postcolonial

Utopia on the Tabletop: CfS

“Quite the contrary, Skepticus. I believe that Utopia is intelligible, and I believe that game playing is what makes Utopia intelligible.”

— Bernard Suits, The Grasshopper: Games, Play, and Utopia

We invite abstracts of 200-500 words on the theme of utopia and tabletop roleplaying games (TTRPGs). Please also include either a 50-300 word bio, or a CV, or a link to your website. Send abstracts to j.c.walton@sussex.ac.uk by 1 February 2021 with “Submission” in the subject line. Chapters of 5,000-8,000 words will be due 1 September 2021.

Caribbean novelists, poets, and playwrights have contributed inestimable riches to the world of literature. How have the themes and styles of established Caribbean voices, including Brathwaite, Walcott, Cliff, and Naipaul, been adapted or diverged from by younger Caribbean voices? Abstracts should be a maximum of 300 words and be submitted via the Northeast Modern Language Association website. Go to http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

The 52nd NeMLA (Northeast Modern Language Association) Convention (Philadelphia, PA) is now going to be held on a hybrid/virtual platform between March 11 and 14, 2021. This means you can present your papers virtually from anywhere in the world without having to travel to Philadelphia, PA. We now hope to hear more from scholars and students living outside of the US. Please consider sending your abstracts to our panels by September 30! See this link for more instructions: http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

 Reposting my own panel description here for anyone interested in global modernism and print networks:

Stories from ancient Greek myths dot the literary landscape of the early 21st century. To some extent, this has been the result of deliberate planning, as when Canongate began publishing a series of mythological retellings by well-known authors in 2005. But alongside and independent of such coordinated efforts to keep old tales alive for contemporary audiences, offerings from both established authors (David Malouf, Barry Unsworth, Colm Toibin, Pat Barker) and successful newcomers (Madeline Miller, Daisy Johnson) have likewise retold and reimagined mythical narratives in recent years.

We are a lively academic collective interested in investigating the articulation of the numerous and heterogeneous representations which have been constructing images of the US. Our research delves into how the US—their history, society, and diverse cultures—have been represented in popular media and cultural creations. Our blog aims at providing a collaborative, engaging, and fair environment for any interested scholar, promoting the sharing of knowledge, experience, and ideas across disciplines and thematic fields. We’re also working to foster a stimulating space for early career researchers and postgraduate students in North American studies, thus we’ll warmly welcome their proposals.

NeMLA 2021 CONVENTION (11-14 March)

Call for Papers for a panel on the Maghreb: ''Subverting Traditions in the Maghreb through Literature and the Cinema''

Panel description:

Cafe Dissenus Issue 57: January 2021: Epidemics/Pandemics in Literature [Last date for submission: 30 December, 2020; Date of publication: 1 February, 2021]

Guest-Editor: Dr. Nishi Pulugurtha, Associate Professor, Department of English, Brahmananda Keshab Chandra College, University of Calcutta.

CALL FOR PAPERS

New Literaria Journal, in collaboration with the Department of English, Assam University(A Central University), India invites papers for its International e-Conference on ‘Re-thinking the Postcolonial: Texts and Contexts’ to be held on 25th, 26th and 27th September, 2020.

CONCEPT NOTE

In this session, we will especially focus on how the British classic literature of the 19th and early 20th centuries have been adapted concerning Thatcherism, the heritage industry, colonialism, Britishness (Englishness). The so-called "Heritage Fever," which hit British society in the 1980s, was largely supported by national-led policy. In the 1980s, for example, cultural heritage preservation movements spread nationwide; museums and heritage centers around the country were created. A great deal of British interest in the so-called “Old England,” such as visiting historic sites, became an honor factor.

In Ovid’s Metamorphoses, Philomela is devoted sister, is victim of a brutal rape and mutilation, is weaver, is revenger, is nightingale. The specter of Philomela haunts the western canon, where she is a shorthand for rape, where the song of the nightingale is shorthand for suffering. Where Philomela is invoked, the ingenious weaver of the Metamorphoses is newly silenced by threadbare retellings. In Chaucer’s Legend of Good Women, Philomela is severed from both revenge and transformation; as Lavinia in Shakespeare’s Titus Andronicus, she is severed from the consolation and commiseration of other women; and in Eliot’s The Wasteland, her “inviolable voice” is severed from her violated body, laments to the crude unhearing.

The editorial team of OVER Journal welcomes submissions of essays by any individuals or collaborators engaged in critical and cultural inquiry that address key issues around Photography and Visual Culture, including those deriving from other disciplines and interests. We are particularly interested in papers that aim to bring attention to critical positions or debates that can benefit and bring about social change, open new cultural dialogues, or reimagine new futures for Photography. Submissions must be in English. We welcome material not older than 3 years (unless specifically relevant to current issues or themes).

Un/crossing language cracks: exophonic practices and realities

Post-Scriptum’s annual conference

Université de Montréal, Québec, Canada, April 8-9, 2021

Conference organized by Flora Roussel and Miriam Sbih

In a globalized world in which one is constantly connected with others in a positive and/or

negative way, and thereby can be pushed to merge with others, in particular those who are

given a majority based on oppression, and a voice within this homogenizing tendency, one

With Health Humanities on the rise and medical memoirs flooding bookshelves, it's easy to forget that the alliances forged between literary representation and medical discourse are new and fragile. Writers from a multitude of traditions have long squared off against doctors for the right to understand illness and capture the essence of the diseased subject. Their motivations have spanned from the starkly political to the intensely personal.

This panel seeks to explore the formal approaches and theoretical implications of these Anti-Medical Humanities. What drives these writers to resist the assimilation of the literary into the medical, and vice versa?

Potential topics could include, but are not limited to:

Commitment—a concept which names the title of Theodor Adorno’s 1962 critique of a text’s thematic engagement with politics—entails a work’s capacity to mark a site of historical intervention. “When I am committed,” says Jean-Paul Sartre, “I reveal the situation by the very intention of changing it…I strike at its very heart, I transfix it, and I display it in full view…with every word that I utter, I involve myself a little more in the world." For scholars of the modernist documentary, commitment serves as a starting point for attempts to better understand the historical import of literary experiments in reportage.