theatre

RSS feed

NEW REMINDER: Il Parlaggio - new issue May 2022

updated: 
Monday, January 24, 2022 - 10:04am
Edizioni Sinestesie (Italy)
deadline for submissions: 
Friday, April 1, 2022

IL PARLAGGIO

ISSN 2280-6849

 

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

[UPDATE] Studia austriaca - Deadline: 31st March of each year

updated: 
Monday, January 24, 2022 - 10:03am
Studia austriaca - An international journal devoted to the study of Austrian culture and literature - http://riviste.unimi.it/index.php/StudiaAustriaca/
deadline for submissions: 
Thursday, March 31, 2022

Studia austriaca (founded in 1992)
An international journal devoted to the study of Austrian culture and literature
Published annually in the spring
p-ISSN 1593-2508 | e-ISSN 2385-2925
http://riviste.unimi.it/index.php/StudiaAustriaca/

Editor-in-chief: Fausto Cercignani
Co-Editor: Marco Castellari

THEATRE ANNUAL 2022 Call for Articles

updated: 
Friday, January 21, 2022 - 8:54am
Theatre Annual
deadline for submissions: 
Tuesday, February 15, 2022

Due to a number of requests and a heck of a hectic beginning to 2022, we have extended the deadline for article submissions for Theatre Annual 2022. We welcome articles on theatre and performance of North, Central, and South America and the Caribbean Islands, from diverse fields such as theatre studies, performance studies, popular culture, music, anthropology, dance, communication, philosophy, folklore, history, and areas of interest that cross disciplinary lines. We especially encourage submissions from graduate students and early career scholars. Please do not hesitate to contact TA editor Ann Folino White whitea38@msu.edu with any questions regarding your submission.

CALL FOR CHAPTER PROPOSALS: DOGMAS IN LITERATURE and LITERARY MISSIONARY: TEXT, READER AND CRITIQUE

updated: 
Friday, January 14, 2022 - 3:25pm
Önder Çakırtaş
deadline for submissions: 
Sunday, February 28, 2021

This book project aims to examine the existence of dogma in literature and some cult texts, and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts and academics. The questions leading up to the volume are varied and their answers require lengthy examination and interpretation. So, this project investigates; Is literature dogmatic? What about literary theories? Can they be dogmatic, too? The answers to these questions are open to clarification, but the responses can also initiate an extensive discussion and manifestation. However, above all, literature does have an aspect that drags the readers, habitually burying them in its pages, and blindly attaching them to itself.

Reading the River in Shakespeare's Britain

updated: 
Thursday, January 13, 2022 - 10:03am
Lisa Hopkins and Bill Angus
deadline for submissions: 
Thursday, March 31, 2022

Call for book chapters: Reading the River in Shakespeare’s Britain 

Edited collection, publisher TBC.

Editors: Lisa Hopkins and Bill Angus

Contact emails: 

L.M.Hopkins@shu.ac.uk

W.J.Angus@massey.ac.nz

Dates: 

  • Deadline for submitting chapter proposals (400 words): 31 March 2022
  • Notification of acceptance: 30 April 2022
  • Deadline for final submissions (6000-8000 words): 31 August 2022

 

Journal of Theatre Criticism and Dramaturgy

updated: 
Monday, January 10, 2022 - 3:09pm
Istanbul University Press
deadline for submissions: 
Friday, March 25, 2022

 

Submissions invited for Issue 33 of the Journal of Theatre Criticism and Dramaturgy (JTCD).

 

All submissions must be made through the Dergipark site:

https://dergipark.org.tr/en/journal/987/submission/step/manuscript/new

 

Last date of submission: 25 March 2022.

 

Author Guidelines:

https://iupress.istanbul.edu.tr/journal/jtcd/information/author-guidelines

 

Contact:

CFP: Precarity in Performance in the Early Global South

updated: 
Monday, January 10, 2022 - 3:01pm
Peter Reed / University of Mississippi, ASA Early Americas Caucus
deadline for submissions: 
Thursday, January 20, 2022

CFP:  Precarity in Performance in the Early Global South

If New Orleans and the greater Atlantic world have been characterized by recurrent states of emergency and endemic oppression and hardship, it has also produced profound cultural invention and innovation, particularly in its wide array of performance cultures.  “Precarity,” as this panel imagines it, invokes the vulnerability of living at sea level in an age of rising sea levels, but we also use the term to invoke the resourceful responses that shore up the region’s carefully constructed and balanced lives.

Call for Papers

updated: 
Monday, January 10, 2022 - 1:56pm
Dr Rakhi Vyas, Department of English, Jai Narain Vyas University
deadline for submissions: 
Monday, February 14, 2022

Call for Papers
Abstracts: 14th February 2022

2022 Salzburg Easter School | MA and PhD Forum | Romantic Fairy Tales into Opera

updated: 
Wednesday, January 5, 2022 - 11:39am
Salzburg Easter School 2022 | Salzburg University
deadline for submissions: 
Saturday, January 15, 2022


2022 Salzburg Easter School – MA- and PhD-Forum

In the context of the 2022 Salzburg Easter Festival

4-8 April 2022, Salzburg University

Romantic Fairy Tales into Opera 

 

Revealing Posthuman Encounters in Performance

updated: 
Wednesday, January 5, 2022 - 11:37am
Stefano Boselli and Sarah Lucie
deadline for submissions: 
Monday, February 28, 2022

CALL FOR CONTRIBUTORS 

Revealing Posthuman Encounters in Performance

Edited by Stefano Boselli and Sarah Lucie 

to be published by Routledge

Abstract proposals due by February 28, 2022

Revealing Posthuman Encounters in Performance is an intervention to reframe current theatre studies methodologies to attend to the broader spectrum of non-human actors and the crucial ways they exert agency in the theatre event. 

Dancing Resilience: Dance Studies and Activism in a Global Age

updated: 
Wednesday, January 5, 2022 - 11:37am
Dance Studies Association
deadline for submissions: 
Tuesday, February 15, 2022

Vancouver, located on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations, has long been a site of occupation, exchange, defiance and resilience. From time immemorial, it has been a location of trade and traversal across coastal Indigenous communities of the Pacific and, in more recent centuries, a place where other diverse cultures from across the world have also negotiated relation across colonial pathways and settlements. Vancouver is a site of multiple Nation to Nation relationships. It is a site of resistance as well as capitulation to uneven development, neoliberal markets, colonial laws, and to exclusion – situations exacerbated by the recent pandemic.

"Voicing 'Woman' Across Media, 1500-1800" --February 24-25, 2022 (Virtual)

updated: 
Friday, December 31, 2021 - 5:40am
Early Modern Center, University of California, Santa Barbara
deadline for submissions: 
Friday, December 31, 2021

“Voicing ‘Woman’ across Media, 1500-1800”

University of California, Santa Barbara

Conference Date: February 24-25, 2022

Abstracts Due: December 31, 2021

 

Long Eighteenth-Century Drama -- Deadline extended to 12/31

updated: 
Thursday, December 23, 2021 - 4:06pm
Ashley Bender / South Central Society for Eighteenth-Century Studies
deadline for submissions: 
Friday, December 31, 2021

This panel welcomes submissions on any aspect of drama during the long eighteenth century. Submissions can address the conference theme--the quixotic eighteenth century--but do not have to. Please send abstracts of 250 words to Ashley Bender at abender@twu.edu by December 31.

Summer Shaw Symposium -- July 2022

updated: 
Thursday, December 16, 2021 - 5:13am
International Shaw Society
deadline for submissions: 
Tuesday, February 15, 2022

Shaw Symposium, 22-24 July 2022

The Shaw Festival, Niagara-on-the-Lake, ONT, CA and Zoom

The International Shaw Society and the Shaw Festival invite scholars and theatre artists to present new work at the 19thannual Summer Shaw Symposium. The event will be held on-site at the Festival; a Zoom option is provided for those who wish to attend the presentations digitally. 

 

Focused on Bernard Shaw’s life, his works, his contemporaries, and his legacies, the Symposium seeks presentations that relate to the plays included in the Shaw Festival’s 2022 season, especially Too True to Be Good and The Doctor’s Dilemma.

14th International Conference on Humanities, Psychology, and Social Sciences(HPSCONF)

updated: 
Monday, December 13, 2021 - 8:02pm
Acavent
deadline for submissions: 
Friday, July 8, 2022

We are pleased to welcome you to the 14th International Conference on Humanities, Psychology and Social Sciences. Taking place on the 29th- 31st of July in the vibrant city of Dublin, Republic of Ireland, it will bring together a truly international community of academics to share experiences and exchange research findings on all aspects of specialized and interdisciplinary fields. This is a premier learning opportunity, combined with vibrant networking activities and engaging discussions on the latest innovations, trends, and practical concerns and challenges in the field.

REVISED DEADLINE: Black Performing Arts: Sound, Movement, Image, Text (PCAACA National Conference, Virtual, April 13-16, 2022)

updated: 
Monday, December 13, 2021 - 4:24pm
Black Performing Arts Research Area (PCAACA)
deadline for submissions: 
Thursday, December 23, 2021

The Black Performing Arts Area provides a scholarly forum to share and disseminate research pertaining to the Black performing arts across expressive forms.  Broadly defined, the area focuses on all forms of performing and visual arts, including jazz, blues, gospel, hip hop, rhythm and blues, Caribbean music, dance, poetry, drawing, painting, sculpture, ceramics, photography, and acting.  In all these contexts we are interested in investigating the merger of aesthetic technique and embodiment across Black diasporic expressivity.  

CfS: The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies

updated: 
Thursday, December 9, 2021 - 11:28am
Janovics Center for Screen and Performing Arts Studies
deadline for submissions: 
Tuesday, February 15, 2022

The Janovics Center for Screen and Performing Arts Studies and the Faculty of Theatre and Film at Babes-Bolyai University invite submissions for their annual award for outstanding humanities research in transnational film and theatre studies. The award will be offered to contributions in the fields of film or theatre studies. The award consists of an invitation to give a talk at the Center and an honorarium. 

What is awarded?

“Beating My Head Against the Wall “: Legitimacy, Authority, and the Canon in American Music and Dance (19th-21st Centuries)

updated: 
Thursday, December 9, 2021 - 11:28am
AFEA
deadline for submissions: 
Monday, February 7, 2022

At first, America was convinced of its utter illegitimacy as a purveyor of “art” music. In the 19th century, as musical life developed in the United States, and while large American cities built concert halls to house their newly-formed symphony orchestras, the repertoire and the most popular artists remained overwhelmingly European: thus, the Swedish soprano Jenny Lind (1820-1887) – a friend of Felix Mendelssohn, a collaborator of Giuseppe Verdi, and a key figure of the Bach Renaissance – made a deep impression when she toured the country in 1852-2.

Solace in Indian in Writing English

updated: 
Friday, December 3, 2021 - 6:34am
SIWE
deadline for submissions: 
Monday, May 30, 2022

A library is a good place to go when you feel unhappy, for there, in a book, you may find encouragement and comfort.    E B White

Literature always gives joy, comfort, and solace to everyone who is in search of it. The poems inspire and kindle our thoughts, the novels drive us to have patience and look for new paths, the drama reflects lives in miniature form, the essays make us ponder on the subtle observation of life, autobiographies motivate and lead us to the path of glory….there is no end to describe what literature is and how it shapes our lives. We at times advertently/ inadvertently drink, consume and digest literature. The famous English essayist Francis Bacon aptly puts, “Studies serve for delight, for ornament, and for ability.”

WCU Poetry Center's C.R.A.F.T. Festival: Breakthrough: Invigorating Creative Practices

updated: 
Wednesday, December 1, 2021 - 3:35pm
West Chester University Poetry Center
deadline for submissions: 
Saturday, January 15, 2022

The West Chester University Poetry Center is excited to announce this Call for Presentations for C.R.A.F.T.: West Chester University’s Poetry and Creative Arts Festival, April 6-9, 2022.The theme is Breakthrough: Invigorating Creative Practices. Cornelius Eady will be our Keynote Speaker. We will feature a performance by The Cornelius Eady Trio.

FASCINATING NOISE. SOUND IN ART AND SCIENCE

updated: 
Wednesday, December 1, 2021 - 3:33pm
PULSE: THE JOURNAL OF SCIENCE AND CULTURE/ https://www.pulse-journal.org/open-call
deadline for submissions: 
Saturday, April 30, 2022

PULSE: THE JOURNAL OF SCIENCE AND CULTURE

CALL FOR PAPERS

Volume 9

 

FASCINATING NOISE. SOUND IN ART AND SCIENCE

 

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating.” John Cage, “The Future of Music – Credo”

EXTENDED DEADLINE: Greek Mythology & Modern Culture: Reshaping Aesthetic Tastes

updated: 
Thursday, November 11, 2021 - 1:12pm
Humanities
deadline for submissions: 
Monday, February 28, 2022

Dear Colleagues,

Much of the Western world has a rising problem with white nationalists. These white supremacists often co-opt fields like Classics, medievalism, and Norse mythology to support their racist ideologies—twisting these disciplines and repressing or ignoring evidence for the multicultural and multiracial realities of the ancient and medieval world. In terms of Classics, these distortions and appropriations have been documented by an emerging generation of scholars like Donna Zuckerberg, Dan-el Padilla Peralta, Curtis Dozier, Sarah Bond, and others. Ancient myth, literature, and symbols continue to pervade modern culture. 

Gender Fluidity in Japanese Arts and Culture

updated: 
Wednesday, November 10, 2021 - 7:46pm
Dean Conrad, PhD and Sayuri Hirano / 平野早百合, MA.
deadline for submissions: 
Monday, January 31, 2022

Brief

Abstract proposals are being sought from Japanese and non-Japanese scholars writing in English for a book exploring androgyny, ‘cross-dressing’, drag culture, trans-gender issues, sexual identities and other forms of gender fluidity that feature in Japanese arts and culture – past and present.

The Theatrical Legacy of Thomas Middleton, 1624-2024

updated: 
Monday, November 8, 2021 - 7:13pm
William David Green, Anna L. Hegland, and Sam Jermy
deadline for submissions: 
Monday, February 28, 2022

We the editors plan to publish a collection of essays celebrating 400 years of Thomas Middleton’s legacy as a dramatist, from his final work for the commercial stageup to the present day.

Renaissance Conference of Southern California 65th Annual Conference

updated: 
Monday, November 1, 2021 - 8:49am
Renaissance Conference of Southern California
deadline for submissions: 
Monday, November 8, 2021

RENAISSANCE CONFERENCE OF SOUTHERN CALIFORNIA

65th Annual Conference

Saturday, 19 March 2022

We are pleased to announce a call for papers for our 65th Annual Conference, to be held in-person (public health considerations permitting) at the Huntington Library, Art Museum, and Botanical Gardens.

The conference will feature a

PLENARY ROUNDTABLE,

“Cross-Cultural Currents in Early Modern Studies,”

with

Theatre and Drama Studies Conference - HISTORY and MEMORY

updated: 
Monday, November 1, 2021 - 8:47am
Theatre and Drama Network
deadline for submissions: 
Wednesday, November 10, 2021

Media, art and literature in the late-twentieth and early twenty-first century have been inundated with the memories and portrayals of wars, upheavals, declarations, political persecutions, colonial struggles and religious/ideological wars and terror acts. The spectacles of the industrial and global world as well as digitalised life, ruthless socio-economic dynamics, widening rich/poor gap, generational discrepancies and pandemics have left lasting marks on the human psyche and fostered art and literature to tackle the stigmas and impacts of the long century on contemporary life. Dystopias and anti-utopias of the modern world also made the past a space for (social, political, artistic) exploration, reconsideration, reclamation and reconciliation.

ATHE 2022 Theatre History Focus Group Call for papers, panels, roundtables, workshops

updated: 
Wednesday, October 13, 2021 - 2:27pm
ATHE Theatre History Focus Group
deadline for submissions: 
Monday, November 8, 2021

Theatre History Focus Group 2022 CFP
Association for Theatre in Higher Education (ATHE) Conference
July 28-31, 2022; Detroit MI

ATHE’s Theatre History Focus Group (THFG) invites proposals for papers and panels dealing with the scholarship and pedagogy of theatre history for next year’s conference in Detroit, MI.

Submission Deadlines (later than normal this year):

Pages