renaissance

Anglica Wratislaviensia 65.2/2027

Anglica Wratislaviensia invites scholarly submissions for its forthcoming issue, which focuses on Anglophone literary and cultural studies and related interdisciplinary fields. While the journal's scope encompasses linguistics, translation studies, and language teaching methodology, this issue welcomes contributions in literary and cultural studies specifically. We seek rigorous, critically engaged work that brings together diverse critical traditions and perspectives from around the world. Comparative and methodologically innovative contributions are particularly welcome.

Submission Guidelines

CFP: MW/SWCCL, “Taking Care”

Midwest/Southwest Conference on Christianity and Literature

College of the Ozarks
Point Lookout, Missouri
September 25-26, 2026

Keynote Speaker: Jeffrey Bilbro, professor of English at Grove City College and editor-in-chief at Front Porch Republic

Cunterbury is a scholarly arts & comedy podcast hosted by three Gen Z academics — A.J. Scott, Alice Fulmer-Zelinka and Shannen Escote — exploring the major works of Geoffrey Chaucer and friends, starting with The Canterbury Tales. In our first season, we are providing witty commentary and voices to discuss the Tales and their pilgrims like you’ve never heard them before. 

This roundtable invites speakers to address any aspect of the so-called Renaissance self. Borrowing from Jan Goldstein, the cultural historian Elwin Hofman describes the self as “individuated mental stuff.” How might this definition inform our understanding of conceptions of the self that developed during the early modern period? What was the relationship between selfhood, self-consciousness, and identity? What kinds of evidence—artistic, confessional, visual, literary, legal, philosophical, textual, or medical—allow us to approach this question? What methodologies offer the most promise? Given the paradoxical nature of the self, both historically and in our own moment, how might it be treated as a proper object of study?

The Bibliographical Society of America (BSA) will sponsor up to four panels at RSA Philadelphia 2027 and invites proposals for individual papers or pre-formed panels on any topic within the scope of bibliography and book history. Papers and pre-formed panels may address, but are certainly not limited to, the following topics:

RSTEM symposium 05.02.26

Call for PapersRe-Sounding the Early Modern: Art, Power, and the Global Soundscape of the Dutch Masters

The Texas Tech University Vernacular Music Center, in collaboration with the Talkington College of Visual and Performing Arts and the Louise Hopkins Underwood Center for the Arts, invites proposals for a one-day interdisciplinary symposium exploring the cultural, historical, economic, and sonic worlds of the Early Modern.

This year is the 550th anniversary of William Caxton’s establishment of the first printing press in England in 1476. We invite papers for a two-day conference on Caxton’s career, texts, and contexts. Abstracts of up to 300 words to be sent to shaw.worth@all-souls.ox.ac.uk and jacob.ridley@ell.ox.ac.uk by 10 June 2026.

Call for Panel Proposals

Renaissance Conference of Southern California (RCSC)-Sponsored Panels for RSA Philadelphia

Renaissance Society of America Conference

Philadelphia, USA March 11–13, 2027

CFP Deadline: August 15, 2026

Whether we teach at an R1 university, liberal arts college, community college, or other institution, our work as scholars depends upon our students. Within the context of generative AI, declining support for the Humanities, and the rapidly changing landscape of higher education, this roundtable places pedagogy at the center by inviting participants to share practical, classroom-tested approaches to teaching the Renaissance at the college level.

Submit Abstract

Session Type: Standing Session / Panel
Primary Area / Secondary Area: British and Anglophone / Our Ruling Classes: Class, Power, Conflict
Presiding Officer(s): Shataparni Bhattacharya (Indiana University - Bloomington)
shabhat@iu.edu

Abstract

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

UVA Wise Medieval-Renaissance Conference XXXIX (9/17-19) deadline for submissions: June 26, 2026 full name / name of organization: University of Virginia-Wise Center for Medieval-Renaissance Studies contact email: kjt9t@uvawise.edu 

MMLA 2026 Convention Theme: "After the Archive"  (https://mmla.memberclicks.net/call-for-papers)Meeting Dates: 12-14 November 2026Meeting Location: voco Chicago Downtown (350 W Wolf Point Plaza)

Presentation Length: 15 Minutes (7-8 Double-Spaced Pages)
Submission Materials: 250-Word Abstract and CV
Submission Deadline: April 25, 2026

In A Midsummer Night’s Dream, the players come with their own requests (“Write me a prologue”, Botttom asks), in a hilarious example of group-working. In Hamlet, as the Prince of Denmark gets ready to take action, one of his first decisions is to appoint himself as co-writer of The Murder of Gonzago: “You could, for a need, study a speech of some dozen or sixteen lines which I would set down and insert in’t, could you not?” (2.2.5.528-30). Both examples show the nuts and bolts of early modern stage practice, in which co-writing was commonplace.