This one-day conference deals with intersections of biography and/as experimental fiction in the 20th and 21st centuries. While for scientists an experiment is a common way of proving or disproving a hypothesis and thus of arriving at certainties, fiction writers have long been demonstrating that literary experiments tend to have the opposite effect: they open up alternative and multiple ways of reading and pose new epistemological challenges.
Euroacademia cordially invites you to
The 5th Global Conference
'Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers'
27 – 28 March 2015, Barcelona, Spain
CALL FOR PANELS AND PAPERS
DEADLINE FOR PANEL PROPOSALS: 1st of February 2015
DEADLINE FOR PAPER PROPOSALS: 15th of February 2015
Description and aims
The Graham Greene International Festival is an annual event that takes place in Berkhamsted towards the end of September. The eighteenth Festival will take place from 24-28 September, 2015.
Papers are being sought for the morning of Friday 25 September on any aspect of Graham Greene's life and/or work, and/or his relationship with other writers, filmmakers, or thinkers.
Please send your proposed titles for a 15 minute paper, together with a 250 word abstract, to firstname.lastname@example.org by 10th April 2015.
Venue: De Montfort University, Leicester
Coinciding with the interment of King Richard III in Leicester, De Montfort University's Centre for Textual Studies and Centre for Adaptations are co-hosting a one-day conference called "Richard III: Histories--Transformations--Afterlives". 20-minute papers are invited on all topics related to:
* The historical King Richard III
* The various dramatic/fictional King Richard IIIs onstage and elsewhere
* The genre of the history play in its own time and after
* Textual problems in the early editions of Shakespeare's history plays
* The relationship between history and tragedy in Shakespeare's time and after
* How Richard III changes in adaptations
"To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper!… When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve."
- The Joker, The Dark Knight
We - an international group of students enrolled in the MA Global History at Free University Berlin - would like to inform You about a conference in Global History for bachelor and graduate students, April 24-25 in Berlin. (We will be able to cover some travel and accommodation expenses.) Our idea is to provide a venue for ambitious students to spread and discuss their projects with a larger audience. This conference presents a very good opportunity to broaden perspectives ahead of future challenges. We accept texts written in English, Spanish, French and Italian, and the discussions will be held in English.
We seek interdisciplinary papers for a proposed panel investigating "the black mortuary," an analytic that considers the place of the black deceased within cultural, economic, and intellectual practices. Informed, in part, by Vincent Brown's groundbreaking text The Reaper's Garden: Death and Power in the World of Atlantic Slavery, this panel will explore the conceptual and constitutive work that racial death performs. We invoke a popular African American colloquialism, "who's got the body," to locate the contested ownerships of the (deceased) black body. And we ask, how might the corporeal remnants of blackness foreshadow new possibilities for myriad forms of oppositional action?
The Invisible Bear is currently seeking quality poetry and/or visual art submissions for its inaugural volume on or before our submission deadline, Sunday, February 1st, 2015. Please submit via e-mail to thebearinvisible [at] gmail [dot] com and include your full name and the category of your piece (ex: "Joe Writer, Poetry") in the subject line of your message. Please attach your poem(s) (one per page) in a .doc or .docx (for images: .tiff, .jpg, .png) and leave off any name or contact information in your attachment. Limit your submissions from 1-5 pieces. Allow at least five weeks after the deadline date before inquiring about the status of your submission.
The alimentary and gustative imaginary
Guest editors: Jean-Jacques BOUTAUD (CIMEOS, 3S, EA4177, University of Bourgogne, France) and Stéphane DUFOUR (CIMEOS, 3S, EA4177, University of Bourgogne, France)
Between the nutrient and food, the food and the object of taste, are involved in a trajectory of meaning. Before reaching the essence of the taste it originates in the senses and sensations, the epitome of the gustative emotion. A trajectory both discrete and complex, a flow of flavor in value, a range of words in moments marked by emotions.