Literatures".
ANARCHISM AND THE LITERARY IMAGINATION
Chapters are sought for the collection Anarchism and the Literary Imagination. This volume examines historical and contemporary engagements of anarchism and literary production. Anarchists have used literary production to express opposition to values and relations characterizing advanced capitalist (and socialist) societies while also expressing key aspects of the alternative values and institutions proposed within anarchism. Among favoured themes are anarchist critiques of corporatization, prisons and patriarchal relations as well as explorations of developing anarchist perspectives on revolution, ecology and ecocriticism, polysexuality and mutual aid.
Pockets of Change: Cultural Adaptations and Transitions
13th Annual Work-in-Progress Conference
The University of Queensland, St. Lucia campus
Brisbane, Queensland, Australia
September 4-6, 2009
http://www.emsah.uq.edu.au/wip2009
The Philosophical Society of Nepal, and its reviewed Journal of Philosophy: A Cross-Disciplinary Inquiry, seeks articles in a wide range of philosophical topics and from a wide range of perspectives, methodologies, and traditions within philosophy, and the broader humanities, particularly literary theory, cultural theory, aesthetic theory, disciplines dealing with religion (e.g. religious studies, history of religions), and semiotics.
Rice Graduate Symposium
October 2-3, 2009
Rice University, Houston, TX
Call For Papers
Submission Deadline: July 1, 2009
Keynote Speaker: Dr. Sharon Marcus; Professor of Literature, Columbia University
As the citizen of the nation becomes the consumer of the multinational corporation, our roles as inhabitants of space become increasingly complicated. Our literature, our faith, our bodies all speak to the different ways that we find to occupy the shifting territories of the postmodern landscape. Looking both to the past and future can help us to discover the real and imagined ways our cultures can develop in more richly and defined ways.