Call for manuscripts for special issue of postmedieval
Call for manuscripts for special issue of postmedieval
The Medieval and Renaissance Graduate Association at The Ohio State University would like to invite abstracts from any area of medieval and early modern studies for their fourth annual conference, to be held on October 14-15, 2016 in Columbus, OH.
Abstracts of 250-300 words are due August 31, 2016.
The theme of this years conference is Intersectionality.
This panel seeks informed readings of British sermons written between 1500 and 1900, reflecting on the ways that the sermon fits in the literature classroom and for literature readers today.What new avenues of research can be pursued in studying the sermon in Great Britain's literature from 1500-1900? How do the well-known sermon writers (e.g., Donne, Andrewes, Wesley) and lesser-known (Barrow, Whitefield, Edwards) form, transform, and deform the genre? And how do we respond to the form as instructors of British literature in the post-Christian, twenty-first century? This panel seeks informed readings of sermons and ability to discuss them in their historical context as well as pedagogically for college/university classrooms today.
Call for Articles
Special Issue of http://episteme.revues.org
“But no perfection is so absolute,
That some impurity doth not pollute”
The Rape of Lucrece
Perfection, Pollution, and the Truth of Performance
2016 marks the 500th anniversary of the first printing of Thomas More’s Utopia, the text that created and provided the name for its own genre. Since the appearance of More’s text, utopias have been imagined as unreal realities and worlds where people exist according to a specific vision of an author, whose aim might be justice, art, or an imagined reality with a specific agenda.
We request abstracts that address any aspect of early modern utopianism. Please submit 250-300 word abstracts along with a brief bio or a one page C.V. by June 6, 2016 to: Dr. Ruth McIntyre, firstname.lastname@example.org.
MEDIEVAL AND RENAISSANCE DRAMA SOCIETY
Call for Papers: Leeds IMC 2017
Passion, Power, and Rhetoric: Latin Influences on Early Drama
The twenty-fourth International Medieval Congress will take place in Leeds, UK, from 3-6 July 2017. The IMC seeks to provide an interdisciplinary forum for the discussion of all aspects of Medieval Studies. However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.
This panel seeks proposals that examine the performance of the monstrous on the early modern stage. Performances of the monstrous include but are not limited to deformity, animals, devils, witches, and other supernatural beings performed on stage. Proposals should consider the vibrant medieval iconographic images of the monstrous that continued to stimulate the early modern imagination. Questions to be addressed might include: how did staging the monstrous secure or collpase boundaries between the natural and supernatural realms? Did the monstrous on stage enforce or interrogate political, cultural, or religious authority? How might staging the monstrous call attention to the cultural power of the stage?
GEORGIA AND CAROLINAS CEA AT SAMLA
In “Ode on a Grecian Urn,” Keats declared that beauty and truth are as one. But are they? T. S. Eliot called Keats’s pronouncement “meaningless” and “a serious blemish on a beautiful poem.” Scientists and mathematicians debate beauty in terms of symmetry. Aestheticians ponder what is beautiful and try to determine whether it is true. Ethicists and theologians explore the moral nexus between beauty and truth. For its 2016 GACCEA at SAMLA session, the GACCEA seeks proposals that discuss beauty and/or truth. Potential topics include:
Cato’s daughter; Brutus’ wife. This panel will consider the figure of Porcia in the Renaissance, where she is to be found in a wide range of cultures and genres. From the earliest accounts, Porcia has been something of a a paradox: heroic and vulnerable; the masculine soul who is also the devoted wife. No woman in history can have passed into legend more closely defined by her menfolk; let’s give her some room of her own.
Topics might include, but are certainly not limited to:
National traditions (eg. Spanish lyrical Porcias; French tragic Porcias)
Porcia in the visual arts
Female suicide: strength or weakness?
SEMA 2016 Proposal
Call for Papers for SEMA 2016
The Medieval “Freak Show”: Putting the Monstrous on Display in the Middle Ages
People and creatures perceived as monstrous or wondrous are often put on display for profit or exploitation. At times, this exhibitionism presents itself as “education.” What has popularly been called the “freak show” achieved its height via the emergence of working class entertainments that transformed visual cultures in the nineteenth century, as exemplified in P.T. Barnum’s circus and its sideshows, but also including innovations such as the stereoscope and the panorama, which prepared the rise of cinema and, later, television.
English and Italian Hybridity
CFP for Renaissance Society of America, March 30-April 1, 2017, Chicago, IL.
Call for Articles : Translating and Adapting Petrarch (Proposed Collection of Essays)
Anafora, an international journal published by the Faculty of Humanities and Social Sciences, University of Osijek, invites contributions for the upcoming volume.
Spenser at RSA 2017: Spenser's Jargon
Sponsored by the International Spenser Society