Boston College English Graduate Conference
April 6th, 2019
***We are pleased to announce that we have extended the deadline for submissions to February 8th***
New materialisms and object-oriented ontology offer a radical reorganization—perhaps a democratization—of human/object relations, deemphasizing human agency in favor of a “parliament of things.” This conference asks if such approaches have been too quick to abandon human politics altogether. Can new materialisms be both conceptually and politically radical?
The newly-formed North American Victorian Studies Association (NAVSA) Data Caucus will host its free inaugural conference at the University of Virginia on November 15-16, 2019. Our conception of data encompasses British and North American practices for gathering and expressing information; cultural attitudes toward data; the rising disciplines and technologies that lead to today’s communications, new media, critical coding, and data science; digital collections; digital pedagogies; quantitative methods; data theory, and digital humanities. We welcome proposals from those working with historical and/or technical data, as well as the digital-curious.
The Victorian Interdisciplinary Studies Association of the Western United States Conference
7-10 November 2019
VICTORIAN STAKES AND STAKEHOLDERS
CFP: Neo-Gothic Narratives
Recent years have seen the strong development of Neo-Victorian studies, including a theorization of the project by scholars including Ann Helimann, Christian Gutleben, Marie-Louise Kohlke, Mark Llewellyn and others. This collection on the Neo-Gothic invites similar attempts to define and theorize what exactly qualifies as such a text, what mobilizes the employment of the gothic to speak to our own times, whether nostalgia plays a role, and whether might there is room for humour or only for trauma in these narratives across various media.
We invite submissions on neo-Gothic topics that may include, but are not limited to, the following:
The John Clare Society of North America invites paper proposals for its guaranteed panel at the Modern Language Association Convention in Seattle, January 9th-12th, 2020.
Title of Session: John Clare: Conversations in Song
Scholarship on any aspect of song, music, or conversation in Clare. Papers might touch on personification, voice and its relation to print, and/or Clare’s way of relating to the non-human world.
Abstract and short bio by 10 March 2019 to Erica McAlpine at email@example.com
An international journal devoted to the study of German culture and literature
Published annually in the autumn
p-ISSN 1593-2478 | e-ISSN 2385-2917
Editor-in-chief: Fausto Cercignani
Co-Editor: Marco Castellari
The Peterloo Massacre has been dubbed “the bloodiest political event of the nineteenth century on English soil” (Poole 2007, 111). Its psychological, sociocultural and political reverberations reach far and wide. The approaching bicentenary of the Peterloo Massacre calls for reappraisal and questioning through the (sometimes) distorting, yet revealing lens of narrative – that is, through the numerous ways in which Peterloo has been represented and retold in literature, art, on stage and on film. Writing about popular protest in 1819, John Gardner states that “Events are usually ephemeral and those present are often unclear about what actually happened.
Call for papers, poems, prose on all aspects of The Gothic, whether African, Asian, Audio, Australian, Black, British, Caribbean, Comic Book, Early Modern, European, Filmic, Indigenous, Indian, LGBT, Medieval, Modernist, North/South American, Pop Culture, PostColonial, Romanticist, Southern, Victorian, Video Game, Web, Women’s, or any other unlisted. This panel is broadly defined in order to bring together the best of Gothic scholars, with the understanding that the Gothic is a multi-definitional genre and part and parcel of many genres, tones, constructions, ideologies, and concerns.
DEADLINE EXTENDED (Jan 25)
CALL FOR PROPOSALS:
Chair and Organizer: Dewey W. Hall (California State Polytechnic University, Pomona)
The Parthenon Sculptures have long been a source of disparagement and fascination, especially since their arrival in London as early as 1803. Prior to that year, Thomas Bruce, seventh Earl of Elgin, procured a collection now housed in the British Museum as the Elgin Marbles, intensifying a transformation in which materiality of the marbles has been infused with seemingly vital force through an after-life of aesthetic representation. Whether through drawings, paintings, or poetry, the Elgin Marbles as objects have animated their subjects—pensive in gaze—to motivate, in effect, proliferation through aesthetic production.
In honor of the 200th anniversary of The Sketch Book (1819-1820), which includes “Rip Van Winkle” and “The Legend of Sleepy Hollow,” the Washington Irving Society invites proposals for any topic related to The Sketch Book for the American Literature Association Conference in Boston, May 23-26, 2019. Please send an abstract of 250 words plus a brief bio to Dr. Sean Keck at firstname.lastname@example.org by January 15, 2019. For more information about ALA and the WIS, please see americanliteratureassociation.org and irvingsociety.wordpress.com.
Extended Deadline: Jan. 16, 2019
Calls for Papers: Nathaniel Hawthorne Society
The Annual Conference of the American Literature Association will meet at the Westin Copley Place in Boston on May 23-26, 2019. The Nathaniel Hawthorne Society is issuing two CFPs for ALA:
1) Hawthorne and Architecture
Winged Sphinxes: Margaret Fuller’s Poetry and Poetics
In the “Preface by the Translator” that Margaret Fuller penned for her translation of Goethe’s Tasso, she states: “There are difficulties attending the translation of German works into English which might baffle one much more skillful in the use of the latter than myself. A great variety of compound words enable the German writer to give a degree of precision and delicacy of shading to his expressions nearly impracticable with the terse, the dignified, but by no means flexible English idiom” (Art, Literature and the Drama, p. 355).
10. Annual Conference of the Gesellschaft für Fantastikforschung: Das Romantisch-Fantastische – The Romantic Fantastic
September 18th–23rd, 2019 at the Free University of Berlin, Cinepoetics - Center for Advanced Film Studies and Department of Film Studies
In honour of the bicentenary of Peterloo, the John Thelwall Society is sponsoring a panel exploring connections between the radicals of the 1790s and later generations of and movements for reform. This includes events and figures surrounding Peterloo, Chartism and early twentieth-century suffrage movements; but we also encourage participants to explore connections between Romantic-era radicals and activists today, especially in light of the “generational change” that is a growing feature of political discourse at the current moment. Topics might include, but are not limited to
SCSECS invites paper proposals for 2019 annual meeting. The paper submission deadline is Friday, December 14. A full list of panels can be found at scsecs.net. Please submit abstracts directly to the panel chair. If you don't see a panel that fits your paper idea, you can submit a proposal to conference co-organizer Ashley Bender at email@example.com.
The 2019 Pennsylvania College English Association's Annual Conference
Thursday, May 23-Friday, May 24, 2019
SUBMISSIONS DUE: JANUARY 31, 2019
The Pennsylvania College English Association invites proposals for its 2019 annual conference on the theme of canonical literature, creative writing, and pedagogy.
“Great books help you understand, and they help you feel understood.”
Conference Call for Papers
Call for papers
Special issue: Fraud and Forgery
Submission date: 15 January 2019
Victorian Review invites submissions for a special issue devoted to the topic of fraud and forgery in the long nineteenth century (1789-1914).This issue will consider representations of fraud and forgery in British literature and culture, ranging from thematic representations of these subjects in literature, their pervasiveness in economic cultures and discourses, to their entanglement with the processes of literary, artistic and cultural production.
Organized by Kyoko Takanashi (Indiana University, South Bend) and Annika Mann (Arizona State University)
Call for paper proposals for the 44th annual meeting of the South Central Society for Eighteenth Century Studies.
Chair: Michael Cerliano, Texas Woman’s University
Lewis University, Romeoville, Illinois, July 30 - August 2, 2019
With a focus at once sharp and wide, Gothic Terror, Gothic Horror will stimulate an eclectic and inclusive conversation about the essence of the Gothic.
We invite the submission of abstracts that explore the conference theme. We welcome proposed panels of three related papers. Since this IGA conference is the first to be held in the United States, we encourage proposals that consider the theme in relation to the American Gothic.
The paper submission deadline for SCSECS 2019 has been extended to Friday, December 14. A full list of panels can be found at scsecs.net. Please submit abstracts directly to the panel chair. If you don't see a panel that fits your paper idea, you can submit a proposal to conference co-organizer Ashley Bender at firstname.lastname@example.org.
This panel seeks proposals on theater and performance of the long eighteenth-century, especially those that address the theme of perspective. Essays might consider the way that perspective functioned thematically in plays and other public performances, such as opera, dance, and music, and the ways that perspective (e.g., perspective scenery) affected the material conditions of performance. What perspectives did eighteenth-century audiences have on theater and performance? How did these perspectives in the public discourse shape the drama and performances of the period, and how was eighteenth-century society shaped by these cultural institutions?
JANE AUSTEN UPSIDE DOWN
A special issue of Persuasions On-Line
Ongoing public debate over politically charged public monuments reminds us how much is at stake in the shaping of cultural memory, whether through durable physical structures, portable or reproducible aesthetic works, or discursive representations. How were monumentality and the preservation of the past conceived in the nineteenth century? How might we reconceive our own ways of remembering the nineteenth century? We invite proposals for papers and panels that explore monuments in the broadest sense of the word—those from as well as those about the nineteenth century. We also welcome papers that consider the concepts of monumentality and/or memory as they pertain to humanistic disciplines and engage with nineteenth-century studies.
This year (2018) the Bronte Society, centres of Victorian Studies as well as Literature departments across the Anglophone world are commemorating the bicentenary of Emily Bronte's birth with several conferences and events. The three Bronte sisters, Charlotte, Emily and Anne, were born in Yorkshire between 1816 and 1820. They all died young, with the longest survivor, Charlotte, passing away in 1855, possibly from tuberculosis (like her sisters) or typhus. However, in their short literary life, the sisters published one volume of poetry and seven novels – many of them as the Bells – which have ensured their presence and influence in the English literary sphere to this day.