Intimate Empires
Theme: Intimate Empires
Call for Contributions - New Voices in Postcolonial Studies Magazine
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Theme: Intimate Empires
Call for Contributions - New Voices in Postcolonial Studies Magazine
Present-day cultural and political shifts are producing seismic impacts upon Women’s, Gender, and Sexuality Studies programs and curricula across geopolitical contexts. This session explores new currents, approaches and strategies for teaching WGS in the classroom. (In-Person Session)
Deadline: Sunday, March 15, 2026
Send proposals of 200-words with a shot bio to Ryan Calabretta-Sajder (rcalabretta@gmail.com) and Victoria Muñoz (vmunoz@adelphi.edu)
Butoh Symposium, Kingston University London, 17-18 September, 2026
We will be holding a Butoh Symposium over two days and two evenings, 17-18 September 2026, at the Main Auditorium of Kingston University’s award-winning Town House Building, in south-west London. The Symposium is organised by researchers attached to the School of Art’s Visual Cultures Research Centre at Kingston University’s School of Art faculty. This symposium follows on from our recent successful symposia of 2024-25 on the work of Antonin Artaud and on ‘experimental archives’.
Aural Reorientations, or Sound Studies as Listening Otherwise
MLA Sound Forum, 2027 Guaranteed Session
MLA annual conference, Los Angeles, California, January 7-10, 2027.
Aural Reorientations, or Sound Studies as Listening Otherwise
Call for Papers: Drama Therapy Review
Special Issue: ‘Reclamation of Asian Voices in Times of Global Unrest’
View the full call here>>
https://www.intellectbooks.com/drama-therapy-review#call-for-papers
Special Issue Editors: RT, MG, DC
European Journal of Media, Art & Photography
ejmap.sk | Indexed in WoS Emerging Sources Citation Index (ESCI) | Q1 in art journals category
Papers, delivered in English, on adaptations of works by Joseph Conrad, in any form and language, including film, television, games, opera, theatre, musical compositions, and graphic novels. This is the planned guaranteed session for the Joseph Conrad Society of America Allied Organization at the Modern Language Association Convention in January 2027. Email 300 word proposals and 100-word biography to Jana Giles, giles@ulm.edu. Deadline: March 22, 2026.
For further information and to see the call posted on the MLA website, see: https://mla.confex.com/mla/2027/webprogrampreliminary/index.html.
How might theatre and performance come to confront the global rise of populism, while setting the stage for, and potentially provoking a reconceptualization of, emancipatory ways of being in the world? Please send 250-word abstracts and brief bios to Rüstem Ertuğ Altınay, University of Milan (ertug.altinay@unimi.it) and Sharon Lois Mazer, Auckland University of Technology (sharon.mazer@aut.ac.nz)
#MAKE: Methods, Atmospheres, Knowledges, Energies
Friday, October 23 to Sunday, October 25, 2026
Vancouver, Canada
Let’s call it “time work”: Those practices that negotiate the relations between the living and the dead. Time work is not merely conducted by archivists and historians, but by grave diggers and undertakers, documentary filmmakers and memoirists, politicians, war journalists, practitioners of living traditions, speakers of dead languages, as well as by any and all who keep something – a story, a trinket, an heirloom, a song – holding onto it to remember. Time work is not easily done without feeling; It is driven by the weight of mattering, it is attention called by the fact that now – this, ‘our’ now – is in-part composed by the shadows of what and who came before.
The American Theatre and Drama Society (ATDS) and the Disability in Theatre and
Performance focus group (DTaP) invite submissions of conference-length essays (8-10 pages)
from current graduate students or early-career scholars, particularly those who have yet to
present at a major conference. Accepted submissions will present at our emerging scholars joint
debut panel during the Association for Theatre in Higher Education (ATHE) Conference held in
Baltimore, MD from July 22nd-26th, 2026. Submissions are encouraged to align with the ATHE
2026 Conference theme, “ACTIVATING IMAGINATION IN/AND COMMUNITY,” and address
pressing questions including, but not limited to:
Call for Papers: Society of Music Production Research (SMPR) Conference 2026
The Society of Music Production Research (SMPR) conference will be hosted at the University of Huddersfield, UK, 9–11 September 2026.
The call for proposals is currently open, with a submission deadline of 2 March 2026.
Further details about the conference, along with the full call for proposals and submission form, can be found at the link below:
Affective Shakespeare and the Early Modern Imagination:
Empathy, Voice, and Spectatorship
The Seventeenth IASEMS Conference
University of Naples Federico II, Naples, 28–30 May 2026
Convenors: Michele Stanco, Angela Leonardi, and the IASEMS Executive Board
In a Conference Far, Far Away…Traversing Forms of the Folkloric (Graduate Student Conference)
New York University, Department of Comparative Literature: Friday, May 1, 2026
2026 Wenshan x TSA International Conference Call for Papers
Hosted by: NCCU Department of English, Taiwan Shakespeare Association
Date: November 29, 2026
Venue: National Chengchi University
Shakespeare Across Centuries:
Reception, Resonance, and Reinvention
Shakespeare’s works continue to inhabit what Stephen Greenblatt calls a “circulating
Call for Book Proposals
VoyGull Press | Emerging Voices Series, Edited Volumes, Handbook Series
VoyGull Publishing Centre Ltd UK
Diamond Open Access Publisher in Social Sciences & Humanities
About VoyGull Press
VoyGull Press is the publishing imprint of VoyGull Publishing Centre Ltd, a UK-based academic publisher committed to democratizing scholarly knowledge. As a young and ambitious publisher, we are building a new model for academic publishing that is grounded in equity, accessibility, and intellectual rigour.
‘A breeze in God’: The Spirituality of Music and Song
International Conference.
September 10th-11th 2026.
Parthenope University, Naples, Italy
Organised by Raffaella Antinucci (Parthenope), Adrian Grafe (Textes & Cultures research lab, Université d’Artois, France)
This year, we turn our attention to the intricate, invisible, but often tangible webs that bound the early modern world together. The sixteenth and seventeenth centuries were defined by a profound density of connection - a world of intense social binding, material circulation, and intellectual exchange. From the “knot intrinsicate” of Cleopatra’s demise to the conspiracy of rumours that entraps Othello, early modern drama is obsessed with the architecture of entanglement.
Frank Lloyd Wright began wintering in the Sonoran Desert in the late 1920s, where the region’s extreme climate and tectonic landscape shaped by sun, erosion, and wind profoundly influenced his thinking about architecture. How did Wright respond to the beautiful yet hostile desert environment?
Call for contributions: Audience Participation as Vernacular Practice
We are seeking contributions for an edited volume on the subject of audience participation across performance forms and traditions, focusing on practices that evolve among audience communities, rather than being led by performance makers or artists.
This volume will be published by State University of New York Press as part of the series Studies in Vernacular Music.
Call for papers
Sensation: The Sounds, Visions, and Words of David Bowie
Academic conference, University of Agder, Norway
29. – 30. September 2026
ESSE 2026 conference, Santiago de Compostela (SPAIN)
31st August - 4st September 2026
Seminar 61.- Violence in Early Modern English Drama: From Stage to Screen
From the brutality of Titus Andronicus to the psychological torment of The Duchess of Malfi, early modern English drama is saturated with violence—performed or described, symbolic or spectacular. This seminar will explore how violence has functioned as a dramatic, cultural, and ideological force in early modern English theatre, and how its representations have evolved across time, including contemporary screen adaptations and TV series that borrow early modern tropes of violence, such as House of Cards or Game of Thrones.
Essence & Critique: Journal of Literature and Drama Studies invites submissions for the New issue of the journal - a general issue on Literature and Drama Studies.
Indexed by MLA and EBSCO databases.
Essence & Critique: Journal of Literature and Drama Studies is an open access peer-reviewed academic journal that serves as a forum for multi- and interdisciplinary discussions across Literature and Drama Studies, providing academicians, scholars, professionals and students with the opportunity to disseminate their research to a diverse audience of peers and professionals.
The second issue aims to cover literary and theatrical works in general.
Call for Papers
ETKI: Journal of Literature, Theatre and Culture Studies
ETKI: Journal of Literature, Theatre and Culture Studies invites submissions for the New issue of the journal - a general issue on literature, theatre and culture studies.
Writing about a series of human-object relationships, Robin Bernstein employs the term “scriptive thing” to articulate how objects become things when they orient, choreograph, or compel human action. In one such case study, she analyzes a photograph of a woman posing with a racist caricature at the Hotel Exposition in New York’s Grand Central Palace, circa 1930. Using this photo, she further clarifies the nature of this particular subject-object relationship, stating that it is “neither an isolated woman and her ‘whys’ nor an isolated caricature and its textual ‘hows,’ but instead through a complex interaction between the two figures,” that the photo constructs race.
Academic Journal: Em Tese (ISSN 1982-0739)
Submission format: .doc or .docx, font 12, spacing 1,5, from 10 to 20 pages long.
Submission guidelines: https://periodicos.ufmg.br/index.php/emt/about/submissions
Submission system: OJS 3.0
Journal homepage: https://periodicos.ufmg.br/index.php/emt/index
Questions: lauraribaraujo@gmail.com
In 2016, Oxford Dictionaries named “post-truth” its Word of the Year, marking a shift towards skepticism of facts and scientific institutions alongside the rising influence of emotion and opinion in shaping public knowledge. In the decade since, we have witnessed the further erosion of consensus truth as multiple constructions of the “real” proliferate throughout divergent media ecosystems, accelerated by emerging technologies and polarizing political orientations towards race, gender, class, and sexuality.
Circus Historical Society Convention 2026
The 2026 Circus Historical Society Convention will be held in Baraboo Wisconsin from June 10 – 13, 2026. Convention will conclude with Baraboo’s Big Top Parade. Registration and other information will be available soon.
Call for Papers
Proposals are now being accepted for Convention presentations on any subject related to circus history. We invite proposals for single speakers and groups. All proposals must be received using the online form by March 31, 2026. Visit https://circushistory.org/next-convention/ to submit your proposal today.
2026 CHS Student Prize
Centre for Comparative Literature, Bhasha Bhavana, Visva-Bharati,
in collaboration with
Department of Yogic Art and Science, Vinaya Bhavana, Visva-Bharati
presents
Of Clay and Dust
6 days extensive body movement workshop
Body awareness
Narrative based movements
Body conditioning
Introduction to Odissi with marshal arts like Mayurbhanj Chhau and Kalaripayattu
Introduction to basic Abhinaya
How to work with musicians and script
How to develop performance
Facilitated by Monami Nandy
February 16-21, 2026
Venue: Dhyana Kutir, Yoga Village Premises, Vinaya Bhavana, Visva-Bharati