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Producing the Sacred: Exchanges between Sociology of Religion and Literature

updated: 
Thursday, September 7, 2017 - 12:15pm
Annual convention of the American Comparative Literature Association (ACLA), Los Angeles, March 29-April 1, 2018
deadline for submissions: 
Thursday, September 21, 2017

https://www.acla.org/seminar/producing-sacred-exchanges-between-sociology-religion-and-literature

Whereas religious study often dwells with the theological question of how the sacred has been revealed to humanity, sociologists of religion Emile Durkheim and Max Weber preferred to ask how the sacred is made and remade within a society. For them, human activity assumes a power sometimes attributed to supernatural forces: the power to produce the sacred.

Radio and Audio Media, PCA/ACA Conf. Indianapolis March 2018

updated: 
Thursday, September 7, 2017 - 10:41am
Radio and Audio Media Area, Popular Culture Association/American Culture Association
deadline for submissions: 
Sunday, October 1, 2017

POPULAR CULTURE AMERICAN CULTURE ASSOCIATION CONFERENCE

MARCH 27-31, INDIANAPOLIS, INDIANA

 

RADIO AND AUDIO MEDIA AREA

DEADLINE FOR SUBMISSION:  OCTOBER 1, 2017

 

Call for papers - Performing arts

updated: 
Thursday, September 7, 2017 - 10:36am
Language, Literature, and Interdisciplinary Studies (LLIDS)
deadline for submissions: 
Sunday, September 10, 2017

Language, Literature, and Interdisciplinary Studies (LLIDS), an academic journal, invites original and unpublished research papers from scholars on the following:

Shakespeare at Kalamazoo CFP - King John / Shakespeare and Justice

updated: 
Wednesday, September 6, 2017 - 1:15pm
Shakespeare at Kalamazoo
deadline for submissions: 
Friday, September 15, 2017

Shakespeare at Kalamazoo

International Congress for Medieval Studies 2018

 

Shakespeare at Kalamazoo invites submissions for two sessions at the 2018 Congress, which will be held at Western Michigan University on May 10-13, 2018.

 

Dickens Adapting, Dickens Adapted

updated: 
Wednesday, August 30, 2017 - 9:31pm
Brunel University
deadline for submissions: 
Saturday, September 30, 2017

CFP: Dickens Adapting, Dickens Adapted – deadline for proposals 30 Sept. 2017

One-Day Symposium

Date: 4 January 2018

Location: Normansfield Theatre, 2A Langdon Park, Teddington TW11 9PS

 

 

The Actress-Manager and Early Film

updated: 
Monday, August 28, 2017 - 11:49am
Nineteenth Century Theatre and Film special issue
deadline for submissions: 
Monday, January 29, 2018

Call for Papers: Nineteenth Century Theatre and Film special issue on

The Actress-Manager and Early Film, guest edited by Victoria Duckett and Vito Adriaensens

 

Deadline: 29 January 2018

 

Medicine and/in Theatre

updated: 
Monday, August 28, 2017 - 12:47pm
Critical Stages/Scènes Critiques - the online journal of the International Association of Theatre Critics
deadline for submissions: 
Friday, September 1, 2017

http://www.critical-stages.org/14/call-for-papers-issue-17/

 

CRITICAL STAGES/SCÈNES CRITIQUES

www.critical-stages.org
International Association of Theatre Critics
Association internationale des critiques de théâtre
a/s Jean-Pierre Han, 27, rue Beaunier, 75014 Paris,France
www.aict-iatc.org

ISSN 2409-7411

 

MEDICINE AND/IN THEATRE

Critical Stages # 17 (June 2018)

Theatricality and the Political: Imagining New Theoretical Prolegomena

updated: 
Wednesday, August 23, 2017 - 9:42am
American Comparative Literature Association
deadline for submissions: 
Tuesday, August 22, 2017

Theatricality and the Political: Imagining New Theoretical Prolegomena

Co-Organizer: 
Ryan Anthony Hatch
Co-Organizer: Andrés Fabián Henao Castro
Co-Organizer: Joseph Cermatori

David Henry Hwang Society Panel at Comparative Drama Conference, April 2018

updated: 
Wednesday, August 23, 2017 - 9:44am
David Henry Hwang Society
deadline for submissions: 
Friday, December 1, 2017

Sponsored Panel by the David Henry Hwang Society 

Comparative Drama Conference

April 5-7, 2018

Orlando, Florida

 

In light of the Broadway revival of M. Butterfly (opening in October 2017) we are particularly interested in receiving abstracts that address this production (some possible topics: Taymor’s vision of the play, Hwang’s changes to the play, the timeliness of M. Butterfly, the casting of Clive Owen as Gallimard, or a comparison with the original production).  Recognizing that not everyone will get a chance to see the play before abstracts are due, we also seek abstracts on the play in general.

 

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