The Mythgard Institute at Signum University is pleased to announce the third annual Mythgard Midatlantic Speculative Fiction Symposium (known affectionately as MidMoot III) on September 24-25, 2016 at the University of Maryland at College Park. Additional details about the symposium will be announced in the summer, including special guests. We are accepting proposals now for short presentations intended to foster discussion. Presentation topics are welcome in the following areas:
Romancing the Zombie: Falling in Love with the Undead in the 21st Century
Ashley Szanter, Weber State University
Jessica K. Richards, Weber State University
The 2016 International Conference on Romanticism will be sponsored by The Colorado College, in Colorado Springs, near the base of Pikes Peak. Conference panels will be held in the Antlers Hotel, which will also serve as the main hotel for participants. In keeping with the traditions of the ICR we are sponsoring a conference with international and interdisciplinary aims. In the spirit of Halloween, our topic is "The Dark Side of Romanticism." We view this topic in a broad context and will accept papers on a wide range of topics.
We welcome proposals for completed panels with papers and participants.
Please send 250 word proposals to: ICR2016@ColoradoCollege.edu
RSAA 2017: Transporting Romanticism: Mediation and Mobility
16-18 February 2017
Wellington, New Zealand
Co-hosted by Massey University and Victoria University of Wellington
Proposals due: 20 August 2016
Call for Papers — Studies in Crime Writing
Newberry College is pleased to invite submissions for the inaugural issue of Studies in Crime Writing, which will appear in Spring 2017. Studies in Crime Writing is a peer-reviewed, open-access, online scholarly journal dedicated to crime writing, including true crime, thrillers, prison writing, detective fiction, and noir. The journal's focus is on written work, rather than film, computer games, or other electronic media. Beyond this, there is no fixed topic for the first issue. We are open to a variety of theoretical and scholarly approaches, and to bibliographic and textual scholarship as well.
RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
An International Conference on the Risk Humanities
Durham University, UK
12-13 July 2016
(Professor of African and African American Studies, Duke University)
(Australian Research Professor, University of Queensland)
(William H. Wannamaker Professor of Romance Studies, Duke University)
Call for Papers:
The Penn Program in Environmental Humanities
University of Pennsylvania
October 20-22, 2016
The Penn Program in Environmental Humanities is pleased to announce Timescales, an interdisciplinary environmental humanities conference to be held on October 20-22, 2016 at the University of Pennsylvania. Timescales explores the question of temporality in ecological crisis.
Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016
All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.
This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
I seek contributions for an edited collection on Jane Austen and masculinity. This peer-reviewed collection aims to include essays that address Austen's treatment of men and masculinity within the context of ongoing feminist, queer, and gender studies scholarship on her writings. Potential contributors could focus on such issues as: Austen's fictional depiction of historical challenges and expectations for men (including her treatment of violence, soldiers, imperialism, militarism, or class conflict), her representation of male sexuality and the male body, the function of men within families (including their roles as husbands, brothers, and/or fathers), the deployment of patriarchy in her stories, and many additional topics.
In celebration of the newly created Andrew Davies archive at De Montfort University, Leicester, The Journal of Adaptation in Film and Performance is issuing a special edition on the British screenwriter.
Davies is perhaps most famous for his work on the BBC's 1995 Pride and Prejudice with his vision of Darcy becoming one of the most enduring images of late 20th century popular culture. As well as revisiting Darcy with commercially successful adaptations of Helen Fielding's modern-day adaptation of Pride and Prejudice - Bridget Jones's Diary - Davies' legacy is wide-ranging in terms of classic-novel and contemporary fiction adaptations.
Deadline for abstract submissions extended until April 30, 2016.
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017.
The conference will be organised in the spirit of the Association.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
Call for Papers
Department of French and Italian
Transparency and Opacity in French Language Literature
Deadline for Submissions: August 1, 2016
The upcoming issue of Parlour will concentrate on women as producers and consumers of texts with an emphasis on counter-intuitive feminist interpretations. We invite submissions that explore a wide range of approaches to the issue's theme and its attendant connotations of defiance, opposition, direct action, and rebellion.