postcolonial

Call for Papers

Edited volume

Title

 The Detectives: critical essays on select English and Bengali detective fiction

To be edited by Dr Debayan Deb Barman, Assistant Professor and Head, Department of English,  THLH Mahavidyalay, (University of Burdwan),

Mallarpur, Dist- Birbhum,

 West Bengal, India.

Email:. debayanvodabarman@gmail.com

Concept note

PLEASE NOTE NEW SUBMISSION DEADLINE OF OCTOBER 11TH

Signs of the prominence of oil as an object of study in the Environmental Humanities abound: the increasing circulation of terms like “Petroculture” and “petrocapital,” the emergence of the Energy Humanities as a sub-field, and the nearly simultaneous publication of recent volumes such as Living Oil (2016); Petrocultures (2017); and Energy Humanities: An Anthology (2017). Scholars in a range of disciplines are working to theorize and bring into focus the myriad economic, environmental, social, and imaginative ramifications of our relationship with—and dependence on—oil.

Stories from ancient Greek myths dot the literary landscape of the early 21st century. To some extent, this has been the result of deliberate planning, as when Canongate began publishing a series of mythological retellings by well-known authors in 2005. But alongside and independent of such coordinated efforts to keep old tales alive for contemporary audiences, offerings from both established authors (David Malouf, Barry Unsworth, Colm Toibin, Pat Barker) and successful newcomers (Madeline Miller, Daisy Johnson) have likewise retold and reimagined mythical narratives in recent years.

Theorising Caste: Castes of Theory

3 Day International Webinar

organized by

The Department of Sociology, West Bengal State University

(in collaboration with the IQAC)

Registration Link: https://docs.google.com/forms/d/e/1FAIpQLSdIZoX7wHc6js60GCgGVj_A9vSD6UxbHOnEtOufmhqCL3MrCA/viewform

Bengali author Rabindranath Tagore, the first non-Westerner to be awarded the Nobel Prize for Literature, was a prolific writer in diverse literary genres, including both long and short-form fiction. This panel explores similarities and differences between Tagore’s short stories on the one hand, and his novellas and novels, on the other. Did the Bengali author tend to treat specific themes at length while reserving other motifs for his shorter fiction? Concerning setting, characterization, and plot trajectory, what are similarities and differences between Tagore’s shorter tales and his novels? Are there differences between Tagore’s stories and his novels regarding their accessibility and currency in the present day and for transnational audiences?

Music and Nationalism
3rd Global Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

Music is commonly regarded as a universal language, and yet it is also through music that the fiercest of nationalistic sentiments and inspirations for protest and rebellion have been expressed.

We are a lively academic collective interested in investigating the articulation of the numerous and heterogeneous representations which have been constructing images of the US. Our research delves into how the US—their history, society, and diverse cultures—have been represented in popular media and cultural creations. Our blog aims at providing a collaborative, engaging, and fair environment for any interested scholar, promoting the sharing of knowledge, experience, and ideas across disciplines and thematic fields. We’re also working to foster a stimulating space for early career researchers and postgraduate students in North American studies, thus we’ll warmly welcome their proposals.

NeMLA 2021 CONVENTION (11-14 March)

Call for Papers for a panel on the Maghreb: ''Subverting Traditions in the Maghreb through Literature and the Cinema''

Panel description:

Cafe Dissenus Issue 57: January 2021: Epidemics/Pandemics in Literature [Last date for submission: 30 December, 2020; Date of publication: 1 February, 2021]

Guest-Editor: Dr. Nishi Pulugurtha, Associate Professor, Department of English, Brahmananda Keshab Chandra College, University of Calcutta.

CALL FOR PAPERS

New Literaria Journal, in collaboration with the Department of English, Assam University(A Central University), India invites papers for its International e-Conference on ‘Re-thinking the Postcolonial: Texts and Contexts’ to be held on 25th, 26th and 27th September, 2020.

CONCEPT NOTE

In this session, we will especially focus on how the British classic literature of the 19th and early 20th centuries have been adapted concerning Thatcherism, the heritage industry, colonialism, Britishness (Englishness). The so-called "Heritage Fever," which hit British society in the 1980s, was largely supported by national-led policy. In the 1980s, for example, cultural heritage preservation movements spread nationwide; museums and heritage centers around the country were created. A great deal of British interest in the so-called “Old England,” such as visiting historic sites, became an honor factor.

In Ovid’s Metamorphoses, Philomela is devoted sister, is victim of a brutal rape and mutilation, is weaver, is revenger, is nightingale. The specter of Philomela haunts the western canon, where she is a shorthand for rape, where the song of the nightingale is shorthand for suffering. Where Philomela is invoked, the ingenious weaver of the Metamorphoses is newly silenced by threadbare retellings. In Chaucer’s Legend of Good Women, Philomela is severed from both revenge and transformation; as Lavinia in Shakespeare’s Titus Andronicus, she is severed from the consolation and commiseration of other women; and in Eliot’s The Wasteland, her “inviolable voice” is severed from her violated body, laments to the crude unhearing.

The editorial team of OVER Journal welcomes submissions of essays by any individuals or collaborators engaged in critical and cultural inquiry that address key issues around Photography and Visual Culture, including those deriving from other disciplines and interests. We are particularly interested in papers that aim to bring attention to critical positions or debates that can benefit and bring about social change, open new cultural dialogues, or reimagine new futures for Photography. Submissions must be in English. We welcome material not older than 3 years (unless specifically relevant to current issues or themes).