science and culture

Greetings from The Inquisitive Meridian Journal!  

The goal of HAS Magazine is to discuss pressing topics through the analysis of a wide range of themes in the humanities, the social sciences, and the arts. Conceived as a magazine for the broadest possible range of readers, HAS offers a space for staging the most creative, enlightening, imaginative, and socially relevant interactions of the humanities and the arts.

19th-century Britain witnessed the convergence of many historical trends that exacerbated disability stigma, even as the era embraced a rehabilitative ethos. The growth of specialized medicine, the expansion of a sprawling asylum system, institutional categorization of the poor, public health initiatives, and the rise of eugenics: all these and more spawned attitudes and practices that worked to disable those who were physically and mentally impaired.

KOME, a Europe-based international Open Access journal published by the Hungarian Communication Studies Association is currently accepting submissions for its 2020 and 2021 issues. We would love to hear from our colleagues in Europe and overseas, and read about their current research! We publish pure theoretical and theoretically well-grounded empirical research in the field of Communication, Media and Journalism Studies (Film or Theatre-oriented articles are also welcomed, but not in our main focus).

Abstract This panel will seek to explore the changing relationship between scientific paradigms and society’s self-understanding as it is manifest in the novel form. If the novel itself has functioned as a record of the social imagination—a narrative ideologeme as Jameson describes it – this social imagination often borrowed its models from contemporary natural philosophy and later the social sciences. We see examples of this in Balzac’s use of taxonomical zoology, Sterne’s use of Cartesian “animal spirits,” or Joyce’s phylogenetic process in “Oxen of the Sun.” Some of the questions this panel will ask include: how do naturalistic sociological models help to mediate political and aesthetic theories? How do these models affect stylistic developments?