theatre

The International Lawrence Durrell Society requests proposals for 20-minute presentations on fictional, dramatic, or poetic cycles from the modernist era. Such cycles may include explicit trilogies (tetralogies, etc.) or works connected in more implicit ways. Potential subjects include:

Pirandello and Scientific Revolution

International Congress of Medieval Studies, Kalamazoo 2020

Special Issue of Multicultural Shakespeare:  Shakespeare, Blackface, and Performance:  A Global Exploration,

Ed. Coen Heijes and Ayanna Thompson.

DEADLINE:  MARCH 1, 2020

PUBLICATION:  AUTUMN 2020

More details here:  https://acmrs.asu.edu/multiculturalshakespeare?fbclid=IwAR2JU0ixuEQhi0MG...

Call for Papers

SEDERI 30

SEDERI welcomes articles, notes and reviews for its next issue (nº 30) to be published in Autumn 2020.

SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual publication devoted to current criticism and scholarship on Early Modern English Studies. It is peer-reviewed by external readers, following a double-blind policy. It is published in paper and online, in open-access.

About SEDERI

Quality Assessment and Indexing

Call for Abstracts

ACLA (American Comparative Literature Association) 2020

Conference Dates: March 19th-22nd 2020, Chicago

Abstract submission deadline: Sept 23, 2019 (9 a.m. EST)

New Perspectives on the Indian New Wave: Fifty Years On

(https://www.acla.org/new-perspectives-indian-new-wave-fifty-years)

Organizers: Manishita Dass (Royal Holloway, University of London) & Usha Iyer (Stanford University)

8th Annual Conference on Medieval and Early Modern Studies - Othello's Island 2020

6 to 9 April 2020 - Nicosia, Cyprus

Held annually since 2012, Othello's Island is a multi-disciplinary conference that looks at Medieval, Renaissance and early modern history, literature, art and other culture, held in Nicosia, Cyprus. It brings together a wide range of academics and research students, from all over the world, to discuss their work in what we describe as a multi-disciplinary event.

International Pearl-Poet Society

Call for Papers — ICMS 2020

The International Pearl-Poet Society is sponsoring five sessions and one co-sponsored session with the Medieval Association of the Midwest (MAM) at the 55th International Congress on Medieval Studies (May 7-10, 2020) at Western Michigan University, Kalamazoo, MI. One session is:

The Pearl-poet: Modern Connections, Adaptations, and Evolutions

The theater has always been a place to push boundaries and explore the borders of what is accepted in society.  The Medieval and Renaissance Drama Society invites abstracts for the 2020 Leeds International Medieval Congress on “Borders” to be delivered in a session about crossing different types of borders—be they geographic or social—within the context of drama and performance in the medieval and Renaissance periods.

Topics can include but are not limited to:

International Conference "Translating Performance / Performing Translation"

EUR ArTeC (University Paris 8)

December 12-13-14, 2019

Location: The conference will be held in Laboratoires d’Aubervillers, an art center focusing on experimentation and social practices as well as live creation.

Laboratoires d'Aubervilliers

41 Rue Lécuyer, 93300 Aubervilliers

on line 7 of the Parisian métro

CALL FOR PAPERS (Extended Deadline!)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California

Conference Theme "Send in the Clowns"

We are seeking proposals for papers focusing on the literature, culture, and social history of the British/Anglophone long-eighteenth century. This general session entertains paper proposals on a wide variety of topics, but with consideration granted to papers that engage with the 2019 conference theme of "Send in the Clowns."

The 117th Annual Conference of the Pacific Ancient and Modern Language Association (PAMLA) will take place November 14-17, 2019 in San Diego, California.

Please submit 500-word proposals at this web address: https://pamla.ballastacademic.com/Home/S/17013

A playwright has to build their story within their allotted two hours of stage traffic. We are taken on a guided ride from which we glimpse what the playwright chooses, forming our layers of knowledge through which we are manipulated. Often we are privy to the internal thoughts of a character which contrast with their public utterances: e.g., Rosalind/Ganymede, Angelo, or Richard III. Our prescient view makes Macduff's seemingly banal inquiry about his wife and children emotive fire. Our own knowing is challenged just by taking in a play as we know it is not real, yet we embrace the illusion.