MLA Panel: "Do Area Studies Matter?" MLA 2019, 3–6 January, Chicago
Race and Poetry and Poetics in the UK:
Legacies of Colonialism
27-28 October 2018
University of Cambridge
Against the contemporary reality of Brexit and an openly racist and sexist US president, alongside draconian detention and deportation policies, anti-black and anti-Muslim violence in the UK and US, and the ongoing neglect of indigenous people’s dispossession, it is time to stop doing poetry and poetry studies as usual.
Art After Galtung: Structural Violence and the Arts of the Global South
A roundtable proposed for the Association for the Study of Arts of the Present Conference: October 17-20, 2018 (New Orleans, LA)
Call For Papers
2018 MMLA Conference - "Consuming Cultures"
November 15-18, 2018
Kansas City, MO
The permanent section SPANISH III (Latin American Literature) welcome proposals that explore Latin American Literature and Culture and create space for dialogue across disciplines and genres in the context of this year’s conference theme “Consuming Cultures”. Proposals exploring issues related to cultural engagement and cultural appropriation in Latin America from any time period will be given preferential consideration. Papers on any aspect of this topic are welcome, including but not limited to the following themes:
In keeping with this year’s MMLA theme, “Consuming Cultures,” I welcome papers that address issues of consumption in nineteenth-century British literature and culture. Possible topics include, but are certainly not limited to: print culture and readership; leisure activities; studies in food, medicine, plants, agriculture, and animals; consumption vs. production; consuming identities and bodies; and the intersections between postcolonialism, imperialism, and capitalism. Please send a 250-word abstract and a brief bio. by April 5th, 2018 to Bailey Shaw at firstname.lastname@example.org.
Writing in the English magazine The Poster in 1899, French critic Maurice Demeur declared: “In the course of my studies of pictorial placards, I have often had cause to deplore in the art magazines the almost entire absence of comment on mural decorative art in Spain. Hardly anything, it would seem, is written about Spanish posters and colour prints. What is the reason of this neglect of so characteristic and remarkable an impulse? . . . I am surprised to see that Boudet in his book Les Affiches Étrangères, Sponsel in his clever publication Das Moderne Plakat, and many other writers have entirely ignored the subject. Does this arise from lack of knowledge or negligence?
The editors invite contributions for an essay collection provisionally titled (Un)Ethical Futures: Utopia, Dystopia and Science Fiction. The collection will explore the ethical concerns of utopian and dystopian science fiction (sf) from a global, comparative perspective. The editors particularly encourage submissions examining non-Anglo-American literature and comparative studies of world sf traditions.
The concept of ‘identity’ has of late acquired much resonance inside and outside academia. Identity has become in today’s globalized world more fundamental than ever before to the endeavor of addressing theoretical and political issues relating to ‘nationality,’ ‘nation (-state) borders,’ ‘history,’ ‘ethnicity,’ and other, perhaps more urgent, issues of ethnic conflicts, immigration, and refugees. The complexity of each of these entities and the interplay of most of them point, together, to the insufficiencies apparent in those ‘fixed’ understandings of the concept of identity. Fixed, or essentialized, views of identity put emphasis on roots, continuity, tradition, and timelessness... .
October 5-6, 2018
Conference organized by
BATUMI SHOTA RUSTAVELI STATE UNIVERSITY
BATUMI ART TEACHING STATE UNIVERSITY
CALL FOR PAPERS