theatre and performance studies

Call for Papers

Shakespeare in Pop Culture

Southwest Popular / American Culture Association (SWPACA)

48th Annual Conference, February 17-20, 2027

Marriott Albuquerque

Albuquerque, New Mexico

https://swpaca.org

Submissions open: September 1, 2026

Proposal submission deadline: October 31, 2026

The graduate students of the School of Arts & Aesthetics, Jawaharlal

Nehru University, are organising an interdisciplinary conference on the theme

of Cracks & Crossovers, exploring their presence and reflection in visual

culture, performances and media practices. The theme responds to the

urgency of living in a time when systemic limits become visible through cracks.

It asks how we register the differences between categories such as crisis,

fragment and fracture. Do these terms signal a definitive rupture or an ongoing

change? Or do our times demand a new perspective that allows the cracks to

speak? Taking a cue from The Cracked Mirror (2012), the conference seeks to

CFP: Football and Performance

Editors: Eero Laine, Noe Montez, and Shannon Walsh

We are currently seeking chapter abstracts for an edited volume on football and performance. Theatre and performance studies allow us a unique view towards the ways that sports extend into civic space, politics, and daily life. How can the disciplines of theatre, dance, and performance studies serve as an analytic for sport, generally, and American football, in particular?

American Literature Association: “Music and the American Literary Imagination” Symposium

January 28-30, 2027 in Nashville, Tennessee

CFP: “Sounding the Subject in the Nineteenth Century” 

Haryanvi Dalit theatre occupies a highly marginalised position within the broader landscape of Indian theatre. It may aptly be described as “the marginalised among the marginalised,” as it has remained largely excluded from both mainstream theatre studies and Dalit cultural historiography. Haryanvi Dalit Swang theatre was active long before the Dalit Panther Movement, but it received little attention due to its lack of publication and translation into English. This book seeks to recover, document, and critically examine the neglected legacy of Haryanvi Swang, with particular emphasis on its Dalit traditions and practitioners, thereby contributing to a more inclusive understanding of Indian theatrical heritage.

Public Humanities is an international open-access, cross-disciplinary, peer-reviewed journal at the intersection of humanities scholarship and public life.

The journal invites submissions for the upcoming issue, Musical Commemorations and Contestations in Postcolonial Contexts, which will be guest edited by Bart Paul Vanspauwen, Ana-María Alarcón-Jiménez, and Livia Jiménez Sedano.

Deadline for submissions: 1 February 2027

Description

Tom Stoppard Conference – 28-29 January 2027 – Sorbonne Université

Co-organisers: EMMA (Université de Montpellier Paul-Valéry) and VALE (Sorbonne Université)

Sixty years after the premiere of Rosencrantz and Guildenstern Are Dead at London’s Old Vic Theatre (1967), and just over a year after the death of Sir Tom Stoppard on 29 November 2025, this international conference seeks to pay tribute to one of the playwrights who most profoundly shaped British theatre in the twentieth and twenty-first centuries.

Skenè Research Centre
Interdisciplinary Theatre and Drama Studies
Università di Verona

as part of the agreement with

Dipartimento di Filologia, Letteratura e Linguistica
Università di Pisa

Theatre and Anthropology

Theoretical Approaches to Text, Performance,

and Theatrical Practices

Verona (IT), November 19-20, 2026

Conference venue  
Dipartimento di Lingue e letterature straniere,
Polo Zanotto, Aula Co-Working
via S. Francesco 22,
Verona, Italy

While tragedy and horror are often treated as distinct genres, both traditions ask audiences to look steadily at what ordinarily repels them. From unburied corpses and undead monsters to violated kinship and failed agency, these spectacles produce fear, pity, disgust, and sorrow alongside fascination. This session explores what might be understood as a tragedy–horror continuum, examining the aesthetic, affective, and ritual overlaps between tragic and horrific representation across historical periods and media.

2026 Dress and Body Association Conference

CALL FOR PAPERS

The Dress and Body Association invites submissions for the organization’s seventh annual conference, which will be held on November 7-8, 2026. Consistent with our long-term goals for inclusivity and sustainability, all activities will be 100% online.

Join our Google Group to learn about opportunities and converse with members of the DBA year-round! Email to request membership: dress.body.assoc@gmail.com.

Opening the Archives of Dress and the Body

Call for Abstracts/Chapter Proposals

SCREEN STORYTELLERS: The Works of Jaco Van Dormael

Edited by Albert Lee

The Winter's Tale: From Page to Stage

 IASEMS Tempera Seminar 2027

 University of Padova, Dipartimento di Studi Linguistici e Letterari

 7-9 June 2027

In the definition given by Podnieks, matrifocal literatures are written and narrated by mothers in the first-person or limited third-person voice, rendering maternal identity and experience from subjective perspectives. Such narratives (re)value the significance and meaning of maternal figures in cultural, social, and national arenas, and often contest or negotiate traditional ideologies of the “good” mother as self-sacrificing, nurturing, and sexless with her antithesis, the “bad” mother. In the last few years, we have seen the rise of matrifocal writings published to break taboos about previously silenced reproductive experiences, create a sense of community, support, and care, and, overall, empower people.

Between the Arts, the 36th annual international conference on Virginia Woolf, invites contributions across the fields of academic and artistic research that emphasize artistic expression, and draws on the inspiration of the Bloomsbury group, Woolf’s circle of artists, writers, critics, and public intellectuals.