science and culture

Geoanthropology: Metabolism, Legal Imagination, and Geopraxis

Conference Call
9–11 June 2025
Ca’ Foscari University of Venice, Italy

Theme

Geoanthropology aims to integrate concepts from Earth system science and the Anthropocene debate, such as planetary boundaries, synchronic geological markers, and earth states, with the theory and history of phenomena such as extractivism and technology, biopolitics and exploitation, and modernity and legal thought. This interdisciplinary conference aims to explore the utility of three concepts for the geoanthropological framework: metabolism, legal imagination, and geopraxis.

Dates

After the Catastrophe. Contemporary Post-Apocalyptic Narratives”

Call for contribution: https://ojs.unica.it/index.php/between/announcement/view/123

This call seeks paper proposals for a panel at the 2026 MLA convention that explores the intersections between American literature and various emergent or developing technologies during the period of the late nineteenth century and the early twentieth century. The panel is sponsored by the MLA Forum on Late-Nineteenth- and Early-Twentieth-Century American Literature.

Participants with accepted papers must be members of the MLA by April 7, 2025.

The 2026 MLA Convention will be held in Toronto, Canada, on January 8-11, 2026.

Please send a 250-word abstract and brief bio to Heather.Ostman@sunywcc.edu by March 15, 2025.

Call for Proposals  The World at a Glance — Panoramic and Peep Technologies

The issue’s topic revolves around Education and will challenge our anthropogenic philosophies.

It will be an exploration into what education actually means and what alternative philosophies could replace the current, education is for getting a good job and becoming a productive worker, expanding the economy, to something more holistic, more socially beneficial and more forward thinking.

All of this can be answered with fictional stories, philosophical papers, poems or personal essays.

The Anthropocene has a deficit of philosophy that looks at the world from a different point of view, instead of the one prescribed, centralised, accepted narrative.

Call For Papers - CFP

Open Panel #171: "Desperate Media"

When all else fails, we are left with desperation: extravagant recklessness, scrappy desire, a call to create new worlds through inventive forms, even as temperatures rise.

Description

We live in a world where interfaces play an increasingly central role. Interfaces are our means of engaging with both technical and social realities; gradually, they become not only conditions of access to the world of technology but also intrinsic structures of our experience. The interfaces designed by major corporations, game developers, and social application creators set standards of perception and self-awareness, disciplining us and determining the measure of control. This makes it all the more crucial to continue experimenting with interfaces, developing a new semiotic, symbolic, and bodily grammar—a challenge embraced by digital artists, gamers, science fiction writers, and neuromancers of media reality.

Literatures and Medicines Online Symposium April 23 2025.

Hosted by the Narrative, Culture and Community Research Centre at Bournemouth University, UK.

We are looking for papers for the panel Infrastructure as the Boundary Media/Medium at the coming 4S (Society of Science and Society Studies) conference at Seattle, WA, United States, September 3-7, 2025. We hope to encourage submissions from different disciplines including media studies, critical infrastructure studies, urban planning, and history of STS. Submission (~250 words abstract) processes should be completed via official website of 4S below.

Rin Huang (they/she)

Department of Cinema and Media Studies, University of Washington, Seattle

Tianren Luo (He/him)

Department of Comparative Literature, Brown University

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4S Open Panel (No. 12): Infrastructure as the Boundary Media/Medium

Dear colleagues,

We are seeking presenters for the panel, Network Imaginaries: Past, Present, and Future, at the next 4S conference (September 3-7, 2025, Seattle, WA, USA). We welcome papers of varying approaches that consider the origins, mobilizations, endurances, and evolutions of the network imaginaries underlying technologies and systems from the 19th Century through to contemporary transformations and promises. (See below for the full call and submission details.)

Proposals consisting of a short abstract (up to 250 words) will be accepted until January 31 via the official website of the Society for Social Studies of Science (4S).

The Post/Colonial Eye: Visual Discourses of Empire

With expressed interest from Routledge

Please note: At this point, we are only looking for additional chapters focussing on the second part of this volume as highlighted below. To expand our geographical scope, we are, unfortunately, not able to include more contributions studying postcolonial India.  

In examining the intersections of (post)colonial studies and visual culture, the proposed volume employs a dual approach. 

Ege University 20th Cultural Studies Symposium

AI & Cultural Production

6-8 May 2026

To think in terms of risk is to imagine the future as a set of foreseeable possibilities and to ameliorate the potentially hazardous ones through action in the present. Distinct from danger, which is seen as inchoate and incalculable, risk carries with it the notion of statistical, probabilistic, or otherwise enumerated legibility, and the costs and benefits of prospective courses of action are given the narrative authority of mathematical language. But even as risk posits itself as a rational approach to considerations of the future, it ignores the mythology of its own construction: risk is, as its critics note, always a process of storytelling.

The crafts of India are varied and illustrate the economy, history, culture, religious beliefs, politics, material culture, societal formations and creative faculties of a civilization. The craftsmanship of many states of India reflects diverse cultural influences and has a significant narrative relating to its origins. For ages, crafts have served as an archive of culture and heritage in various communities in India. Every state of India narrates its tales of handicrafts. The wonderful artistry of handcrafted artifacts, the traditions woven in time, get eroded by automation and accuracy, which draw us towards the ‘sophistication’ of repetitive mass production in a capitalist society.