Call for Chapter Proposals: Collection on Environmental Performance
Proposals for papers are invited for the 35th annual conference of the International Association of Irish Literatures (IASIL) to be held at Leuven, 18 – 22 July 2011. The conference theme is 'Irish Literatures: Conflict and Resolution'.
The Rest Is Silence
Sometimes silence is not golden – just yellow.
When they hold their tongues, they cry out.
For the April 2011 edition of Modern Horizons we invite essays that explore the various intellectual, artistic, emotional, and political manifestations of kitsch in our time.
In our current culture, the word 'kitsch' has come to be associated often with tacky souvenirs and cheap trinkets. However, there is a thicker sense given to the word by various thinkers and authors in the twentieth century, even if it is regularly connected with an idea of culture.
Connecticut Review is a semi-annual journal published since 1967 under the auspices of the Board of Trustees for the Connecticut State University. Connecticut Review invites submission of essays, interviews, academic articles that focus on New England authors/themes.
Writing Submission Guidelines
Work should be 2,000 to 4,000 words.
Submit two copies of each piece.
The first page of each essay or other should include the name, address, phone number, and e-mail address in the upper left corner.
This Call for Papers, organized within the frame of the creative writing project "The New Image of the
Balkans", has as its goal:
• To invite young writers, artists and intellectuals from the Balkan region, to interpret the new
prospects of the cultural re-integration of the Balkans;
• To develop a new vision of contemporary & future Balkan realities (A New Balkan
• To restore the practices of mutual understanding between Balkan and European cultures and
civilizations (not just at the level of mere dialogue);
• To unburden the youth from the negative stereotype associated with the Balkans as a "Powder
Seeking papers that explore the often ambiguous nature of satire's object, the lines that blur between satire and celebration, and the difficulty of predicting or controlling audience response.
Recent studies, such as "The Irony of Satire," suggest that perception of satire's object often rests in the reader's or viewer's own biases. This panel is interested in exploring the implications of this ambiguity in the production, deployment, and teaching of satire. How does this affect satire's admittedly subversive purpose? Is this satire's power, its limitation, or both?
250-word abstract by 15 March 2011
The Division of English at Nanyang Technological University, Singapore, in association with the Centre for Liberal Arts and Social Sciences [CLASS], is organizing a three-day Contemporary Conference from 24 to 26 June, 2011. The Rupture Symposium, as part of this conference, deals specifically with the subject of "rupture" in literature.
The Pacific Ancient and Modern Language Association (PAMLA) Conference is being held November 5-6, 2011, at Scripps College in Claremont, CA. PAMLA has over a hundred approved sessions on a wide range of literary and language topics. For the list of sessions, guidelines for how to propose a paper, and the online paper proposal form, please go to: http://www.pamla.org/2011/
For any questions about PAMLA, please email PAMLA Executive Director Craig Svonkin: email@example.com