renaissance

Filolog (Philologist) is a peer-reviewed, interdisciplinary journal with an international Editorial Board.

We are calling for papers dealing with contemporary literary, cultural, and language theories and/or their applications to particular works for the June issue of Philologist. We would also welcome papers dealing with meta-theories and their significance for the human and social sciences, as well as reviews of the most recent books in the field of cultural, language and literary theories and criticism.

Papers should be a maximum of 7.000 words, and use the New Harvard Citation System. Papers must include abstracts and key words. Authors should also provide a short bio (up to 20 lines).

This roundtable seeks to tackle the vexed yet essential issue of Shakespeare in translation. Panelists are encouraged to approach this in a number of ways, such as direct translation and intercultural adaptation. Papers could discuss a particular translation of a particular play, compare and contrast previous translations, explore a more open adaptation, or discuss the aesthetic, cultural, even political issues at stake when translating Shakespeare. Papers are not restricted to textual translation, as papers on dramatic or cinematic translation and adaptation are also very much welcome.

Shakespeare’s Hamlet in an Era of Textual Exhaustion

The editors of Shakespeare’s Hamlet in an Era of Textual Exhaustion are reposting the CFP for the edited collection, which is now under contract with Routledge as a part of the Studies in Shakespeare series. We are particularly interested in rounding out our collection with an essay that focuses on multimedia, cognition, ecocriticism, digital humanities, and/or global performance. Please see the original CFP below and submit a CV and abstract by September 15 to a.lenhardt@wingate.edu.

Our panel in 2017 will consider Elizabeth and her ruling strategies in relation to the material culture of early modern England. How did Elizabeth participate in production and consumption of material culture? How did material culture of early modern England reflect, shape, or ignore Elizabeth's taste, needs, and preferences? What household practices were modeled on those of the royal household? How did the city of London, the royal palaces, and places Elizabeth visited during her progresses accommodate the queen's needs? How were the material aspects of trade, gift-giving, cooking, writing, theater, etc. affected by Elizabeth's prominent position as a ruler?

SHAKESPEARE ON FILM & TELEVISION

CALL FOR PAPERS

POPULAR CULTURE ASSOCIATION/AMERICAN CULTURE ASSOCIATION
2017 NATIONAL CONFERENCE

April 12-15, 2017, San Diego, CA, at the Marriott Marquis San Diego Marina

DEADLINE:  OCTOBER 1, 2016

ALL Proposals Must Be Submitted Through the PCA Database:  http://conference.pcaaca.org
More information at http://pcaaca.org/national-conference/

We have previously had papers on the following topics and invite new ideas all the time.

The International Margaret Cavendish Society is pleased to announce that the next biannual conference is set to take place on June 22nd-24th, 2017 at Bates College, Maine. Professor Carolyn Merchant from the University of California, Berkeley, will be the keynote speaker.  Preference will be given to abstracts that closely relate to the conference theme, but all talks about Cavendish, her family, and related subjects will be considered.   The conference theme is "Margaret Cavendish: Reception and Representations."   Cavendish has increasingly garnered intense academic interest during the past twenty five years by scholars from a wide range of disciplines such as literature, history of science, philosophy, history and politics.

Whether it is tweeting Lydgate’s Fall of Princes, making witnesses of his poems both in and out of the codex available to scholars worldwide, or engaging in digital prosopography, the “Digital Turn” in recent literary scholarship provides heretofore unavailable opportunities for engagement with the poetry of John Lydgate.  However, this is not the first time the introduction of new technology has effected reception, understanding, and interpretation of the poet.  The shift from manuscript to print spread Lydgate’s poems in numbers that were not possible before, while modern editorial practices developed during the nineteenth and twentieth centuries have created a set of “standard” editions of the poet’s works, for good and ill.

CFP: Persecution, Punishment, and Purgatory I-II: Methodological Considerations, Historical Explorations

Sponsored by the Medieval Studies Certificate Program, Graduate Center, CUNY

52nd International Congress on Medieval Studies, May 11-14, 2017, Kalamazoo, MI

The Medieval/Renassiance area of MAPACA ("Beowulf to Shakespeare") seeks papers concerning the use of medieval and Renaissance materials in modern productions.  Topics include, but are not limited to, the incorporation of medieval or Renaissance elements in modern artistic productions such as films, t.v. series, novels and music; the creation of medieval and Renaissance "themed" festivals, restaurants, etc., and the use of medieval or Renaissance elements in video games.   The area also seeks panelists interested in presenting on the ways in which contemporary theories and pedagogies influence our perceptions of these eras.

In criticism, relying on character study or treating Shakespearean characters as real
people, has often been censured. But, in performance, where actors especially need to
get under the skin of the characters they portray, Shakespearean personae do exhibit
some kind of biographical reality.

The Massachusetts Center for Interdisciplinary Renaissance Studies at the University of Massachusetts, Amherst will host its fourteenth annual graduate student conference on Saturday, October 1st, 2016. We are delighted to welcome Diana Henderson of MIT as our keynote speaker.

Inviting proposals for

ENCOUNTERING SHAKESPEARE

The 40th Annual Ohio Valley Shakespeare Conference

October 20–22, 2016

Wright State University Dayton, Ohio

Proposals accepted until August 15, 2016

Keynote Speakers:

Dr. Ayanna Thompson, Professor of English at George Washington University  

Dr. Curtis Perry, Professor of English at University of Illinois Urbana-Champaign 

The panel is dedicated to the relationship between sport and Italian literature. How is sport portrayed in Italian literature? How does it function within a literary work? Is sport employed only as metaphors and to add a touch of color, or does it have deeper meanings? What can it tell us about an author? Papers on literary and artistic aspects of sport in journalism or various media, as well as on sport and the visual arts, cinema, etc., are welcome.

Please submit your abstract online by September 30, 2016:

https://www.cfplist.com/nemla/Home/S/16216

Call for Papers: New Research in the Early Drama of the Low Countries

International Medieval Congress at Leeds

July 3-6, 2017

The Medieval and Renaissance Drama Society seeks three 20-minute presentations on

any aspect of medieval and early modern Dutch and Flemish drama for a session at the 2017

International Medieval Congress at Leeds.

We particularly encourage papers that focus on the 2017 IMC conference theme of

otherness. The Low Countries seems a particularly fruitful area of focus for this theme, as they

spent much of the Middle Ages as perpetual “others” with fluid boundaries and constant