theatre

Theatre and Performance Notes and Counternotes (http://www.psupress.org/journals/jnls_TPNC.html) is the first and only journal in the broadly-conceived field of theatre studies to publish short-to-medium length research articles on any subject, as well as publish discussion and response articles. As such, TPNC is an ambitious journal that provides the field with a uniquely-responsive and organic forum, encouraging and yielding more immediate and direct scholarly exchanges. Placing a premium on clarity, readability, and rigor of thought, TPNC seeks articles that despite their brevity are significant and have wide appeal and applicability in the field.

“Samuel Beckett and Nature”

International Conference
October 16-18, 2020
Lyon College

*Extended Deadline* 31 December 2019

Call for Papers
Excavations
McGill University’s 26th Annual English Graduate Conference
February 14-15, 2020 Montréal, Québec, Canada

ArtsPraxis Volume 7, Issue 1

ISSN: 1552-5236

ArtsPraxis Volume 7, Issue 1 looks to engage members of the global Educational Theatre community in dialogue around current research and practice. This call for papers is released in anticipation of the publication of ArtsPraxis Volume 6, Issue 2. The submission deadline for Volume 7, Issue 1 is extended to December 15, 2019.

Submissions should fall under one of the following categories:

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Topic: MUSIC, LITERARY AND PERFORMING ARTS IN CENTRAL- EUROPEAN AND MEDITERRANEAN CONTEXT

Place and date: SPLIT, CROATIA, MAY 7-9, 2020

Partner Organizers: Faculty of Humanities and Social Sciences, Centre Studia Mediterranea, University of Split, Croatia & Croatian Academy of Sciences and Arts – Split Institute for Scientific and Artistic work, Split, Croatia

CONFERENCE AIM

The materiality of the body confounds us; it forces a reconsideration of the “linguistic turn,” perhaps even the “social constructionist” turn, by which we understand the world and identity as linguistically or socially constituted. But how do we look at bodies –our own, the first bodies exhibited to us as children, the bodies of clowns and circus performers, or even the bodies of everyday folks with impairments—people who are like us but also somehow different? And what knowledge do such encounters create or reify?

Symposium

                      Irish Drama on the European Stage(s)

7th May 2020

                                               University College Cork                                                              Ireland 

 The works of playwrights such as J.M. Synge, Seán O’Casey and, more recently, Brian Friel, Martin McDonagh, Enda Walsh or Elaine Murphy have been (and continue to be) extensively translated and incorporated to stage practice throughout Europe. 

Medieval English Theatre Conference

University of Wolverhampton Saturday, 4 April 2020

 Consumption, Performance, and Early Theatre

44th Comparative Drama ConferenceText & PresentationCall for PapersApril 2-4, 2020Orlando, Florida

Featuring a 2020 Keynote Event with Anne Washburn                                              Abstract Submission Deadline: 3 November 2019 

Papers reporting on original investigations and critical analysis of research and developments in the field of drama and theatre are invited for the 44th Comparative Drama Conference, hosted by Rollins College in Orlando, Florida, to be held April 2-4, 2020 .

The Plays of David Henry Hwang

Sponsored Panel by the David Henry Hwang Society

Any abstract proposal  on David Henry Hwang’s plays are welcome.

Some possible topics include:

The generation of Asian-American playwrights who have followed Hwang and their (dis)connection with his legacy

The presence of autobiography in his plays, particularly Yellow Face and Soft Power

Hwang's representation of China 

Comparing Hwang's theatrical legacy with his work on Showtime's The Affair

A discussion of Hwang's engagement with Trump in Soft Power in comparison to other theatrical depictions of Trump

The Washington Irving Society invites proposals for a panel connecting Washington Irving and his contemporaries to the theater. As a native New Yorker, Irving was a lifelong theater goer and even aspired to become a playwright while living abroad. His relationship with playwright John Howard Payne and Frankenstein author Mary Shelley, in fact, developed during this time in England when he attempted to write for the theater. As we continue to celebrate the 200th anniversary of The Sketch Book (1819-1820), stage performances of stories from the collection, such as “Rip Van Winkle” and “The Legend of Sleepy Hollow,” are welcomed, but we open the panel to stage productions of Irving and his other writing, too.

"Danza e ricerca. Laboratorio di studi, scritture, visioni" is soliciting original contributions for its 12th issue, scheduled for publication by the end of 2020. D&R is an open access journal edited by Elena Cervellati and Elena Randi and published by the Department of Arts (University of Bologna).

 Based on a wealth of interdisciplinary of materials, ideas, and fertile connections, D&R wants to continue in this direction and maintain its miscellaneous structure. We would like to invite international dance scholars to send us their free topic articles for our next 2020 issue.