theatre

Proposals on any topic related to Shakespeare are welcome, though we specifically seek proposals that engage with the 2022 MMLA theme of “Post-Now.” What is the role of Shakespeare in society moving forward or are we “post-Shakespeare”? Are there pedagogical approaches, performances, or research foci that might help us envision the “revolution of the times” as it relates to Shakespeare and Shakespearean studies? Please submit a 250-word abstract and brief bio (or brief CV) to Jeanette Goddard at goddardj@trine.edu by April 15, 2022.

We invite proposals for papers dealing with any aspect of women in literature. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that engage with the 2022 conference theme of "Geographies of the Fantastic and the Quotidian."

https://pamla.ballastacademic.com/Home/S/18576

The Routledge Studies in Edward Albee and American Theatre book series aims to examine mid-to-late 20th Century American theatre; its most influential and important playwright, Edward Albee; and his contemporaries. This series is equally dedicated to both dramatic literature and theatrical performance, thinking about the American theatre in its totality. This series wants to examine the milieu of American theatre during the course of Albee’s six-decade-long career. Additionally, Edward Albee was a great champion of supporting other playwrights; therefore, in keeping with the mission of the Edward Albee Society, this series is especially interested in books about playwrights that were influenced by Albee.

The year 2022 marks the centenary of the discovery of the tomb of Tutankhamun, unearthed by a team of Egyptian excavators led by Howard Carter and financed by the fifth Earl of Carnarvon. In the hundred years that followed, in what ways have media and performance contributed to the retelling and reshaping of this historic moment and the discovery’s cultural aftermath? Whose voices have been amplified, and whose marginalised? Where has historical accuracy given way to creative license? What audiences have been catered to, and what does this tell us about the ways in which Egyptology is ‘consumed’?

Carceral Shakespeare
Edited Collection, Call for Papers

Shakespeare has been in American prisons over the last forty years, in arts programs and college-in-prison classrooms. Even as the landscape of incarceration has shifted—from the War on Drugs to the Fair Sentencing Act, from prison reform to prison abolition—Shakespeare programs have endured. While attention to these programs often reduce them to methods of “reform” and “rehabilitation,” these narratives of redemption do not capture the complexity of what it means to engage with Shakespeare inside the carceral system.

Dear colleagues,

EXTENDED: Call for Chapter Proposals

REVEALING POSTHUMAN ENCOUNTERS IN PERFORMANCE

Edited by Stefano Boselli and Sarah Lucie

to be published by Routledge

Extended Deadline for abstract proposals: April 15, 2022

Revealing Posthuman Encounters in Performance is an intervention to reframe current theatre studies methodologies to attend to the broader spectrum of non-human actors and the crucial ways they exert agency in the theatre event. 

The Show Must Not Go On: Rupture in Theatre and Performance

October 7, 2022

The Graduate Center

The City University of New York (CUNY)

365 Fifth Avenue, New York, NY, 10016

Email: dtsa2022conference@gmail.com

This book project aims to examine the existence of dogma in literature and some cult texts, and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts and academics. The questions leading up to the volume are varied and their answers require lengthy examination and interpretation. So, this project investigates; Is literature dogmatic? What about literary theories? Can they be dogmatic, too? The answers to these questions are open to clarification, but the responses can also initiate an extensive discussion and manifestation. However, above all, literature does have an aspect that drags the readers, habitually burying them in its pages, and blindly attaching them to itself.

Call for Papers – LEA 11 (2022)

Deadline for submissions: May 8, 2022

Publication: December 2022

 LEA is a peer-reviewed international scholarly journal based at the University of Florence that publishes original research papers in all areas of literature, linguistics, and philology.

We are pleased to announce that submissions are now open for LEA 11 (2022):

Conflict and contrast in language and literature

The Art of Subsidy / The Subsidy of Art

Performance Paradigm 18 (2023) — Call for Papers

‘The Violence of Humour’ 

Call for papers : Summer issue deadline 30th June 2022

LCEKIMEP ISSN: 2709-5010

Contact Adel Aitym at LCEKIMEP@gmail.com

LCEKIMEP is an open access online journal that is published by KIMEP University four times per year. It incorporates the work of international scholars who are engaged in research in the areas of Applied Linguistics, Pedagogy, any aspect of Cultural Studies, Cultural Production and Criticism, and Environmental Humanities.

How are novels adapted for onstage presentations as musicals or operas?  Given their large numbers of characters, multiple settings, and large spans of time, the plots of novels need to be adapted to fit within the logistical and chronological realities of live theatre, as compared when novels are adapted for film or video.  Also, how is music used in these adaptations?  We seek proposals that examine how this has been done in the past and is being done now.

Essence & Critique: Journal of Literature and Drama Studies invites submissions for the third issue of the journal - a general issue on Literature and Drama Studies.

Essence & Critique: Journal of Literature and Drama Studies is an open access peer-reviewed academic journal that serves as a forum for multi- and interdisciplinary discussions across Literature and Drama Studies, providing academicians, scholars, professionals and students with the opportunity to disseminate their research to a diverse audience of peers and professionals.

The second issue aims to cover literary and theatrical works in general.