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CFP: Shakespeare and Utopia
The 11th Annual World Shakespeare Congress, Singapore: Shakespeare Circuits 19-23 July 2021
Writing Home: Literatures of Place & Belonging, c.1300-1600
25th-26th July 2019, University of Liverpool
Confirmed Keynote: Professor Wendy Scase
The Chauncey Wood Dissertation Award of the George Herbert Society, 2017-2019
For an Outstanding Dissertation on George Herbert
The George Herbert Society
announces
The Sixth Triennial Conference
at Cambridge University
George Herbert and Eloquence
18-21 June 2020
In partnership with
Peterhouse College, Trinity College, Magdalene College, and Girton College
Plenary Speakers: Sidney Gottlieb, Sacred Heart University
Malcolm Guite, Girton College
Shakespeare Nations
The 43rd Annual Ohio Valley Shakespeare Conference Marietta College (Ohio)
June 28·30, 2019
Extended Deadline for Proposals: Monday, May 6, 2019
Medieval-Renaissance Conference XXXIII
Undergraduate Sessions
The University of Virginia’s College at Wise
September 26-28, 2019
Keynote Address: “Noisy Neighbors: Playhouse and Church in a London Parish”—Christopher Highley, The Ohio State University
Call for papers for the 2020 Société Française Shakespeare conference
Paris, Fondation Deutsch de la Meurthe, 9-11 January 2020
Infinite Variety: The Older Actress on Stage 1660–present
A two-day symposium on 18–19 October 2019, taking place at Christ Church, University of Oxford, UK.
Symposium Directors are Dr Sophie Duncan and Professor Mary Luckhurst
The event is jointly convened by the School of Arts, University of Bristol and Christ Church, University of Oxford, with support from The Oxford Research Centre for the Humanities (TORCH).
Confirmed keynote speakers include Gilli Bush-Bailey (Central School of Speech and Drama), Jacky Bratton (Royal Holloway) and Fiona Gregory (Monash University).
Paper abstracts needed for PAMLA (Pacific Ancient and Modern Language Association) Conference Special Session on Shakespeare:
Shakespeare’s plays abound in fools direct, but the language, gesture, and attitude of “foolery” run through his work even aside from the antics of characters such as Feste, Lear’s Fool, or Touchstone. This panel will concentrate on moments in Shakespeare that are not so much driven by the playwright’s most famous practitioners of the fool’s trade, but rather subtly informed and structured by that trade and by the perspective it affords.
CALL FOR PAPERS: British and Anglophone Studies Proposals
Pacific Ancient and Modern Language Association (PAMLA) Conference
Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California
Call for Papers
Investigo: Interdisciplinary Journal of Medieval and Renaissance Studies
ISSN 2642-6552
Submission Guidelines
Black Humour on the English Early Modern Stage
EA Climas, EA SPH, Université Bordeaux Montaigne, 10-11 October 2019
The Cambridge Body and Food Histories group is delighted to announce the call for papers for its second annual conference:
'WASTE NOT WANT NOT: FOOD AND THRIFT FROM ANTIQUITY TO THE PRESENT'.
THURSDAY 12TH & FRIDAY 13TH SEPTEMBER 2019. ENGLISH FACULTY, UNIVERSITY OF CAMBRIDGE.
The “Shakespeare and Shakespearean Criticism” permanent section of the 2019 Midwest Modern Language Association invites proposals that engage with this year’s conference theme of “Duality, Doubles, and Doppelgangers.” Scholarship that explores issues of duality in Shakespeare’s literature, and in early modern culture broadly, from myriad perspectives will be considered.
Exploring doubling in Shakespeare’s works might begin with attention to any of the following list of topics:
· Duality of texts and paratexts
· Double-meanings (linguistics, semantics, multiple interpretations)
· Double entendre
· Twins, doubles in drama
· Doubled literary sources
Pacific and Ancient Modern Language Association (PAMLA) Annual Conference
November 14-17, 2019
San Diego, California
CALL FOR PAPERS
Drama and Society 2: “Theater as reflecting the “state-of-the-nation”
Theater is a uniquely effective venue for artists to comment on the affairs of a nation, responding to the temper of the times. Not only does it function as a public forum for debate, but the variety of tools in its repertoire renders this art form supremely effective in conveying the complexities that such a comment involves.
Pacific and Ancient Modern Language Association (PAMLA) Annual Conference
November 14-17, 2019
San Diego, California
CALL FOR PAPERS
Drama and Society 1: Theatre’s Clowns and Comic Traditions
This panel invites papers that explore the many ways the ever elusive and haunting trope of the clown has been represented in theatre arts: from the Ancients to the Contemporary, from the buffoon to the coulrophobic grotesque, and as a signifier embedded in both Western and non-Western cultures.
From the trial of Marie/Marin le Marcis (1601) to the esthetics of the monstrueux in Pantagruel (1532) and Phèdre (1677) to the shifting literary optic of Jacques le Fataliste et son maître (1796), questions of hybridity, duality, and paradox have remained central to development of the Early Modern literary canon and its related philosophical principles. In keeping with this year’s MMLA convention theme of “Duality, Doubles and Doppelgängers”, papers investigating the complex relationship between the notions of duality, plurality and hybridity will be of particular interest. Possible topics include, but are not limited to:
The Ohio State University’s Medieval and Renaissance Graduate Student Association (MRGSA) is currently accepting abstracts and panel proposals for its sixth annual graduate student symposium. This symposium will take place on Friday, September 13th, 2019 at OSU in Columbus, Ohio. The keynote speaker will be Dr. Seeta Chaganti (UC Davis). Prospective papers will be considered by those working in subfields of Medieval and Renaissance studies, and particular attention will be paid to proposals that examine the specific theme of Bodies in Motion as outlined below.
Extended Deadline: Anthology project, ‘Disseminating Shakespeare in the Nordic Countries, 1789 - 1916’
CALL FOR PAPERS
Women and Indian Shakespeares: Exploring cinema, translation, performance
30 October – 1 November 2019
Queen’s University, Belfast, UK
This session invites submissions for twenty-minute, scholarly presentations on any aspect of John Milton. Especially welcome are proposals addressing the conference theme, “Languages: Power, Identity, Relationships.” From Adam and Eve in Paradise Lost to Satan and Jesus in Paradise Regain’d to the Lady and Comus in A Masque, Milton encouraged readers to think power, identity, and relationships in many forms and in many contexts. What might these intersections of power, identity, and relationship reveal to us about Milton as a poet and political activist? By Friday, May 25, please submit an abstract of 200 words, a brief bio, and any A/V requests to Dr.
Questions of crime and punishment are writ large across many of our social and political spaces. We see injustice navigated on social media and protested in the streets, spun on film and fought in music. The narratives of criminals and law makers, sometimes valorised and sometimes vilified, surround us.
MARGIN Symposium 2019
“OUT OF PLACE / OUT OF TIME”
New York University
May 3, 2019
The Medieval and Renaissance Graduate Interdisciplinary Student Network (MARGIN) is proud to announce the third annual MARGIN Symposium on Friday, May 3, 2019. The theme of this year’s symposium is OUT OF PLACE / OUT OF TIME. We invite papers that participate in a larger discussion of temporalities and places.
Special Sessions Call for Papers
“Duality in the Early Modern Period”
Midwest Modern Language Association
Chicago, IL
November 14-17
The Southeastern Renaissance Conference invites submissions for our 76th annual conference, which will be hosted by North Carolina State University on October 18-19, 2019 in Raleigh, NC.
Papers can be on any aspect of Renaissance literature, history, philosophy, music, art, or culture. Please submit your full essay (20-minute reading time maximum, or no more than 2,500 words) here: SRC Paper Submission Module.
For consideration for the 2019 Conference, papers must be submitted by: June 7, 2019. Those submitting papers for the 2019 Conference will receive a response from the SRC by: July 1, 2019.
The Ohio State University’s Medieval and Renaissance Graduate Student Association (MRGSA) is currently accepting abstracts for its sixth annual graduate student symposium. This symposium will take place on Friday, September 13th, 2019 at OSU in Columbus, Ohio. Prospective papers will be considered by those working in assorted subfields of Medieval and Renaissance studies, and particular attention will be paid to proposals that examine the specific theme of Bodies in Motion as outlined below.
"Confessions": postmedieval 11, no. 2
The Renassance Drama regular session at South Central Modern Language Association (SCMLA) seeks papers on Renaissance Drama for presentation at the annual meeting, October 24-26, 2019 in Little Rock, Arkansas. Please submit abstracts of 200 words or fewer to Dr. Kris McAbee (kxmcabee@ualr.edu) by March 31, 2019
Sponsored by the Center for Medieval-Renaissance Studies at the University of Virginia's College at Wise, the UVa-Wise Medieval-Renaissance Conference promotes scholarly discussion in all disciplines of Medieval and Renaissance studies. This year's conference begins on Thursday, Sept. 26, and concudes on Saturday, Sept.
English Consorts: Power, Influence, Dynasty
Edited by Aidan Norrie, Carolyn Harris, Joanna Laynesmith, Danna Messer, and Elena Woodacre
The Editors have been delighted at the proposals we have received thus far, and hope that more will come in before the 1 May 2019 deadline.
With fewer than 2 months to go, however, we have decided to issue a revised Call for Contributors to advertise the consorts that we have received no abstracts for.
So, while we are keen to hear from prospective authors on any consort, we are especially looking for submissions on:
Norman to Early Plantagenet Consorts