theatre

Following the online international conference Drawing and Performance: Creating Scenography, organised by the Institute of Ethnomusicology – Center for Studies in Music and Dance (INET-md), we are calling all who wish to submit their papers for the upcoming peer-reviewed Ebook. 

In Roland Emmerich’s Anonymous, the playwriting Earl of Oxford looks on from the galleries of the Globe as a performance of his/Shakespeare’s Henry V whips up a large crowd of groundlings, just as the Earl had intended it. Earlier the Earl had already enthused over a match of tennis about the possibilities of theatre – “That’s power.” This year’s Shakespeare Seminar seeks to discuss the countless ways in which Shakespeare, his works, early modern culture as well as later performances of Shakespeare’s works are political or have been politicised. To what extent can his plays be seen to endorse certain power politics? Are politics in Shakespeare ultimately a question of genre?

United Beyond Borders Hear Thalia’s Daughters Laughing

Coordinated by Dr. Catalina Florina Florescu

This international volume is hoped to be multi-lingual, thus giving each playwright a chance to submit a short piece in their mother tongue and its translated into English version. Submissions from the United
States/UK/Australia/Nigeria/etc. shall remain in original unless the author knows and speaks fluently another language or can work with a translator.

FYI:

1. the play must be a comedy (because the doctor is in the house and she has

   prescribed laughter),

2. the script must be written by a female identified playwright (because the

Modern Drama Special Issue: Teaching Modern Drama

Call for Papers

Abstracts due 15 June 2021

Guest editor: Jennifer Buckley (jennifer-buckley@uiowa.edu)

CALL FOR PAPERS

Stanley Cavell: A Retrospective

Vita-Salute San Raffaele University

Milan, September 23th - 24th 2021 

Organizing institutions:

Department of Philosophy of the Vita-Salute San Raffaele University of Milan; Triennale di Milano.

Organizers:

Raffaele Ariano (Università Vita-Salute San Raffaele di Milano), Leonardo Caffo (NABA - Nuova accademia di belle arti di Milano; Fondazione Triennale di Milano).

Confirmed speakers:

Sandra Laugier – Université Paris 1 Panthéon-Sorbonne (keynote)

Stephen Mulhall – University of Oxford (keynote)

We are pleased to announce our call for book proposals for the new Methuen Drama Agitations Series. 

Please read below for more information and if interested, please contact one of the editors at the email below.

Theatre has always offered immediate responses to political, social, economic and cultural crisis events that are local, national and/or global in dimension, establishing itself as a prime medium of engagement.

"A need to tell and hear stories is essential to the species Homo sapiens – second in necessity apparently after nourishment and before love and shelter. Millions survive without love or home, almost none in silence; the opposite of silence leads quickly to narrative, and the sound of story is the dominant sound of our lives, from the small accounts of our day’s events to the vast incommunicable constructs of psychopaths."

                                                         Reynolds Price,  A Palpable God

Dear Colleagues,

Much of the Western world has a rising problem with white nationalists. These white supremacists often co-opt fields like Classics, medievalism, and Norse mythology to support their racist ideologies—twisting these disciplines and repressing or ignoring evidence for the multicultural and multiracial realities of the ancient and medieval world. In terms of Classics, these distortions and appropriations have been documented by an emerging generation of scholars like Donna Zuckerberg, Dan-el Padilla Peralta, Curtis Dozier, Sarah Bond, and others. Ancient myth, literature, and symbols continue to pervade modern culture. 

Essence & Critique: Journal of Literature and Drama Studies invites submissions for the inaugural issue of the journal - a general issue on Literature and Drama Studies.

Essence & Critique: Journal of Literature and Drama Studies is an open access peer-reviewed academic journal that serves as a forum for multi- and interdisciplinary discussions across Literature and Drama Studies, providing academicians, scholars, professionals, and students with the opportunity to disseminate their research to a diverse audience of peers and professionals.

Project Emergence ClioS: “Clios on Stage – Immediate history on the British Stage”

« Shakespeare, the Contemporary and the Postmodern Stage »

 Sorbonne Université, Maison de la recherche

 11-12 February 2022

Is drag separable from gender? A preponderance of self-described "drag things" (versus drag kings and queens) specializing in performances of non-human entities and appearing everywhere from stages in local gay bars to digital platforms like Instagram and YouTube would suggest so; however, when we speak of drag in academic literature, we hew closely to notions of drag as demonstrating gender performativity above all else. This collection therefore seeks to theorize a previously underrepresented form of drag performance that does not necessarily play with gender so much as it plays with humanness:We call this "posthuman drag."

Output in the Interstice: Performance and Product in Times of Hiatus

A Virtual Symposium, May 22, 2021

The University at Buffalo Theatre and Dance Graduate Student Association welcomes proposals for papers and performances from scholars and artists from all disciplines and methodologies who engage with performance as a practice and/or as a means of knowing.

The Southeastern Renaissance Conference (SRC) invites submissions for presentation at our 78th Annual Meeting, which will be hosted by Duke University and held October 15-16, 2021 in Durham, North Carolina. SRC 2021 will have a hybrid design, meaning the conference will meet both virtually and in-person on the Duke University campus. Papers can be on any aspect of Renaissance art, literature, history, philosophy, music, or culture, but we particularly encourage approaches to the visual and visual culture in the Renaissance.

44th Comparative Drama Conference Call for PapersOctober 14-16, 2021Orlando, Florida

2021 Keynote Event   An Evening with Anne WashburnOctober 15, 2021     8 p.m. (followed by a reception)                              Abstract Submission Deadline:  3 April 2021