postcolonial

SF: Activism and Resistance 

9-11 September 2021, online

Keynote Speakers: Grace Dillon, Radha D’Souza

Guest Creators: Jeannette Ng, Rivers Solomon, Neon Yang

How have British and American institutions shaped Anglophone literatures across the 20th and into the 21st centuries? In the decades accompanying decolonization, London and New York remain literary capitals by dint of their concentration of literary capital: the infrastructure of publishers and periodicals, agencies and awards that—staffed by professional readers—support (and distort) the creative act. Centers of cultural gravity, they continue to set standards and bestow prestige, offering more reliable access to readers and remuneration, acting on the materials of writers and manuscripts drawn from around the world.

What is the approach of postcolonial women writers to issues of home and multiple belongings? How do they narrate the encounter with estrangement and familiarity?

Typically, scholarly reflection on the Great War focuses on military activity and masculine performance; in contrast, this NeMLA 2022 seminar examines the importance of women as fictional characters, authors, and purveyors of legacies associated with the Great War of 1914-1918. By privileging the role of women, it is hoped that we can bring a fresh critical light to this pivotal moment in world history.

In the last decade, we have witnessed the harrowing images of migrants including that of Alan Kurdi whose death sparked world-wide outrage at the way in which the migrant crisis has been dealt with on a global level. While Kurdi’s untimely death drew attention to the Syrian refugees and their plight, the political crisis that has taken place in the South Asian subcontinent begs us to further think about the subjectivities of migrants and refugees and the ethics of care within this region.

Call for Papers - Session "Metatextuality in Contemporary French Caribbean Fiction" at the 53rd Annual Convention of the Northeast Modern Language Association (March 10-13, Baltimore, MD) 

This panel focuses on metatextual practices in contemporary French Caribbean fiction. Metatextuality here is understood as a form of intertextual discourse in which one text refers to itself or another text and critically reflects upon it. We welcome proposals that focus on the conditions of production, publication, distribution, circulation, consumption, transmission, and recognition (or lack thereof) of literary texts.

Preferred languages: French or English.

Deadline: September 30, 2021

This panel is interested in critiques of narratives and representations of spaces and technologies of care, including the medicalization of homes, disabling spaces in the home, examinations of how bodied and disembodied artificial intelligence may change geographies of care, deterritorialization of long-term care facilities, the cosmopolitanized spaces of care in hotels, the gendered and racialized politics of service industries, and the promotion or promise of care through mediated forms of print and digital technologies.

We are seeking submissions by Māori, Indigenous Australian, Torres Strait Islander, and First Nations scholars for an edited collection on plants in Australian and Aotearoa New Zealand children’s and Young Adult literature. We would like to centre Indigenous Australian and Māori perspectives, and are encouraging submissions or expressions of interest from academics, writers, and postgraduate students. 

If you have any questions or ideas about potential chapters you’d like to discuss, please contact us. We’re happy to discuss any ideas you may have.  

CFP: Latin America Art and Social Resistance in the Global/Glocal Perspective

Online Panel

The Art Association of Australia & New Zealand (AAANZ)

I M P A C T 
8-10 December
The University of Sydney

Deadline by 30 July 2021.

Dark academia is a recently emerging term of phrase describing not only an aesthetic within popular culture but also a type of genre involving an academic background, elements of the gothic, and the spectacular. Like the speculative supergenre, dark academia often borrows freely from other literary and cultural categorizations, in the way of crime fiction, classical Greek & British mythologies, artistic aesthetics, paranormalcy, romance, villainy, stoicism, and posthumanism. Oftentimes within dark academia, the Other represents a romanticized villain and/or monster with whom the reader and reviewer empathizes with. Through this romanticization, we often find that nostalgia for a colonial history takes centerstage.

Call for Papers

Essays and Studies, the journal of the Department of English, Jadavpur University invites scholarly essays for its non-themed issue to be published in 2022. Faculty members and researchers (specializing in Literature/English Literature) in India and abroad are requested to send us by 31 July 2021 a 500 word abstract indicating the subject/focus of their essays. The authors of the selected abstracts will receive a confirmation email by 21 August 2021. They will then be expected to mail in their essays by 30 November 2021.

Special Issue Call for Papers
Struggle & Hustle: Queer Nonfiction Prose

Prose Studies: History, Theory, Criticism invites submissions for a special issue devoted to exploring trans and queer mutual aid, support, and networks in all genres and periods of nonfiction prose. This issue seeks to delve into the ways in which trans and queer writers have mobilized nonfiction prose to make visible marginalized identities, disseminate underground knowledge, and fashion networks of care and family.

In the past decades, video games have established themselves as a global entertainment medium enjoying ever-increasing sales and profits. What was once a contested form of entertainment, now benefits from a level of social acceptability comparable to that of more traditional media such as the cinema. The popularity and cultural capital of video games calls for an inquiry into their contribution to the construction of cultural identity. While this avenue of research has begun to gain momentum, as proven by the increasing number of academic publications on gender identity or sexual orientation, less attention has been given to colonialism and colonial subjects in the context of today’s neoliberal postcolonial and postcommunist world.

Guest edited by Bettina Burger, David Kern, Lucas Mattila