theatre

Panel Description:

Puppets tread the threshold between human and object. On the one hand, they can appear as ideal revisions of the human, on the other as profoundly inhuman entities, characterized by their impertinent refusal to obey human laws, whether of language, feeling, or even mortality. Puppets exist at the nexus of the conference theme: quotidian objects invested with a fantasy of animation, of interiority, of drives, and independent goal states.

The year 2022 marks the centenary of the discovery of the tomb of Tutankhamun, unearthed by a team of Egyptian excavators led by Howard Carter and financed by the fifth Earl of Carnarvon. In the hundred years that followed, in what ways have media and performance contributed to the retelling and reshaping of this historic moment and the discovery’s cultural aftermath? Whose voices have been amplified, and whose marginalised? Where has historical accuracy given way to creative license? What audiences have been catered to, and what does this tell us about the ways in which Egyptology is ‘consumed’?

Carceral Shakespeare
Edited Collection, Call for Papers

Shakespeare has been in American prisons over the last forty years, in arts programs and college-in-prison classrooms. Even as the landscape of incarceration has shifted—from the War on Drugs to the Fair Sentencing Act, from prison reform to prison abolition—Shakespeare programs have endured. While attention to these programs often reduce them to methods of “reform” and “rehabilitation,” these narratives of redemption do not capture the complexity of what it means to engage with Shakespeare inside the carceral system.

Dear colleagues,

EXTENDED: Call for Chapter Proposals

REVEALING POSTHUMAN ENCOUNTERS IN PERFORMANCE

Edited by Stefano Boselli and Sarah Lucie

to be published by Routledge

Extended Deadline for abstract proposals: April 15, 2022

Revealing Posthuman Encounters in Performance is an intervention to reframe current theatre studies methodologies to attend to the broader spectrum of non-human actors and the crucial ways they exert agency in the theatre event. 

The Show Must Not Go On: Rupture in Theatre and Performance

October 7, 2022

The Graduate Center

The City University of New York (CUNY)

365 Fifth Avenue, New York, NY, 10016

Email: dtsa2022conference@gmail.com

This book project aims to examine the existence of dogma in literature and some cult texts, and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts and academics. The questions leading up to the volume are varied and their answers require lengthy examination and interpretation. So, this project investigates; Is literature dogmatic? What about literary theories? Can they be dogmatic, too? The answers to these questions are open to clarification, but the responses can also initiate an extensive discussion and manifestation. However, above all, literature does have an aspect that drags the readers, habitually burying them in its pages, and blindly attaching them to itself.

Call for Papers – LEA 11 (2022)

Deadline for submissions: May 8, 2022

Publication: December 2022

 LEA is a peer-reviewed international scholarly journal based at the University of Florence that publishes original research papers in all areas of literature, linguistics, and philology.

We are pleased to announce that submissions are now open for LEA 11 (2022):

Conflict and contrast in language and literature

The Art of Subsidy / The Subsidy of Art

Performance Paradigm 18 (2023) — Call for Papers

‘The Violence of Humour’ 

Call for papers : Summer issue deadline 30th June 2022

LCEKIMEP ISSN: 2709-5010

Contact Adel Aitym at LCEKIMEP@gmail.com

LCEKIMEP is an open access online journal that is published by KIMEP University four times per year. It incorporates the work of international scholars who are engaged in research in the areas of Applied Linguistics, Pedagogy, any aspect of Cultural Studies, Cultural Production and Criticism, and Environmental Humanities.

How are novels adapted for onstage presentations as musicals or operas?  Given their large numbers of characters, multiple settings, and large spans of time, the plots of novels need to be adapted to fit within the logistical and chronological realities of live theatre, as compared when novels are adapted for film or video.  Also, how is music used in these adaptations?  We seek proposals that examine how this has been done in the past and is being done now.

In and Out of the Closet : New Perspectives on Early Modern Closet Drama

International Conference

Sorbonne Nouvelle, Paris

 25-26 November 2022

This two-day  conference seeks to offer fresh perspectives on early modern closet drama by interrogating its cultural and historical specificities as well as its inscription within the theatrical productions of early modern Europe as a whole.

ABOUT CONFERENCE:7-8 April 2022, ONLINE (via Zoom)Affects, emotions and perceptions have always been at the center of philosophical discussion. Yet the so called “Affective turn” in social studies and humanities is relatively a new phenomenon inspired by Deleuze and Guattari´s influential works among others. Affective turn challenges the still dominant representational approach in semiotics, discourse analysis and text analyses of all kind. Its goal is to overcome human exceptionalism together with the domination of the word-based language over the other forms of expression in the process of creating meaning and knowledge altogether.

For an upcoming special section, the editors of PRS are seeking research that uses performance as an analytical method to understand the structure, function, use, meaning, or affects of classical religious, philosophical or religious texts. The problem of how to ‘activate’ classical texts for contemporary readers is difficult, and in recent decades, some scholars, artists and religious professionals have turned to making their own live performances responding to classical texts—in a wide variety of forms and settings—as a means of doing so. In this work, they often are forced to make complex decisions that highlight the assumptions, meanings, and consequences embedded in these texts that may not be as visible to the non-performative reader.