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CFP: Thomas Nashe and Voice
St John’s College, Cambridge and Faculty of English, Cambridge
January 9-January 10, 2026
“A Day”: 2nd Annual Goth Music and Subculture Conference
Deadline: May 22, 2025
Conference Date: August 16, 2025
Format: Online (via Zoom, Pacific)
Abstract: 150 words + 100 word biographical statement + Time Zone
Submit to: Noah Gallego, California State Polytechnic University @ noahrgallego@gmail.com
Contact: Noah Gallego @noahrgallego@gmail.com
One Short Day: An Online Symposium Celebrating Wicked
Deadline: May 30, 2025
Conference Date: June 27, 2025
Format: Online (via Zoom, Pacific Time)
Abstract: 150 words + 50 word biographical statement + Time Zone
Submit to: Noah Gallego @noahrgallego@gmail.com
Organizers: Noah Gallego, California State Polytechnic University, Pomona & Layal Dahi, California State Polytechnic University
Shakespeare’s Globe is inviting proposals for an interdisciplinary conference bringing together literary and performance scholars, historians, archivists, and disability scholars and activists around the theme ‘Disability and the Archives’. This two-day hybrid event will be held in London on 23 - 24 January 2026 and will explore how disabled lives have been—and continue to be—recorded, erased or obscured.
CFP on Philosophy and Theatre
Verona, November 20-21, 2025
Organized by S. Bigliazzi, A. Stavru, E. Stelzer, G. Ugolini
The SKENÈ Research Centre organizes a conference on Philosophy and Theatre to be held next November in Verona (20-21 Nov). We invite papers by scholars who in the past years have been publishing and/or organizing events on topics related to the intersection of philosophy and theatre.
Call For Book Chapters
Marginal Voices on Stage: Documenting Dalit and Tribal Performance Traditions in South Asia
Editors:
Dr. Shubhendu Shekhar Naskar, Assistant Professor, Department of English Literature, Language and Cultural Studies, Vidyasagar University, West Bengal
Dr. Auritra Munshi, Assistant Professor, Department of English, Raiganj University, West Bengal
Concept Note:
We invite submissions for the sixth issue of Theatre Academy: A Journal of World Theatre which will be published electronically in September. Theatre Academy is indexed in MLA International Bibliography, ERIH Plus, DOAJ, and Gale Cengage.
* Deadline is the end of July but we strongly advise the potential writers to send their manuscripts in as soon as possible.
* Original works, not published elsewhere or related to theatre in any context will be considered for publication.
* Please note that all manuscripts will be closely examined through Turnitin once they are received by the journal.
Please note that this call has expired! Thank you!
This is a limited and urgent call for chapters in the Art Volume (part of the Routledge series Oceans, Seas, and Shorelines: Cultural, Environmental, and Natural Histories). Since some of the previous contributors were unable to complete their manuscripts, I am reaching out to those of you who have a fitting concept for a chapter within the already themed structure of the book and are able to complete the chapter by June 30. The volume is currently under contract with Routledge.
In the words of the series editors:
The second Issue of Volume 7 of LLIDS examines how structures of power constitute and shape urban spaces. It proposes to explore their influence in determining social values wherein varied social groups—marked by religion, class, race, gender, etc.—negotiate the power dynamics that constitute life in urban spaces. The modern, bustling city carries within itself a continuous sense of becoming. The urban dwellers, inhabiting segregated parts of the city, shape the lived experience of these spaces through their socio-cultural interactions and relationships.
For at least the last fifty years, critics, commentators, and celebrity cognoscenti have repeatedly resounded the death knell of camp. First, facing the political crucibles of the queer civil rights and feminist protests of the 1960s and 1970s, gay men, lesbians, and trans folks were supposed to abandon the shameful practice and kill their darlings. Yet, twenty years later, they found camp coming gloriously back into vogue, striking a pose on the ironic drag stages of the queer 1990s. Now, come forward another twenty years, when self-conscious postmodern parody and biting double entendre are the fuel that makes meme culture go, and we are obliged to wonder at camp’s ubiquity and to question its possible utility.
THE CULTURE OF ATTRACTIONS: PAST AND PRESENT
International Scholarly Conference
10–12 September 2025
Faculty of Humanities, Nicolaus Copernicus University in Toruń,
Collegium Maius, Fosa Staromiejska 3, Toruń, Poland
We cordially invite scholars specializing in various disciplines such as cultural studies, cultural
anthropology, theatre and performance studies, film and media studies, and related disciplines, to
participate in an international, transdisciplinary research conference. This conference, organized by the
Research Group on Performance Studies and Drama Translation at Nicolaus Copernicus University
The Department of Popular Culture and the School of Cultural and Critical Studies at Bowling Green State University in Bowling Green, Ohio, are proud to announce the Soap Operas in Popular Culture Conference.
We are seeking presentations by graduate students, academics, television industry professionals, longtime viewers and fans interested in the study of Soap Operas as an iconic Popular Culture format.
Possible topics might include but are not limited to:
CFP
Edited Collection of Critical Essays
“Fearful Performances: Stardom, Skill, and Style of Acting in the Horror Film”
Editors Lisa Hopkins and Katherine Walker seek contributions from scholars at any stage of their careers to contribute to an edited collection titled The Arden Handbook to Shakespeare’s Worlds (for more on The Arden Shakespeare handbooks, see this link).
For this special issue on “Staying Put,” Theatre Journal invites submissions that engage with “staying put” as a conceptual framework and/or as a foundational aspect of theatre, dance, and performance studies scholarship. This theme is inspired by the resilience performance groups have historically exhibited—and continue to exhibit—in response to challenges such as the pressures of the COVID-19 pandemic, rising rents, lack of funding, and political instability. Many practitioners and companies have resisted displacement, remaining in the spaces where they cultivate their craft, generate new artistic possibilities, and engage with their communities. A notable example is Su Teatro in Denver, Colorado.
In her introduction to a special section in a 2002 issue of Dance Chronicle, Sally Banes called for attention to an emerging subfield in dance studies that she dubbed “critical institutional studies.”[1] Distinct from what were established discourses of institutional critique in art history and visual and media studies, critical institutional studies would align more directly with critical museum studies, new materialisms, and Marxist criticism in its focus on material structures of support for dance creation, presentation, and reception. Since Banes’s 2002 call, predominant strands of “critical institutional studies” have emerged in relation to theatre, dance, and performance studies.
ABSTRACT
Website: https://thesoliloquistmagazine.my.canva.site/#submitEmail: thesoliloquistmag@gmail.com Submission deadline: July 05, 2025 The Soliloquist Journal is inviting poems and soliloquies for its second issue (Summer 2025 issue).
W. B. YEATS: DUBLINER
The 2025 Conference of the International Yeats Society
30 October to 1 November | Trinity College Dublin
Narratives of health resilience: Prescribed confinement, forced displacement, and the stakes of global climate change
Spanning distances between bequeathed social identities and quests towards becoming, Indian women have documented the many shapes that such striving takes. They have traversed distances between equality and freedom; sifted nostalgia and futuristic imaginations; and mediated ideas of collectivization and autonomy. The upcoming issue of Indraprasth – A Journal of Culture and Communication Studies, investigates the ways in which Indian women writers and artists have perceived and shaped the world in literature and art.
Call for Papers
Irish Studies Permanent Section
Echoes of Hope: Resilience and Renewal in Irish Literature
2025 Midwest Modern Language Association Conference
14-16 November 2025
Marquette University
Milwaukee, WI
Call for Book Proposals
Peter Lang Book Series
Theatre of the Marginalised: Dalit and Adivasi Performance Traditions in South Asia
Call for Panel Participants
College Art Association Annual Conference
18-21 February 2026 | Chicago, IL USA
https://www.collegeart.org/programs/conference/proposals
“Dissent Nearby: Diasporic & LGBTQ+ Resistance”
Seminar “P raises his head”. Acts of Resistance in Samuel Beckett
Convenors:
Davide Crosara (“Sapienza” Università di Roma) davide.crosara@uniroma1.it
Rossana Sebellin (Università degli Studi di Roma “Tor Vergata”) sebellin@lettere.uniroma2.it
Abstract
Palimpsests of the English Interregnum (Panel / In-Person)
Session Type: Special Session
Primary Area / Secondary Area: Palimpsests: Memory and Oblivion / British and Anglophone
Presiding Officer(s): Shataparni Bhattacharya (Indiana University - Bloomington)
shabhat@iu.edu
Abstract
Conference dates: 6–8 November 2025
Conference venues:
Submission deadline: 30 June 2025
Call for Papers: Islamic Shakespeares
Edited by Dr. Önder Çakırtaş and Prof. Paul Innes
We invite scholars to contribute to Islamic Shakespeares, an upcoming edited volume that explores the intersections between Shakespeare and Islamic cultures, traditions, and identities in various historical, theatrical, and literary contexts. This volume seeks to investigate how Shakespeare has been engaged with, adapted, and reimagined in relation to Islam, whether through performance, translation, critical discourse, or cultural reception.
Potential Topics Include, but are not limited to:
BOOK SERIES: South Asian Literature in Focus (Routledge, Global Edition)
Series Editors: Goutam Karmakar, Puspa Damai, Payel Pal, and Deimantas Valančiūnas