In his 1938 essay, “Figura,” Erich Auerbach asserts that a figura, unlike an eidosconveying static form, is inherently invested in a relation to time. As Auerbach's use of the figure was polemically mobilized in order to undermine the manufactured barbarism of fascist philology in his time, so might the figure in yet other chronotopes direct readership to structures of barbarism, power, or erotic desire, for example, and their material and philosophical lineages in the world.
Shakespeare and his Contemporaries
The IASEMS Graduate Conference at the British Institute of Florence
Call for Papers
CONVERSIONS IN EARLY MODERN BRITISH LITERATURE AND CULTURE
Florence, 20 April 2018
Abstract submission deadline: 29 October 2017
Revolution/Revelation in Theatre and Performance
Religion and Theatre Focus Group
Association for Theatre in Higher Education Conference
“You want a revolution? I want a revelation!
So listen to my declaration…”
--Lin Manuel Miranda, Hamilton
This panel invites trans-historical and trans-disciplinary examinations of pre-modern disability studies, focusing particularly on the construction of the devotional subject across the lines of periodicity. Medievalists and early modernists working in the burgeoning field of disability studies have shown that “disability” was an operative category in premodern texts, with subjects constituted by different or “non-standard” bodies, minds, and spirits. This roundtable proposes to extend this conversation by turning to religious experience and devotion, an important discursive field for the construction of identity by marginalized and/or minority groups.
The past decade has seen a burgeoning of interest in the place of emotion in late medieval English literature and religious writing. Underlying this turn to emotion are two broader modes of thought: the history of emotions and affect theory. Both historians of the emotions and contemporary affect theorists carefully observe distinctions between the cognitive and precognitive elements of emotional experience. But only recently have late medievalists begun to investigate the distinctions between feeling, affect, and emotion in Middle English, Latin, and Anglo-French literature and devotional writing.
Iron maidens, the Inquisition, the Crusades, witch burnings: these images of violence, both fact and fiction, are profoundly connected to the Middle Ages. Yet if in many popular conceptions, the medieval world is associated with brutality and suffering, the period also offers unique formulations of mercy, compassion, and the power of resistance. In exploring both medieval violence or nonviolence, this symposium seeks to examine specific structures of power and brutality but also to complicate the narrative of the violent Middle Ages.
British Jewish Contemporary Cultures: An International Conference
26-27 March 2018, Bangor University, Wales.
Keynote Speakers: Sarah Lightman (Glasgow) and Silvia Pellicer (Zaragoza)
CFP: FALL 2017 EDITION OF GLOSSOLALIA
Glossolalia, Yale Divinity School’s peer-reviewed graduate journal, is pleased to announce its call for papers for inclusion in the Fall 2017 edition, on the theme of “Confusion.”
Whereas religious study often dwells with the theological question of how the sacred has been revealed to humanity, sociologists of religion Emile Durkheim and Max Weber preferred to ask how the sacred is made and remade within a society. For them, human activity assumes a power sometimes attributed to supernatural forces: the power to produce the sacred.
Appel à communications : « La foi et le littéraire : Quêtes et défaites spirituelles dans les littératures », colloque annuel de la revue Post-Scriptum, Université de Montréal, 26-27 avril 2017
Colloque organisé par Gabriel Tétrault (Doctorant, littérature comparée, Université de Montréal), Louis-Thomas Leguerrier (Doctorant, littérature comparée, Université de Montréal) et Laurence Sylvain (Doctorante, littérature comparée, Université de Montréal)