Mic Check: Resistance and Revolution
2nd Annual Tufts Graduate Humanities Conference
Friday, October 26, 2012
Tufts University, Medford, MA
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2nd Annual Tufts Graduate Humanities Conference
Friday, October 26, 2012
Tufts University, Medford, MA
The 3rd International Conference on Re-Thinking Humanities and Social Science is to be held at the University of Zadar, Croatia, from September 6 – 9, 2012. The conference has taken place every year since 2010.
Call for Papers
Rereading John Skelton
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Boston, Massachusetts
Host Institution: Tufts University
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Boston, Massachusetts
Host Institution: Tufts University
This panel explores how literature represents the relationship between humans and animals in a range of early modern texts. How do representations of the mutable boundary between humans and animals differ depending on their generic context? How do concerns about literary kinds relate to and intersect with concerns about species categorization? To what extent does generic mingling and experimentation relate to the varying representations of inter-species similitude and difference? Send 300 word abstracts to Julia Gingerich <7jg32@queensu.ca>
2012 SAMLA CONFERENCE CALLS FOR PAPERS. November 9-11, 2012 Research Triangle, North Carolina Special Focus: Text as Memoir: Tales of Travel, Immigration, and Exile.
Panel: Shakespeare and the Memory of a Lost Religion.
This panel focuses on the alter ego or the second self, asking what it might mean to imagine someone/something as another instance of one's self. Papers might address a wide range of "second selves," including twins, friends, spouses, children, ambassadors, avatars, emissaries, representatives, rivals, foils, doubles, and impersonators. Participants might also treat the topic more abstractly, as in the case of one's reputation, credit, image, office, or personae. We will be especially interested in how these alter egos might ask, answer, or unsettle questions of identity, epistemology, and ethics (e.g., altruism, sympathy, and "loving thy neighbor as thyself.").
This panel focuses on the alter ego or the second self, asking what it might mean to imagine someone/something as another instance of one's self. Papers might address a wide range of "second selves," including twins, friends, spouses, children, ambassadors, avatars, emissaries, representatives, rivals, foils, doubles, and impersonators. Participants might also treat the topic more abstractly, as in the case of one's reputation, credit, image, office, or personae. We will be especially interested in how these alter egos might ask, answer, or unsettle questions of identity, epistemology, and ethics (e.g., altruism, sympathy, and "loving thy neighbor as thyself.").
CFP:Panel: "Protean Shakespeare: Adapting, Tradapting, Performing Early Modern Plays"
Montpellier University, France, 26-29 June 2013
European Shakespeare Research Association International Colloquium
Convenors:
Pavel Drábek, Masaryk University
Pascale Drouet, University of Poitiers
Nathalie Rivere de Carles, University of Toulouse
Important dates:
* Submission of articles: 1 June 2012
* Final submission of articles: 15 September 2012
* Publication: December 2012
The aim of this conference is to explore the role of live animals on the stage, from the early modern era to the present time. Papers dealing with visual or textual representations of performing animals, typologies of animals in the theatre, the hybridisation of the drama with the circus, the zoo and the cinema, as well as the semiotic transfer of animal roles from the text to the stage are particularly welcome. Corollary topics may also include, but are not limited to:
Miranda famously declares at the conclusion of The Tempest that she now exists in a "Brave new world." This oft-quoted line is frequently misremembered as referring to the enchanted island itself, when in actuality she only utters it upon first encountering all of the Europeans who've been shipwrecked on the island. As Prospero makes clear to his daughter, in fact Miranda's new world is an old world. This scene in Shakespeare's most colonial of plays subverts our expectations of what "encounter" means in a New World context. In this panel we will look at narratives that upend the standard representations of encounter in the early modern age of exploration, that convert new world into old, and old into new.
In Book V of Paradise Lost, Raphael aptly summarizes the difficulties of communicating sacred truths to the human consciousness: "how shall I relate / To human sense th' invisible exploits / …; how last unfould / The secrets of another World, perhaps / Not lawful to reveal?" His intriguing suggestion that earth may be "but the shaddow of Heav'n" invokes a rich complex of early modern traditions that view "the shadow" as an image of the divide between the worldly and the otherworldly, and a figure that can potentially bridge that divide. This panel examines ways early modern English literature exploits and explores "the shadow" in its attempts to mend the gap between material and spiritual worlds felt to be intimately connected, yet inextricably divided.
The Journal of the Midwest Modern Language Association has extended the deadline for essay submissions on its 2011 Conference Theme: "Play." Essays treating any aspect of "Play" in language, literature, drama, film, and popular culture are welcome. Possible topics include, but are not limited to: drama and performance studies; satire and parody; linguistic play; game theory; innovative pedagogies; scholarship as play; hoaxes and cons; queerings; subjectivity and identity performance; sport; transgressions and boundary-crossings; mindgames.
Milton, that great radical at the center of the English poetic canon, is often mythologized as being both exemplary of his time and also ahead or outside of it, making his work especially subject to historical revision. This panel invites papers that explore Milton's continued circulation in scholarship, political discourse, and popular culture. What weight or cultural capital does he carry in our narratives about modernity? What relationships of obligation between past and present do contemporary invocations of Milton reflect? What is Milton's explanatory power after our own—albeit economic—fall?
MEDIOEVO ADRIATICO 4, 2012
(Essay collection)
The topics for _Medioevo Adriatico_ are history and culture of the Adriatic in the Middle Ages (V-XV century).
Contributor guidelines:
1. Abstract of paper (100-400 words).
2. Brief CV or resume for each author and co-author.
3. Submission deadline for abstracts: July 1st, 2012.
4. Submission deadline for final papers: September 1st, 2012.
5. Manuscripts may be sent to: Segreteria (AT) sisaem.it
Please email abstracts with a brief CV.
Scholars at all stages of their careers are equally welcome.
For application instructions and further information about Medioevo Adriatico, contact us:
Strange Contraries in thee combine,
Both hell and Heaven in thee meet,
Thou greatest bitter, greatest sweet
No pain is like thy pain, no pleasure too like thine.
John Norris, 1687
An intensive one-day symposium at the Harcourt Hill Campus of Oxford Brookes University (28 June 2012) to explore how creative teaching and learning fits with (or doesn't fit with) formal learning structures at school and university. The focus of the symposium is on the relationship between institutional structures of thought and practice in learning and the positive turbulence or system stresses caused by injection of or experimentation with innovative approaches. Participants will include academics and teachers as well as anyone with an interest in how creativity functions in respect to institutional learning.
The BCLA invites conference papers on the theme of migration for its triennial convention, to be held at the University of Essex, UK, July 8-13 2013.
Gendered Persuasion: Borrowed Arguments in Early Modern Drama
Debts to the Moor: Influences, Adaptations, and Citations of Shakepeare's Othello
Friendship and States of Debt in Early Modern English Literature (MMLA 2012)
Miranda famously declares at the conclusion of The Tempest that she now exists in a "Brave new world." This oft-quoted line is frequently misremembered as referring to the enchanted island itself, when in fact she only utters it upon first encountering all of the Europeans who've been shipwrecked on the island. As Prospero makes clear to his daughter, in actuality Miranda's new world is an old world. This scene in Shakespeare's most colonial of plays subverts our expectations of what "encounter" means in a New World context. In this panel we will look at narratives that upend the standard representations of encounter in the early modern age of exploration, that convert new world into old, and old into new.
In the recent anthology Shakesqueer (2011), Madhavi Menon claims, "Reading Shakespeare as queer rather than queered challenges the rule of chronology and identity that has thus far kept his poems and plays from exercising queer agency." This panel takes up Menon's urge to reconsider the relationship between queer theory and the early modern, welcoming papers that read early modern literature, both Shakespeare and beyond, as a body of queer texts, rather than historically distant productions at which we might look through a contemporary queer lens.
Call for Papers
Conversational Exchanges in Early Modern England
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Boston, Massachusetts
Host Institution: Tufts University
This seminar seeks to further the scholarly discourse interrogating literary conversations in the 16th and 17th centuries. We wish to investigate matrices of intertextual, interpersonal, epistolary, and cognitive models of conversation in the sixteenth and seventeenth centuries. We welcome papers that examine conversation as a collaborative, compositional, and/or hermeneutic methodology. Please send 250-word abstracts and one page C.V. to Kristen Abbott Bennett and Dianne Berg.
Debts to the Moor: Influences, Adaptations, and Citations of Shakepeare's Othello
This panel invites theoretical inquiry and/or performance analyses of appropriations of William Shakespeare's Othello in film, popular culture and/or foreign non-English adaptations. Some questions to consider are: What methodologies are employed when considering the expectations of local audiences producing and consuming the adaptation? What contextual influences inform the reiteration of Othello in a range of performance venues? What literary debts are acknowledged when Othello is cited in popular culture, in widely distributed English films, and/or in foreign performances for non-English speaking audiences?
Imagining Middle Eastern/Oriental Women in the West: An Orientalist Legacy Borrowed from the Past?
This panel seeks papers which investigate the image of the Middle Eastern/Muslim women in the West constructed throughout centuries and the manner in which these images are deployed and interpreted by the Western audiences. Thus, the panel is open to a wide range of literary periods, such as the Middle Ages, the Renaissance, the Long Eighteenth Century, Victorian Period, as well as Modern and Post-modern Literatures. Due to the multidisciplinary nature of the topic under investigation papers dealing with history, sociology and religion which build on literary texts are welcome as well.
The loose boundaries of comparative literature have continuously raised questions about the scholarly value and practical use of the field. This seminar proposes to explore the significance of comparative literature as academic discipline where the worth of global literatures in the field of humanities is persistently challenged by the pragmatic orientation of public opinion.
The Essay has constituted an important prose form from the sixteenth century until the present and constitutes an intriguing field for interdisciplinary study. Applied to such a heterogeneous range of writings as maxims, aphorisms and proverbs, letters, treatises in philosophy and the sciences, as well as criticism and journalism of different kinds, it has eluded clear definition. Not surprisingly, literary and cultural studies have been reluctant to tackle what appears to be a random array of prose texts straddling the boundaries between literature, philosophy and scientific writing, criticism and journalism.
Deadline was omitted from the earlier CFP.
Please send abstracts or drafts by June 2 to lloyd.kermode@csulb.edu
In Book V of Paradise Lost, Raphael aptly summarizes the difficulties of communicating sacred truths to the human consciousness: "how shall I relate / To human sense th' invisible exploits / …; how last unfould / The secrets of another World, perhaps / Not lawful to reveal?" His intriguing suggestion that earth may be "but the shaddow of Heav'n" invokes a rich complex of early modern traditions that view "the shadow" as an image of the divide between the worldly and the otherworldly, and a figure that can potentially bridge that divide. This panel examines ways early modern English literature exploits and explores "the shadow" in its attempts to mend the gap between material and spiritual worlds felt to be intimately connected, yet inextricably divided.