popular culture

Extended proposal submission deadline: November 14, 2022

Call for Papers

War & Culture

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

DEADLINE EXTENDED!

Call for Papers

ALFRED HITCHCOCK

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Extended proposal submission deadline: November 14, 2022

DEADLINE EXTENDED!

Call for Papers

Southwest Popular / American Culture Association (SWPACA)

Annual Conference

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Extended proposal submission deadline: November 14, 2022

Call for Papers

Medievalisms Area

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on August 15, 2022

Proposal submission deadline: Extended to November 14, 2022

Fandom today is often entangled with digital platforms, which offer spaces and features that make some aspects of fan culture more widely accessible amid increasingly globalized communities and models of consumption. Fans are perceived to be early adopters of new technologies, particularly those that provide space for gathering and community building. Likewise, many types of fan works, fan labor, and fandom participation depend on certain platforms for hosting, sharing, distributing, and discussing such content. However, fans also have complicated relationships with platforms, whether because their needs and uses are in conflict with other stakeholders or because platforms can generate and challenge notions of access, accountability, and community.

Call for Papers: Edited volume on representation of neurodiversity on television

Editors

Curt Hersey, chersey@berry.edu, Associate Professor of Communication, Berry College, Mount Berry, Georgia

Julie D. O’Reilly, joreilly@heidelberg.edu, Professor of Communication and Women’s & Gender Studies, Heidelberg. University, Tiffin, Ohio

The goal of this seminar is to provide a forum in which to discuss how TV shows (reality shows, true crime shows, documentary broadcasts, docufictions, and web series) bridge the gap between factual knowledge and myths, and how it facilitates the transfer of ordinary knowledge into the implausible, especially in Iberia and Latin America. Entertainment business and journalism intertwine to engage an audience oriented to the consumption of serialized narratives.

Rights and Responsibility in Jewish Tradition 

Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

Due to the pandemic and a personal issue that delayed publication, this CFP from late 2020 is being reopened. I am looking for 3 to 4 essays to add to what I have. Below is the premise for the volume.

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The impact of the pandemic and the threat that it poses to future human experiences has been well-documented. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.

Abstract

This aim of this symposium will be to examine how marginalized cultures are constructed and produced. We will focus on the key players, the main artisans of this cultural production, as well as on the networks that result from it.  We will analyze the concepts of resistance, self-exclusion and the hyper-center faced with the process of cultural polycentrism. These tensions will have to be thought of in terms of contemporary art, long time periods and historicity.

For Don Ihde, as long as humans find themselves living in and breathing through air, sound becomes, for them, an existential singularity. In fact, this air itself, Ihde continues, is ‘not neutral or lifeless’ but finds animation in and with ‘sound and voice’. It is, finally, this vibrant tract of air (for what else is sound?) which relates and marks the human in its existential prospects by not only producing an ambience of the world but also, simultaneously, being subjected to reciprocal manipulation by humans who invariably seek constructive teleologies.

These edited collections are part of the upcoming series Equine Creations: Imagining Horses in Literature and Film.

The scope of the present call is broad. All topics regarding the themes and impact of horses in film will be considered. 

1) Horses in Film Through the 1950s

2) Horses in Film in the 1960s and 1970s

3) Horses in Film in the 1980s and 1990s

4) Horses in Film since 2000

Deadline for proposals: February 14, 2023

First Draft deadline: August 15, 2023

How to submit your proposal

Scholars from all disciplines are invited to submit proposals for papers, panels, and special sessions for the third annual Grateful Dead Studies Association meeting, to be held in conjunction with the Grateful Dead area at t

The vast worlds of fantasy fiction often mirror our own. Through this mirror, readers may reflect on their values when they see real-world problems staged in speculative spaces. As a result, fantasy has the power to open the boundaries of pedagogy for today’s students, especially when learning through a Diversity, Equity, and Inclusion (DEI) lens. This ground-breaking, edited essay collection published by McFarland and Company will take two crucial paths: one that celebrates critical analyses educators and scholars can use to empower students and readers, and another that inspires fans and gamers to be more civically engaged with the texts they consume and communities they inhabit.