Call for Papers - Romanian Review of Eurasian Studies
Romanian Review of Eurasian Studies, year XII, No. 1-2 /2016 invites professors, researchers and phd students to submit their research articles and reviews for publication until 1 September 2016.
Our journal is indexed in ERIH PLUS, ProQuest, EBSCO, CEEOL and Index Copernicus databases.
The French I: Advent of the Ancien Régime Panel welcomes one more paper proposal (see CFP below).
Proposals relating to the conference theme of “Border States” are especially welcome.
The MMLA conference 2016 will take place in Saint Louis, MO from 10-13 November 2016.
To submit a paper proposal for this session, email a 200-word abstract and a short bio to
email@example.com by May 30.
French I: Advent of the Ancien Régime
Taking our cue from this year’s convention theme of “Border States,” presenters are invited to explore the concept of
borders in French Studies. Possible topics include, but are not limited to:
Looking for paper proposals on any topic relating to the Bible in literature. Papers relating in particular to the conference theme of “Archives, Libraries, Properties” are especially welcome.
To submit a paper proposal for this session, or one of the many other approved PAMLA sessions, please go to: http://www.pamla.org/2016/topic-areasProposals are due by Friday, June 10.
The PAMLA conference 2016 will be held over the 11-13 November 2016 weekend at the Westin Pasadena, CA.
Church and State and the Rising
Chairs, Ines Murzaku, Catholic Studies and Martha C. Carpentier, English
Call for Papers
Call for Papers for the 2017 Berkeley Graduate Student Symposium
“Encounters and Reimaginings: Medieval Scandinavia and the World”
ScandGrads, the graduate organization affiliated with Department of Scandinavian at the University of California, Berkeley, is proud to announce the interdisciplinary Graduate Student Symposium in Berkeley, California to be held March 3-4, 2017.
Cinema: Journal of Philosophy and the Moving Image invites submissions for its 8th issue devoted to the philosophy of Karl Marx and its links with cinematic art.
Marxism, as a tool for social analysis and transformation, has influenced politicized and progressive filmmakers such as Sergei Eisenstein and Sembène Ousmane, in theory and in practice, as well as shaped theoretical discussions around film and history, aesthetics, economics, and ideology. Key topics of this discussion have been reproducible art and active collective experience (Walter Benjamin) and cultural and social hegemony (Antonio Gramsci), among others.
Much of Walker Percy’s fiction and non-fiction writing is social commentary. At least two novels - Love in the Ruins and The Thanatos Syndrome - may be called dystopian or post-apocalyptic. His numerous essays on race relations, on secular materialism, on misguided “self-help” books in a postmodern world seem to indicate that he suspected 20th century America was a dystopia itself. Additionally, Walker Percy’s personal life included social action in his local community and through the Catholic Church. Proposals addressing the SAMLA 88 theme "Utopia/Dystopia: Whose Paradise Is It?" in Walker Percy’s fiction, non-fiction, or life are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr.
In honor of Walker Percy’s 100th Birthday Anniversary, proposals addressing any topic or area celebrating Walker Percy’s life, his fiction, or his non-fiction are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr. Karey Perkins, University of South Carolina - Beaufort, at both firstname.lastname@example.org and email@example.com by June 7.
Alternately celebrated and pilloried, mother figures have been assigned contradictory roles throughout the histories of English-speaking societies. Reflecting the power structures and conflicts of their times, they have been portrayed as pillars of society, providing material and emotional security, and models of sacrifice, or vilified for failing to perpetuate the expected values of individual responsibility and self-control. Nearly a century after winning political emancipation and almost half a century after the historic struggles for sexual emancipation—which yielded unequal results from one country to another—, women in all segments of society in the USA, the Republic of Ireland, the United Kingdom and the Commonwealth are still regard
The University of Virginia's College at Wise’s Medieval-Renaissance Conference is pleased to accept abstracts for our thirtieth conference. The conference is an open event that promotes scholarly discussion in all disciplines of Medieval and Renaissance studies. Papers by undergraduates covering any area of medieval and renaissance studies—including literature, language, history, philosophy, science, pedagogy, and the arts—are welcome. Abstracts for papers should be around 300 words in length and should be accompanied by a brief letter of recommendation from a faculty sponsor (the latter can be mailed or emailed separately). A branch campus of the University of Virginia, the University of Virginia’s College at Wise is a public four-year liberal arts c
I am interested in collecting essays that explore religious belief and practice in contemporary young adult fiction (written after 2001). There are several questions that each chapter will address: How are the religious experiences of teenagers expressed in contemporary young adult literature? What is the relationship between the characters’ religious beliefs/values and their interactions with parents, their friends, their schools, and their societies (real and fantastic)? How do young adult authors use religious texts, traditions, and beliefs to add layers of meaning to their characters, settings, and plots? How does contemporary young adult literature place itself into the larger conversation regarding the postsecular?
This panel seeks proposals which address works (artistic, literary, historical, etc.) at the intersection of Catholicism and witchcraft (demons, devils, witches, magic, etc.) between 1500 and 1700 in England and/or Continental Europe. Of particular interest are works which link witchcraft and Catholicism; critique governmental or religious responses to witchcraft and/or Catholicism; and/or representations in literature or drama which compare witchcraft and/or Catholicism.
George IV fined Leigh Hunt, the Editor, £100 for publishing Lord Byron’s anonymous satire, “The Vision of Judgment,” in their new independent journal, “The Liberal,” about George III not exactly having gone to heaven in 1823. Earlier, on September 3, 1811, Byron wrote in a letter to Hodgson, a friend, “I will have nothing to do with your immortality; we are miserable enough in this life, without the absurdity of speculating upon another. If men are to live, why die at all? And if they die, why disturb the sweet and sound sleep that ‘knows no waking’?...
Are there really no Sundays west of St. Louis and is there no god west of Fort Smith? Representing a set of assumptions about the American Character, progress, law, order, and the conquest of nature, conflicts concerning the ideal and themes of redemption figure prominently in Westerns. On the Western’s frontier, figures of power and subversion abound—lawmen and outlaws, gamblers and gunmen, cavalry wives and soiled doves, the Indian chiefs and buffalo scouts.