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The Arts in the Periodical Press

updated: 
Friday, August 26, 2016 - 3:00pm
Anna Peak
deadline for submissions: 
Saturday, October 15, 2016

Special issue of Victorian Periodicals Review: “The Arts in the Periodical Press”

In recent years, scholars have increasingly begun to study Victorian music, dance, and architecture for what they can illuminate about literary texts or Victorian culture, and as worthy subjects in their own right. This special issue of Victorian Periodicals Review aims to deepen scholarly understanding of how gender, social class, and other considerations complicated the relation of “the Victorians” to art through a focus on the arts in the periodical press.

From R.U.R. to Mr. Burns: Science Fiction Takes the Stage

updated: 
Friday, August 26, 2016 - 2:56pm
Panel Call for Comparative Drama Conference
deadline for submissions: 
Saturday, November 26, 2016

Science Fiction as a genre is ubiquitous in our culture, dominating popular novels and summer blockbuster movies.  Teachers have been quick to note how this pop culture force can draw students into the classroom to discuss ‘high culture’ themes.

Animating the Early Modern Stage (ACLA, Utrecht)

updated: 
Tuesday, August 23, 2016 - 5:02pm
Ellen Welch, UNC-Chapel Hill and Alison Calhoun, Indiana University
deadline for submissions: 
Friday, September 23, 2016

"Animating the Early Modern Stage," ACLA Seminar, July 6-9, 2016, Utrecht This seminar will explore what theater and the performing arts contribute to early modern theories of life, the soul, and autonomy. At a time when European philosophers debated the distinction between material bodies and lively bodies, between organic machines and ensouled beings, artists and performers innovated new techniques for bringing stage objects to life through mechanical or human manipulation. We invite contributions that examine a wide array of techniques for “animation” in theater and the performing arts of the sixteenth through eighteenth centuries, from any national/cultural perspective.

Call for Performance Reviews

updated: 
Monday, August 22, 2016 - 10:15am
David Henry Hwang Society
deadline for submissions: 
Tuesday, December 5, 2017

Call for Performance Reviews by the David Henry Hwang Society

 

The David Henry Hwang Society was founded in 2016 at the Comparative Drama Conference with the goal of promoting scholarly examination of Hwang’s theatrical works. Since his first breakout play, FOB, in 1980, David Henry Hwang has proven the most significant and prolific Asian American playwright to date.  From the global phenomenon of M. Butterfly and more recent successes with Yellow Face and Chinglish, Hwang has staged stories of the Asian American experience and explored questions of race, culture, and identity.

 

Hamilton: A Special Issue of Studies in Musical Theatre

updated: 
Thursday, August 18, 2016 - 11:12am
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Saturday, October 1, 2016

While introducing a performance from Hamilton at the recent Tony Awards ceremony, hip hop artist Common described the show as a “gamechanger,” a “cultural phenomenon,” and “simply put... one of the greatest pieces of art ever made.” Indeed it has become hard to talk about Lin-Manuel Miranda’s Hamilton without resorting to hyperbole, as it appears to be a watershed moment in Broadway theatre and in American cultural history at large.

Call for Original Creative Work - Deadline November 15, 2016

updated: 
Thursday, August 18, 2016 - 11:12am
Mayo Review Creative Publication Journal- Texas A&M University-Commerce
deadline for submissions: 
Tuesday, November 15, 2016

We are interested in the best unpublished work in a variety of genres. Please submit no more than five pieces total for consideration. This must be work that has not been published in print or online, including blog posts. Submit your work electronically, following the specific guidelines for the genre. 

Please submit the following: 

Cover sheet: e-mail document with this information: 

Subject line of e-mail: Mayo Review Submission 

Your name (as you wish to see it printed in the journal) 

CFP: Shakespeare and Accentism

updated: 
Thursday, August 18, 2016 - 11:09am
ESRA 2017 Congress
deadline for submissions: 
Tuesday, January 31, 2017

CFP: Shakespeare and “Accentism”

As part of the ESRA 2017 Congress, “Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage” (Gdansk, 27-30 July), Dr Carla Della Gatta (University of Southern California, USA) and Dr Adele Lee (University of Greenwich, UK) invite contributions to the following seminar:

The accent of his tongue affecteth him:” “Accentism” and/in Shakespeare.

Panel “Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

updated: 
Tuesday, August 16, 2016 - 9:51am
European Shakespeare Research Association (ESRA) Conference, Gdansk - 27-30 July 2017, Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage
deadline for submissions: 
Sunday, November 20, 2016

“Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

Convenor: Adeline Chevrier-Bosseau, University of Paris-Est Créteil

 

Theatre Arts Journal

updated: 
Wednesday, August 10, 2016 - 12:20am
Theatre Arts Journal: Studies in Scenography and Performance
deadline for submissions: 
Friday, September 30, 2016

 

Call for Papers

 

Theatre Arts Journal: Studies in Scenography and Performance (TAJ) , an open access scholarly and peer-reviewed journal at www.taj.tau.ac.il , invites submissions on the following topics:

- Edward Gordon Craig’s legacy: a reassessment 

- representation in scenography, within the larger political, social, and aesthetic context, in the past as in the present

Restoration Drama and Ecocriticism

updated: 
Friday, August 5, 2016 - 4:36pm
Denys Van Renen / University of Nebraska at Kearney
deadline for submissions: 
Thursday, September 15, 2016

CFP for ASECS Panel (Minneapolis –  30 March-2 April 2017)

Restoration Drama and Ecocriticism

CFP: Shakespeare's Hamlet in an Era of Textual Exhaustion

updated: 
Wednesday, August 3, 2016 - 1:54pm
Allison Kellar Lenhardt; Sonya Loftis
deadline for submissions: 
Thursday, September 15, 2016

Shakespeare’s Hamlet in an Era of Textual Exhaustion

The editors of Shakespeare’s Hamlet in an Era of Textual Exhaustion are reposting the CFP for the edited collection, which is now under contract with Routledge as a part of the Studies in Shakespeare series. We are particularly interested in rounding out our collection with an essay that focuses on multimedia, cognition, ecocriticism, digital humanities, and/or global performance. Please see the original CFP below and submit a CV and abstract by September 15 to a.lenhardt@wingate.edu.

CFP: Eastern and Western Synergies and Imaginations (edited volume)

updated: 
Monday, August 1, 2016 - 3:17pm
Katrine K Wong
deadline for submissions: 
Monday, October 31, 2016

Eastern and Western Synergies and Imaginations, an edited volume in a forthcoming Brill series East and West: Culture, Diplomacy and Interactions, is now inviting submissions.

The age of gobalisation has witnessed, and is witnessing, increasing activities across border and interactions between nations, especially between the East and the West. Multi-dimensional communication and collaboration between the East and the West from the Age of Sail to the Modern Era are often narrated and re-created in print and on stage.

Theater and Law across Cultures and Frontiers

updated: 
Monday, August 1, 2016 - 2:27pm
Samantha M. McDermitt The Law Theater Project
deadline for submissions: 
Thursday, September 15, 2016

Since the times of Ancient Greece, when “society” and “the State” were subsumed into and joined in the term, “polis,” Theater and Law/Ethics have interacted and relied on each other. 

 In Greece, drama tended to serve socio-political, cultural,religious, and other functions. It was a device for presenting and addressing serious and important public ethical, religious, and political issues, thereby building citizenship and engagement of the artists with public leaders and members of the public, in works by Aristophanes, Euripides, Sophocles, and Aeschylus. 

The Silence of Dean Maitland: Page, Stage, Screen (critical edition and new essays)

updated: 
Monday, August 1, 2016 - 11:47am
Syracuse University Dept of English
deadline for submissions: 
Thursday, September 1, 2016

In 1886, Maxwell Gray (pseudonym for Mary Gleed Tuttiett) published The Silence of Dean Maitland. The plot of the scandalous novel concerns a young British clergyman, Cyril Maitland, who, after killing the father of a village woman he has seduced, allows a friend, Henry Everard, to be implicated in the crime. Following a trial, Henry is transported to Australia, where he serves out a twenty year prison sentence, while Cyril ascends the church hierarchy. The Silence of Dean Maitland was a bestseller. It was subsequently adapted for the stage and the screen: the play was a hit; the silent film of 1914 enjoyed considerable success in the U.K. and Australia; and the film of 1934 was something of a blockbuster.

CFP: Black Performing Arts (Popular Culture Association National Conference, San Diego, 12-15 April 2017)

updated: 
Thursday, July 28, 2016 - 9:37am
Michael Borshuk
deadline for submissions: 
Saturday, October 1, 2016

Black Performing Arts:  Sound, Movement, Image, Text

 

Popular Culture Association

2017 Joint National Conference

 

Marriott Marquis San Diego Marina

333 W Harbor Dr,

San Diego, CA 92101

 

April 12-15, 2017

 

Call For Proposals:  Sessions, Panels, Papers

DEADLINE:  October 1, 2016

 

CFP Conference "The Fine Art of Lying: Disguise, Dissimulation and Counterfeiting in Early Modern Culture" Florence, IT

updated: 
Thursday, July 28, 2016 - 9:35am
The 2017 IASEMS Graduate Conference - Florence, Italy
deadline for submissions: 
Monday, October 31, 2016

Call for Papers - The 2017 IASEMS Graduate Conference

THE FINE ART OF LYING: DISGUISE, DISSIMULATION AND COUNTERFEITING IN EARLY MODERN CULTURE

Florence, 7 April 2017

The 2017 IASEMS Graduate Conference at The British Institute of Florence is a one-day interdisciplinary forum open to PhD students and researchers who have obtained their doctorates within the past 5 years.

Dissimulation is but a faint kind of policy, or wisdom; for it asketh a strong wit, and a strong heart, to know when to tell truth, and to do it. Therefore it is the weaker sort of politics, that are the great dissemblers! (Francis Bacon, “Of Dissimulation”)

Call for Papers: Leeds IMC 2017 Passion, Power, and Rhetoric: Latin Influences on Early Drama

updated: 
Thursday, July 21, 2016 - 10:32am
Medieval and Renaissance Drama Society
deadline for submissions: 
Wednesday, August 31, 2016

MEDIEVAL AND RENAISSANCE DRAMA SOCIETY

Call for Papers: Leeds IMC 2017

Passion, Power, and Rhetoric: Latin Influences on Early Drama

 

The twenty-fourth International Medieval Congress (IMC) will take place in Leeds, UK, from 3-6 July 2017.  The IMC seeks to provide an interdisciplinary forum for the discussion of all aspects of Medieval Studies. However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.

 

Staging the Undead

updated: 
Thursday, July 21, 2016 - 10:24am
Medieval and Renaissance Drama Society
deadline for submissions: 
Wednesday, August 31, 2016

"Staging the Undead"

Ancient-Modern Relations: The Classical Tradition

updated: 
Monday, July 18, 2016 - 2:23pm
Jon Solomon / University of Illinois at Urbana-Champaign
deadline for submissions: 
Friday, August 5, 2016

114th Annual Conference - Pasadena, California
Friday, November 11 - Sunday, November 13, 2016Ancient-Modern Relations: The Classical Tradition

CFP: Climates of disaster and performance (Special Issue of Akda: The Asian Journal of Literature, Culture, Performance, for release in March 2017)

updated: 
Monday, July 18, 2016 - 2:22pm
De La Salle University, Manila
deadline for submissions: 
Friday, September 30, 2016

CFP: Climates of disaster and performance  (Special Issue of Akda: The Asian Journal of Literature, Culture, Performance, for release in March 2017)

 Taking off from the theme of the Philippine cluster event of PSi#21: Fluid States in 2015, the second issue of Akda: The Asian Journal of Literature, Culture, Performance, which will be its first themed issue on performance, will feature papers from the November 2015 conference ibut is open to new submissions and will be fully double-blind peer reviewed.

Hamilton: A Special Issue of Studies in Musical Theatre

updated: 
Friday, July 15, 2016 - 3:05pm
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Saturday, October 1, 2016

While introducing a performance from Hamilton at the recent Tony Awards ceremony, hip hop artist Common described the show as a “gamechanger,” a “cultural phenomenon,” and “simply put... one of the greatest pieces of art ever made.” Indeed it has become hard to talk about Lin-Manuel Miranda’s Hamilton without resorting to hyperbole, as it appears to be a watershed moment in Broadway theatre and in American cultural history at large.

Interactions

updated: 
Friday, July 15, 2016 - 3:02pm
Faculty of Letters, Ege University
deadline for submissions: 
Saturday, October 1, 2016

INTERACTIONS

Journal

 

Annual deadline : October 1

Interactions  (ISSN 1300-574-X)is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies  published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).

 

It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.

 

Building a Nation: The Effects of Irish Nationalism on Traditional Dance, Music, and Lyric Poetry

updated: 
Monday, July 11, 2016 - 12:26pm
The 1916 Easter Rising: Art, Articulation, Inspiration
deadline for submissions: 
Monday, August 1, 2016

In Celebration of the 1916 Easter Rising: Art, Articulation, Inspiration  

A one-day conference on Friday, October 21, 2016, at Seton Hall University, South Orange NJ 

 

 

Building a Nation: the Effects of Irish Nationalism on Traditional Dance, Music, and Lyric Poetry 

Chair: Marta Deyrup 

Call for Papers 

Performing Fantastika: An Interdisciplinary Conference

updated: 
Monday, July 11, 2016 - 8:27am
Fantastika Journal and Conferences
deadline for submissions: 
Wednesday, February 1, 2017

Performing Fantastika: An Interdisciplinary Conference

July 3rd – 5th, 2017, Lancaster University

The 4rd annual Fantastika conference will focus on performative bodies in fantastika. This includes performance in theatrical plays and films, as well as an examination of the body itself. How is the body performed and perceived in fantastika texts? How do fantastika texts and our interaction with fantastika texts modulate our understanding of performative bodies?

Broadway & Media Studies (SCMS, Chicago, March 2017)

updated: 
Wednesday, July 6, 2016 - 11:25am
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Friday, July 29, 2016

I seek two other papers for a panel on the alternately symbiotic and antagonistic relationship between Broadway and Hollywood--as entertainment industries, cultural destinations, and/or aesthetics. The circulation of talent and content between Broadway and Hollywood obviously has a long and complex history, from Hollywood's poaching of Broadway talent during the early sound era to its bankrolling of Broadway shows as early as the 1930s.

NETC 2016: Theatre is Alive!

updated: 
Friday, July 1, 2016 - 11:48am
New England Theatre Conference
deadline for submissions: 
Friday, July 29, 2016

The New England Theatre Conference is soliciting papers for its 65th annual convention that address this year’s theme, “Theatre is Alive! New Approaches, Ideas, and Practices Keeping Theatre Relevant Today.” The Convention will be held in Westford, MA, the weekend of October 28-30, 2016. All papers that address the convention theme are encouraged and welcome.

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