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The American Shakespeare Center’s Blackfriar’s Conference presents: Shakespeare and Ethics in Times of Uncertainty
CFP: Shakespeare and Utopia
The 11th Annual World Shakespeare Congress, Singapore: Shakespeare Circuits 19-23 July 2021
CFP: Shakespeare in\and Education
The 11th Annual World Shakespeare Congress, Singapore: Shakespeare Circuits 19-23 July 2021
CFP: Shakespeare and the North\Northern Shakepeares
The 11th Annual World Shakespeare Congress, Singapore: Shakespeare Circuits 19-23 July 2021
The Chauncey Wood Dissertation Award of the George Herbert Society, 2017-2019
For an Outstanding Dissertation on George Herbert
The George Herbert Society
announces
The Sixth Triennial Conference
at Cambridge University
George Herbert and Eloquence
18-21 June 2020
In partnership with
Peterhouse College, Trinity College, Magdalene College, and Girton College
Plenary Speakers: Sidney Gottlieb, Sacred Heart University
Malcolm Guite, Girton College
November 15–17, 2019 | Westin Peachtree Plaza | Atlanta, Georgia
Medieval-Renaissance Conference XXXIII
Undergraduate Sessions
The University of Virginia’s College at Wise
September 26-28, 2019
Keynote Address: “Noisy Neighbors: Playhouse and Church in a London Parish”—Christopher Highley, The Ohio State University
Infinite Variety: The Older Actress on Stage 1660–present
A two-day symposium on 18–19 October 2019, taking place at Christ Church, University of Oxford, UK.
Symposium Directors are Dr Sophie Duncan and Professor Mary Luckhurst
The event is jointly convened by the School of Arts, University of Bristol and Christ Church, University of Oxford, with support from The Oxford Research Centre for the Humanities (TORCH).
Confirmed keynote speakers include Gilli Bush-Bailey (Central School of Speech and Drama), Jacky Bratton (Royal Holloway) and Fiona Gregory (Monash University).
Paper abstracts needed for PAMLA (Pacific Ancient and Modern Language Association) Conference Special Session on Shakespeare:
Shakespeare’s plays abound in fools direct, but the language, gesture, and attitude of “foolery” run through his work even aside from the antics of characters such as Feste, Lear’s Fool, or Touchstone. This panel will concentrate on moments in Shakespeare that are not so much driven by the playwright’s most famous practitioners of the fool’s trade, but rather subtly informed and structured by that trade and by the perspective it affords.