renaissance

After the New Oxford Shakespeare credited Christopher Marlowe as co-author of 1, 2, and 3 Henry VI in 2016, Shakespeare’s short-lived contemporary has drawn a wave of renewed interest. Since then, new editions of Doctor Faustus, The Massacre at Paris, and The Jew of Malta have appeared, three collections of essays have been published, and a well-attended international Marlowe conference was held in Wittenberg, Germany. Marlowe’s plays continue to be a staple of contemporary non-Shakespearean performance with recent celebrated productions at the RSC’s Swan Theatre and the National Theatre.

The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in connection with the Gerald R. Sherratt Library and the Utah Shakespeare Festival.

The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.

October 5-7, 2023

The University of Gothenburg, Sweden

In Nicomachean Ethics and Politics, Aristotle conceived ethics and politics to be both interrelated and exclusively male endeavors. This notion continued to be influential in the early modern period (c. 1500 – 1800). Yet in recent decades, feminist scholarship has showed that throughout the early modern world numerous women nonetheless discussed, developed, and challenged politics and ethics in profound and often surprising ways. 

Call for Contributions to a Proposed Collected Edition 

Disruptive Labor: Early Modern Gender, Capital, and Illicit Work

Disruptive Labor: Early Modern Gender, Capital, and Illicit Work interrogates how some labor is denigrated and yet simultaneously supportive of the formation of the capitalistic markets upon which European nations expanded empires. By focusing on how these patriarchal societies see specific types of work as gendered, this edition explores how the gendering of labor establishes dynamic markets as either culturally sanctioned or illegitimate and, in turn, grapples with how cultural approbation undergirds economic growth. 

Call for Papers: Renaissance Landscapes

A call for papers for the 65th annual conference of the Pacific Northwest Renaissance Society

Location: Banff Park Lodge Resort, Banff, Alberta, Canada
Conference dates: September 15 to 18, 2022

Plenary Speakers:

Professor Mary Floyd-Wilson, UNC Chapel Hill

Professor Janelle Jenstad, The University of Victoria

We welcome proposals for papers, panels, roundtables, or other formats for in-person presentations. Topics may, but need not, include:

• How spaces relate to literary representations and political or philosophical ideas.

Turkish Shakespeares Project (Call for Researchers)

The Turkish Shakespeares Project seeks new researches to join its Research Team.

The Turkish Shakespeares Research Team has an interdiciplinary nature and consists of scholars who are from a broad research area and study Shakespeare in Turkey. Team – Turkish Shakespeares (wordpress.com)

While our current scholars are from the English Language and Liteature, Turkish Language and Literature, Theatre, and Translation departments, we aim to include scholars from other disciplines, including but not limited to, Media Studies, Cultural Studies, History, and many more.

Call for Interdisciplinary Papers and/or Panels at the Sixteenth Century Studies Conference

Disability Performance and Global Shakespeare

Shakespearean International Yearbook (ed. Alexa Alice Joubin and Natalia Khomenko)

Special Section edited by Katherine Schaap Williams 

Proposals on any topic related to Shakespeare are welcome, though we specifically seek proposals that engage with the 2022 MMLA theme of “Post-Now.” What is the role of Shakespeare in society moving forward or are we “post-Shakespeare”? Are there pedagogical approaches, performances, or research foci that might help us envision the “revolution of the times” as it relates to Shakespeare and Shakespearean studies? Please submit a 250-word abstract and brief bio (or brief CV) to Jeanette Goddard at goddardj@trine.edu by April 15, 2022.

“A metaphor,” wrote philosopher Monroe Beardsley in his Aesthetics (1958), “is a miniature poem, and the explication of a metaphor is a model for all explication.” Beardsley recognized the interpretive value of the trope, and metaphor offers a rich site to deepen cultural, artistic, and literary understanding of the early modern period. This panel seeks papers across disciplines that offer new theoretical frameworks for engaging with early modern metaphor. It also aims to foster transdisciplinary dialogue among panelists. Possible topics include visual metaphor, scientific and mathematical metaphor, metaphor in translation, poetic and literary metaphor, legal metaphor, Renaissance theories of metaphor, and problems of interpretation.

Sir John Falstaff enters the Shakespearean stage asking what time of day it is and leaves it at the turning of the tide.  This collection of essays is interested in ideas about temporal shifts in early modern drama. Topics could include (but are not limited to) changing seasons; the representation of individual seasons in plays; holidays and ritual markers of time; the ebb and flow of tides; measurement of time and perceptions of temporal change; day, night, dawn and dusk; understandings of different time zones; the ageing process; saints’ days, quarter days, anniversaries, and other calendrical markers; accession days; and whether there was any awareness at the time of what we would now call the Little Ice Age.

Join us in Canterbury and online for the eighth annual MEMS Festival at the University of Kent. This two-day event celebrates medieval and early modern history from c. 400 – 1800, and welcomes a wide range of interdisciplinary research topics, including but not limited to, politics, religion, economics, art, drama, literature, and material culture. MEMSFest aims to be a friendly space in which postgraduate students, early career researchers, and academics can share ideas and foster conversations, whilst building a greater sense of community. Undergraduates in their final year of study are also welcome at the conference.

We are currently accepting proposal submissions for the Renaissance Drama panel at the South Central Modern Language Association conference, October, 13-15, 2022, in Memphis, TN. Mirroring last year's structure, this year's meeting of the SCMLA will also be hybrid. Therefore, panelists and audience members will have the option to particpate in-person and virtually.

Carceral Shakespeare
Edited Collection, Call for Papers

Shakespeare has been in American prisons over the last forty years, in arts programs and college-in-prison classrooms. Even as the landscape of incarceration has shifted—from the War on Drugs to the Fair Sentencing Act, from prison reform to prison abolition—Shakespeare programs have endured. While attention to these programs often reduce them to methods of “reform” and “rehabilitation,” these narratives of redemption do not capture the complexity of what it means to engage with Shakespeare inside the carceral system.