theatre

Call for submissions for 'Contemporary One Act Plays' (Volume 2)

Submission guidelines:

1. Maximum 3 submissions.

2. You can send one-act play (Maximum 15 pages for each work).

3. Also send a summary of the work.

4. All submissions to be sent to freshwordsmagazine@gmail.com

At Half-Light Press, we're interested in hybrids, in margins, in liminal spaces, and smearing boundaries in order to create a broadened creative community. We aim to publish works that slip nooses and evade any easy definition.

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Global Snapshot: Interdisciplinary Approaches to Media, Performativity, and Global CommunitiesMay 14, 2022 from 9:45 AM- 5:15 PM PST on ZoomWebsite: https

Editor: Dr Alice Equestri, University of Padua (alice.equestri@unipd.it)

Publisher: international academic press to be confirmed

Deadline for submitting chapter proposals (400 words): July 31, 2022
Notification of acceptance: September 1, 2022
Provisional deadline for essay submission (6000-8000 words): April 30, 2023

Papers are sought for a volume that critically examines – and advances our knowledge of – manifestations of intellectual disability in early modern English and European literature and culture (c. 1500-1700). The collection will be submitted to an international academic publisher.

Call for Papers: Renaissance Landscapes

A call for papers for the 65th annual conference of the Pacific Northwest Renaissance Society

Location: Banff Park Lodge Resort, Banff, Alberta, Canada
Conference dates: September 15 to 18, 2022

Plenary Speakers:

Professor Mary Floyd-Wilson, UNC Chapel Hill

Professor Janelle Jenstad, The University of Victoria

We welcome proposals for papers, panels, roundtables, or other formats for in-person presentations. Topics may, but need not, include:

• How spaces relate to literary representations and political or philosophical ideas.

Turkish Shakespeares Project (Call for Researchers)

The Turkish Shakespeares Project seeks new researches to join its Research Team.

The Turkish Shakespeares Research Team has an interdiciplinary nature and consists of scholars who are from a broad research area and study Shakespeare in Turkey. Team – Turkish Shakespeares (wordpress.com)

While our current scholars are from the English Language and Liteature, Turkish Language and Literature, Theatre, and Translation departments, we aim to include scholars from other disciplines, including but not limited to, Media Studies, Cultural Studies, History, and many more.

Newsies, both as a film in 1992 and a Broadway show in 2012, has been a sleeper hit for all of its existence. Disney wrote the film off as a failure when it took roughly $15 million to make and only grossed $2.8 million – and yet, the film found a wide, willing, and devoted audience through VHS rentals and Disney Channel showings. The Newsies Broadway show was originally intended to be a licensed adaptation for high schools and colleges - and yet, the built-in audience was so eager for a Broadway adaptation that Disney Theatrical Productions decided to make the gamble.

119th PAMLA Conference

Los Angeles, CA | November 11-13, 2022 (entirely in-person)
PAMLA 2022: UCLA Luskin Conference Center and Hotel

Sponsored by UCLA Department of English

Special Session: Gazing Through a Pandemic Lens: Absurdist Literature, Theatre & Film

Presiding Officer:  Dr. Kimberly Jew, University of Utah

This panel seeks papers that explore the connections between our experiences of the recent (and ongoing) global pandemic and Absurdist literature, theatre & film. 

Performing Theology Online Conference 20 to 22 May 2022

Organized by: Research network “theology, performance & politics” Hosted by: Institute for Catholic Theology TU Dresden / Chair of Syst. Theology

https://tu-dresden.de/gsw/phil/ikt/systematik/die-professur/forschungsne...

Proposals on any topic related to Shakespeare are welcome, though we specifically seek proposals that engage with the 2022 MMLA theme of “Post-Now.” What is the role of Shakespeare in society moving forward or are we “post-Shakespeare”? Are there pedagogical approaches, performances, or research foci that might help us envision the “revolution of the times” as it relates to Shakespeare and Shakespearean studies? Please submit a 250-word abstract and brief bio (or brief CV) to Jeanette Goddard at goddardj@trine.edu by April 15, 2022.

We invite proposals for papers dealing with any aspect of women in literature. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that engage with the 2022 conference theme of "Geographies of the Fantastic and the Quotidian."

https://pamla.ballastacademic.com/Home/S/18576

The Routledge Studies in Edward Albee and American Theatre book series aims to examine mid-to-late 20th Century American theatre; its most influential and important playwright, Edward Albee; and his contemporaries. This series is equally dedicated to both dramatic literature and theatrical performance, thinking about the American theatre in its totality. This series wants to examine the milieu of American theatre during the course of Albee’s six-decade-long career. Additionally, Edward Albee was a great champion of supporting other playwrights; therefore, in keeping with the mission of the Edward Albee Society, this series is especially interested in books about playwrights that were influenced by Albee.

The year 2022 marks the centenary of the discovery of the tomb of Tutankhamun, unearthed by a team of Egyptian excavators led by Howard Carter and financed by the fifth Earl of Carnarvon. In the hundred years that followed, in what ways have media and performance contributed to the retelling and reshaping of this historic moment and the discovery’s cultural aftermath? Whose voices have been amplified, and whose marginalised? Where has historical accuracy given way to creative license? What audiences have been catered to, and what does this tell us about the ways in which Egyptology is ‘consumed’?