Animals, fairies, and toys, and their relation to concepts of childhood or the child, fill the pages of British children's fiction in the twentieth century. While childhood was often portrayed in the Victorian period as that of "vulnerability and victimization . . . a comparatively brief, difficult step on the path to adulthood" (Gavin and Humphries), literary representations of childhood from the Edwardian period onward emphasize less on the child's proper relation to the adult world, but more on his or her ability/willingness to cultivate affective ties with a host of nonhuman others, as represented in such works as E. Nesbit's "Five Children and It," J. M.
Wyndham Lewis's centrality in the 'little magazine' and periodical cultures of the early twentieth century is well established. In addition to editing several journals himself - 'BLAST', 'The Tyro', and 'The Enemy' - Lewis contributed to 'The English Review', 'The New Age', 'The Tramp', 'The Egoist', 'The Little Review', 'Art and Letters', 'The Athenaeum', and 'The Criterion', among many others. This volume of 'JWLS' seeks 7-10,000-word essays that will expand our understanding of Lewis's contributions to these publications and the social, artistic, bibliographic, and economic networks from which they are inseparable. All submissions should try to engage with the most recent relevant scholarship. Suggested topics include:
Heresy, Belief, and Ideology: Dissent in Politics and Religion
June 1-3, 2016, New York City
Extended deadline for conference proposals: March 15, 2016
We have extended the deadline for submissions for the next issue of Excursions Journal, 'Failure' - the new deadline for submissions is 1st April 2016.
Details can be found below. This information is also available at
EXCURSIONS JOURNAL 7:1
Call for Papers: 'Failure'
Extended Deadline: 1 April 2016
'A real failure does not need an excuse. It is an end in itself.' - Gertrude Stein, Four in America
'Under certain circumstances failing, losing, forgetting, unmaking, undoing, unbecoming, not knowing may in fact offer more creative, more cooperative, more surprising ways of being in the world.' - Jack Halberstam, The Queer Art of Failure
This year the Midwest Modern Language Association's 58th Annual Convention will take place at the Hilton St. Louis at the Ballpark in St. Louis, Missouri, November 10-13, 2016
A monographic volume on Science Vs. Spirituality.
Papers are invited to discuss a wide range of issues concerning Science Vs. Spirituality in poetry, novels, autobiographical works, etc.
Essays should be 7,000-8,500 words, including all quotations and bibliographic references, and should follow the MLA Style Manual (7th edition) for internal citation and Works Cited.
Deadline for submitting abstracts: 30 March 2016
Notification of acceptance: 10 April 2016
The final date for submitting articles: 30 June 2016.
Please send your abstract to: firstname.lastname@example.org
One of the most celebrated and recognisable figures of
the early nineteenth century, Lord Byron (1788-1824)
stands at the centre of our current debates about
Romanticism and the Romantic world. His life and
poetry has attracted critics, scholars and biographers
interested in issues such as celebrity culture, sexual
politics, the Regency period, the Byronic hero and
Gothicism to name but a few. The amount of recent
scholarly work devoted to editing his works and
correspondence – including digitisation at the Murray
Archive – to exploring his poetic legacy and to
reconsidering his key place in a European Romantic
tradition means there has never been a more exciting
Jane Austen and Comedy
Coldnoon: Travel Poetics (International Journal of Travel Writing) invites writings (prose/nonfiction/reserach/opinions/poetry/travelogues) on travel. For the month of March we will start receiving submissions from March 1, 2016, ending on March 14, 2016.
Selected writings, published in Diaries and Dialogues will qualify for publication in the journal, both online and print (EISSN 2278-9650; ISSN 2278-9642)
The Hungarian Journal of English and American Studies (HJEAS) is
- devoted to literary, historical, film and cultural studies of the English-speaking world
- an international scholarly journal with an international audience available at major research centers and libraries throughout the world
- the oldest continuously published Central European scholarly journal in its field
- published twice a year by the Institute of English and American Studies, University of Debrecen, Hungary.
CFP: Trespassing on Boundaries with Women's Archives (MLA 2017)
Call for Papers for a proposed special session at the Modern Language Association (MLA) Annual Convention, Jan. 5-8, 2017, in Philadelphia, PA.
Call for Papers
Urban Studies Area
2016 Midwest Popular Culture Association/Midwest American Culture Association Conference
Thursday-Sunday, 6-9 October 2016
Hilton Rosemont Chicago O'Hare
Deadline: April 30, 216
The Urban Studies Area of The Midwest Popular Culture Association/Midwest American Culture Association is now accepting proposals for its upcoming Conference in October 2016.
The University of North Texas Graduate Students in English Association (GSEA) invites submissions for its annual graduate conference, to be held on April 8-10, 2016. The GSEA welcomes submissions on a variety of topics related to literary criticism, literary theory, cultural studies, material criticism, rhetoric and composition, English pedagogy, technical communication, poetry, fiction, and creative non-fiction. Papers/presentations should last no more than 20 minutes.
One-day inter-disciplinary conference at the University of Bristol, 1st July 2016
Keynote Speakers: Dr Angela McShane, Royal College of Art/ V&A
Dr Eleanor Standley, University of Oxford/ Ashmolean Museum
Call for Papers:
This conference will explore the concept of performance and its role in the construction of individual and communal identities.
From a person's choice of dress in the morning to what they eat at night: When and how should we conceive of such everyday actions as having a role in the performance and construction of identities? How have public acts and rituals been used to construct and contest group identities? And how have the meanings of these performative acts endured or changed over time?