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FAQ changelog |
Interdisciplinary Shakespeare Beyond Theory
The Shakespeare Association of Korea
International Conference
Date: Oct. 27-28, 2017
Place: Chungbuk National University, Cheongju, South Korea
Ilha do Desterro - Call for Papers
Issue v. 71, n. 2 (May 2018)
Special Issue on Artistic Collaborations
Guest Editors:
Maria Rita Drumond Viana, UFSC
Alinne Balduino Pires Fernandes, UFSC
Miriam Haughton, NUI Galway
To commemorate the 50th anniversary of the death of playwright Joe Orton (1933-1967), the University of Leicester is hosting a one day interdisciplinary symposium on his life and work.
Possible topics include:
• Orton and satire/black
comedy/farce
• Orton’s TV plays
• Orton as diarist
• Orton and race
• Orton and crime
• Orton and art
• Orton and film
• Orton and the 1960s
• Gay/Queer Orton
• Orton and Halliwell
• Orton and Leicester
• The Orton industry
• Orton’s influences
(Oscar Wilde, Ronald Firbank,
Jean Genet)
• Orton’s influence (on other
playwrights, novelists,
comedy, art, music)
• Orton’s legacy
Performing Identity: The Relationship between Identity and Performance in Literature, Theatre and the Performing Arts, Florence, Italy, 22 - 23 June 2017
Panel Proposed by: Dr. Panayiota Chrysochou, The University of Cyprus
CALL FOR PAPERS
The panel is part of the 6th Euroacademia International Conference ‘Identities and Identifications: Politicized Uses of Collective Identities’
22 – 23 June 2017, Florence, Italy
Deadline: 10th of May 2017
Panel Description:
Call for Papers:
ADAPTATION
2017 Midwest Popular Culture Association Conference
Wednesday-Sunday, 18-22 October 2017
Hyatt Regency St. Louis at the Arch
315 Chestnut St.
St. Louis, MO 63102
Deadline: April 30 2017
submissions.mpcaaca.org
CALL FOR PAPERS
Pacific Ancient and Modern Language Association Conference
November 10 – 12, 2017, Chaminade University of Honolulu and Ala Moana Hotel (Honolulu, Hawaii)
Session: Drama and Society
Presiding Officer: Kimberly Jew, Associate Professor, Theatre and Ethnic Studies, University of Utah
Proposal Due Date: May 21, 2017 (submit via PAMLA website, http://pamla.org/2017/topic-areas
ANZSA 2018 Panel CFP: “Lend thy serious hearing”: Irreverence and Play in Shakespeare Adaptations
Four hundred years after William Shakespeare’s death, his work continues to not only fill playhouses around the world, but be adapted for various forms of popular culture, including film, television, online video, and comics/graphic novels. These adaptations introduce a whole new generation of audiences to the work of Shakespeare, and are often fun, playful, engaging, and “irreverent, broadly allusive, and richly reimagined takes on their source material” (Cartelli and Rowe, New Wave Shakespeare on Screen, 2007, 1).
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
This session welcomes abstracts on any aspect of Modern Drama. Paper proposals addressing the SAMLA 89 theme, High Art/Low Art: Borders and Boundaries in Popular Culture, are especially welcome. By June 15, please submit a 250-word word abstract, brief bio, and A/V requirements to Aaron Botwick, The Graduate Center, CUNY, at abotwick@gradcenter.cuny.edu
Mixed Bill: comedy and gender research network
Women and comedy symposium
University of Salford Thursday 19th October 2017