Rhetoric and literature obviously have an intricate shared history in early modern studies evidenced by the likes of George Puttenham’s Art of English Poesie (1579) among other manuals and treatises, but studies continue to demonstrate that there is more to be examined at this scholarly intersection. By applying research in cognitive studies, for instance, Raphael Lyne offers a new perspective on Shakespeare’s use of rhetoric, and in a forthcoming piece Michael Ullyot and Adam Bradley employ digital technologies in order to study the applications of rhetorical tropes like gradatio in early modern drama more broadly. This panel seeks to discuss what other innovations or findings are possible with or without novel applications.
The British Commonwealth and Postcolonial Studies Conference, inaugurated in 1992, is the oldest and longest-running annual meeting of its kind in the United States. It encompasses colonial and postcolonial histories, literatures, creative and performing arts, politics, economics, and all other aspects of the countries formerly colonized by Britain and other European powers.
We welcome a variety of approaches and viewpoints, and the generation of wide-ranging, productive debates. Thus we are particularly interested in interdisciplinary and/or cross-cultural panel proposals.
The latest research indicates that more than 400 million people embark annually on traditional pilgrimages in Saudi Arabia, India, Japan, and elsewhere, with the numbers steadily increasing. Pilgrimage is one of the most ancient practices of humankind and is associated with a great variety of religious and spiritual traditions, beliefs and sacred geographies. As a global phenomenon, pilgrimage facilitates interaction between and among diverse peoples from countless cultures, occupations, and walks of life. In the 5th Global Conference, we will continue to explore the many personal, interpersonal, intercultural, and international dimensions of these often profound events.
If the first major waves of popular interest in, philanthropic funding of, and scholarship on contemporary Jewish music and songwriters in the U.S. have finally receded, they've left a treasure in their wake. From Orthodox popular music and chazzanut, to jazz masters of the 1930s, to hipster oddities of the “new Jewish music” scene, to gypsy-punk klezmer cabaret bands and the Jewish identified art of Leonard Cohen and John Zorn, today’s audiences have access to a wealth of Jew-ish sounds and entertainments.
Recent scholarship has noted the importance of viewing medieval manuscripts at many stages of their “lives”, not merely confined to the mechanics of their production and the immediate contexts of their creation, but also viewing them within each cultural context that they encountered throughout their existence. This session aims to apply this approach to manuscripts of medieval mystical, visionary, or prophetic/revelatory texts, examining their reception and use long after their original composition and the lives of their authors. These genres produced some of the most provocative and controversial texts of the Middle Ages, with often complicated reception histories.
In light of the larger conference theme devoted to “Kindness,” the Religion in American section welcomes any and all submissions related to the study of American religion as it relates to “Kindness,” especially those that expand interdisciplinary approaches to the study of religion and offer new insight into the current state of religion in America.
1st Global Conference
including a guided tour of Belém and the Jeronimos Monastery, Lisbon
Saturday 17th March 2018 - Sunday 18th March 2018
International Thomas Merton Society
College English Association
49TH ANNUAL CONFERENCE
St. Petersburg, Florida, April 5-7, 2018
Call for Papers
In his 1938 essay, “Figura,” Erich Auerbach asserts that a figura, unlike an eidosconveying static form, is inherently invested in a relation to time. As Auerbach's use of the figure was polemically mobilized in order to undermine the manufactured barbarism of fascist philology in his time, so might the figure in yet other chronotopes direct readership to structures of barbarism, power, or erotic desire, for example, and their material and philosophical lineages in the world.
Shakespeare and his Contemporaries
The IASEMS Graduate Conference at the British Institute of Florence
Call for Papers
CONVERSIONS IN EARLY MODERN BRITISH LITERATURE AND CULTURE
Florence, 20 April 2018
Abstract submission deadline: 29 October 2017