Subscribe to theatre

theatre

CFP: Black Performing Arts (Popular Culture Association National Conference, San Diego, 12-15 April 2017)

updated: 
Thursday, July 28, 2016 - 9:37am
Michael Borshuk
deadline for submissions: 
Saturday, October 1, 2016

Black Performing Arts:  Sound, Movement, Image, Text

 

Popular Culture Association

2017 Joint National Conference

 

Marriott Marquis San Diego Marina

333 W Harbor Dr,

San Diego, CA 92101

 

April 12-15, 2017

 

Call For Proposals:  Sessions, Panels, Papers

DEADLINE:  October 1, 2016

 

The Silence of Dean Maitland: Page, Stage, Screen (critical edition and new essays)

updated: 
Thursday, July 28, 2016 - 9:37am
Syracuse University Dept of English
deadline for submissions: 
Thursday, September 1, 2016

In 1886, Maxwell Gray (pseudonym for Mary Gleed Tuttiett) published The Silence of Dean Maitland. The plot of the scandalous novel concerns a young British clergyman, Cyril Maitland, who, after killing the father of a village woman he has seduced, allows a friend, Henry Everard, to be implicated in the crime. Following a trial, Henry is transported to Australia, where he serves out a twenty year prison sentence, while Cyril ascends the church hierarchy. The Silence of Dean Maitland was a bestseller. It was subsequently adapted for the stage and the screen: the play was a hit; the silent film of 1914 enjoyed considerable success in the U.K. and Australia; and the film of 1934 was something of a blockbuster.

CFP Conference "The Fine Art of Lying: Disguise, Dissimulation and Counterfeiting in Early Modern Culture" Florence, IT

updated: 
Thursday, July 28, 2016 - 9:35am
The 2017 IASEMS Graduate Conference - Florence, Italy
deadline for submissions: 
Monday, October 31, 2016

Call for Papers - The 2017 IASEMS Graduate Conference

THE FINE ART OF LYING: DISGUISE, DISSIMULATION AND COUNTERFEITING IN EARLY MODERN CULTURE

Florence, 7 April 2017

The 2017 IASEMS Graduate Conference at The British Institute of Florence is a one-day interdisciplinary forum open to PhD students and researchers who have obtained their doctorates within the past 5 years.

Dissimulation is but a faint kind of policy, or wisdom; for it asketh a strong wit, and a strong heart, to know when to tell truth, and to do it. Therefore it is the weaker sort of politics, that are the great dissemblers! (Francis Bacon, “Of Dissimulation”)

NeMLA: Early Modern Theater and Transformation

updated: 
Thursday, July 28, 2016 - 9:35am
Christina M. Squitieri, New York University
deadline for submissions: 
Friday, September 30, 2016

Transformation has long been discussed in studies of early modern English drama. From an interest in Ovidian transformation to the way cross-dressed actors were feared to be “transformed” into effeminate men by performing the roles of women, scholars have looked at specific ways in which transformation incited fear, awe, and excitement in the playhouse. Next Fall, the Folger Shakespeare Library is presenting a symposium, “Early Modern Theatre and Conversion,” that explores issues of how religious “transformation” is represented on stage, as well as how theatre is able to “convert” religious conversion.

NeMLA 2017 Panel - The Absurd in Literature

updated: 
Wednesday, July 27, 2016 - 12:26pm
Northeast Modern Language Association - Eyal Handelsman
deadline for submissions: 
Friday, September 30, 2016

NeMLA Annual Convention - Baltimore, MD 23-26 March 2017

 

Call for Papers: Leeds IMC 2017 Passion, Power, and Rhetoric: Latin Influences on Early Drama

updated: 
Thursday, July 21, 2016 - 10:32am
Medieval and Renaissance Drama Society
deadline for submissions: 
Wednesday, August 31, 2016

MEDIEVAL AND RENAISSANCE DRAMA SOCIETY

Call for Papers: Leeds IMC 2017

Passion, Power, and Rhetoric: Latin Influences on Early Drama

 

The twenty-fourth International Medieval Congress (IMC) will take place in Leeds, UK, from 3-6 July 2017.  The IMC seeks to provide an interdisciplinary forum for the discussion of all aspects of Medieval Studies. However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.

 

Conflicting Memories: Arts, History, Commemorations

updated: 
Thursday, July 21, 2016 - 10:32am
Université du Maine
deadline for submissions: 
Saturday, October 15, 2016

Conflicting Memories: Arts, History, Commemorations

FAMAH Conference (3L.AM / CERHIO)

Université du Maine (Le Mans), 6-7 avril 2017

 

Staging the Undead

updated: 
Thursday, July 21, 2016 - 10:24am
Medieval and Renaissance Drama Society
deadline for submissions: 
Wednesday, August 31, 2016

"Staging the Undead"

Ancient-Modern Relations: The Classical Tradition

updated: 
Monday, July 18, 2016 - 2:23pm
Jon Solomon / University of Illinois at Urbana-Champaign
deadline for submissions: 
Friday, August 5, 2016

114th Annual Conference - Pasadena, California
Friday, November 11 - Sunday, November 13, 2016Ancient-Modern Relations: The Classical Tradition

CFP: Climates of disaster and performance (Special Issue of Akda: The Asian Journal of Literature, Culture, Performance, for release in March 2017)

updated: 
Monday, July 18, 2016 - 2:22pm
De La Salle University, Manila
deadline for submissions: 
Friday, September 30, 2016

CFP: Climates of disaster and performance  (Special Issue of Akda: The Asian Journal of Literature, Culture, Performance, for release in March 2017)

 Taking off from the theme of the Philippine cluster event of PSi#21: Fluid States in 2015, the second issue of Akda: The Asian Journal of Literature, Culture, Performance, which will be its first themed issue on performance, will feature papers from the November 2015 conference ibut is open to new submissions and will be fully double-blind peer reviewed.

Tragedy and American Drama and Theater: Genre, Mediality, and Ethics - International Conference, June 1 - 3, 2017

updated: 
Monday, July 18, 2016 - 6:34am
University of Augsburg, Germany
deadline for submissions: 
Sunday, July 31, 2016

Confirmed keynote speakers:
David Kornhaber (University of Texas at Austin)
Martin Middeke (University of Augsburg)
Kerstin Schmidt (University of Eichstätt-Ingolstadt)

 

Tragedy as a dramatic genre, theatrical practice, and mode of affect is defined by its longevity and rich tradition and has developed into an extraordinarily dynamic genre, firstly as a mode of narration, secondly as a phenomenon of transition and transformation between text and embodied performance that implies the crossing of medial boundaries, and thirdly in a transnational sense that implies the crossing of geographical borders.

Hamilton: A Special Issue of Studies in Musical Theatre

updated: 
Friday, July 15, 2016 - 3:05pm
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Saturday, October 1, 2016

While introducing a performance from Hamilton at the recent Tony Awards ceremony, hip hop artist Common described the show as a “gamechanger,” a “cultural phenomenon,” and “simply put... one of the greatest pieces of art ever made.” Indeed it has become hard to talk about Lin-Manuel Miranda’s Hamilton without resorting to hyperbole, as it appears to be a watershed moment in Broadway theatre and in American cultural history at large.

Interactions

updated: 
Friday, July 15, 2016 - 3:02pm
Faculty of Letters, Ege University
deadline for submissions: 
Saturday, October 1, 2016

INTERACTIONS

Journal

 

Annual deadline : October 1

Interactions  (ISSN 1300-574-X)is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies  published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).

 

It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.

 

Building a Nation: The Effects of Irish Nationalism on Traditional Dance, Music, and Lyric Poetry

updated: 
Monday, July 11, 2016 - 12:26pm
The 1916 Easter Rising: Art, Articulation, Inspiration
deadline for submissions: 
Monday, August 1, 2016

In Celebration of the 1916 Easter Rising: Art, Articulation, Inspiration  

A one-day conference on Friday, October 21, 2016, at Seton Hall University, South Orange NJ 

 

 

Building a Nation: the Effects of Irish Nationalism on Traditional Dance, Music, and Lyric Poetry 

Chair: Marta Deyrup 

Call for Papers 

Pages