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EXTENDED DEADLINE Transcodification: Literatures - Arts - Media, ICLA/CLAM Conference, L'Aquila (Italy), July 2020

updated: 
Wednesday, February 19, 2020 - 12:57pm
First Conference of the ICLA Research Committee on Literatures/Arts/Media (CLAM)
deadline for submissions: 
Sunday, February 23, 2020

First Conference of the ICLA Research Committee on Literatures/Arts/Media (CLAM)
Transcodification: Literatures - Arts - Media

Department of Humanities – Excellence Program 2018-2022 
July 1-3, 2020 – University of L’Aquila (Italy)

Dance and Disruption: Science and Body in the Long Nineteenth Century

updated: 
Tuesday, March 24, 2020 - 3:21pm
Dance Studies Association Working Group, Dancing the Long Nineteenth Century
deadline for submissions: 
Thursday, April 30, 2020

Dance and Disruption: Science and Body in the Long Nineteenth Century 

 A Working Symposium hosted by the Dance Studies Association Working Group, Dancing the Long Nineteenth Century 

NEW DATES: August 8-9, 2020, Swarthmore College, Swarthmore, PA, USA

Collaborative Research in Theatre and Performance Studies

updated: 
Monday, February 10, 2020 - 3:57pm
Global Performance Studies and the Journal of Dramatic Theory and Criticism
deadline for submissions: 
Saturday, August 15, 2020

CALL FOR PAPERS

 

Collaborative Research in Theatre and Performance Studies

Joint Issue of Global Performance Studies and the Journal of Dramatic Theory and Criticism 

To be published Fall 2021 (GPS issue 4.2 & JDTC issue 36.1)

 

Issue Editors

Kevin Brown, University of Missouri

Felipe Cervera, LASALLE College of the Arts

Kyoko Iwaki, Waseda University and University of Antwerp

Eero Laine, University of Buffalo, State University of New York

Kristof van Baarle, University of Antwerp

PLATFORM: Theatres of Labour

updated: 
Monday, February 10, 2020 - 3:45pm
Lisa Moravec
deadline for submissions: 
Saturday, February 15, 2020

This forthcoming issue of Platform considers labour through the creation and analysis of theatre and performance. We follow Kathi Weeks’s (2011) contention that the lived experiences of work have thus far received little attention in political and cultural theory and propose that the material and aesthetic space of theatre can illuminate this daily and bodily dimension of work. In theatrical labour, aesthetic considerations link both the practice of making and the practices of performance. Yet, studies of the performance of work have also been critiqued for conflating dimensions of practice and labour (Wikström 2012). With these tensions in mind, this issue aims to examine the various theatres of labour.

MEDIATIONS ⇌ MEDITATIONS Brown University German Department Graduate Conference

updated: 
Monday, February 10, 2020 - 4:21pm
Brown University
deadline for submissions: 
Saturday, February 15, 2020

Date: April 10, 2020 to April 12, 2020

Location: Brown University, Providence, United States

Subject Fields: German History / Studies, Art, Art History & Visual Studies, Literature, Philosophy, Theatre & Performance History / Studies, Anthropology, Political Sciences, Modern Culture and Media Studies, Religious Studies, Contemplative Studies

Keynote Speaker: Eduardo Cadava (Princeton)

 

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Dancing Resilience: Dance Studies and Activism in a Global Age

updated: 
Thursday, January 30, 2020 - 12:35pm
Dance Studies Association
deadline for submissions: 
Monday, February 17, 2020

October 15-18, 2020

Simon Fraser University - Pinnacle Hotel Harbourfront Vancouver, British Columbia, Canada

Vancouver, located on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations, has long been a site of occupation, exchange, defiance and resilience. From time immemorial, it has been a location of trade and traversal across coastal Indigenous communities of the Pacific and, in more recent centuries, a place where diverse cultures from across the world have encountered each other and interacted through colonial pathways and settlement. Vancouver is a site of Indigenous and international relationships. It is a site of resistance to uneven development, neoliberal markets, colonial laws, and to exclusion.

Persistence in American Drama

updated: 
Saturday, February 29, 2020 - 12:33pm
American Theatre and Drama Society & Modern Language Association
deadline for submissions: 
Sunday, March 15, 2020

Due Date Extended: This panel will consider how American plays, live performances, masters, or movements in American drama and theatre from any period offer strategies for persistence in an age of mechanical reproduction. How do American plays model, operationalize, and/or resist persistence? Why and how do some theatrical voices persist in the national discourse amid marginalization? For example, papers may wish to consider persistence in American drama within Benjaminian, or other, theoretical context(s) regarding the work of art in an age of mechanical reproduction or live performance’s “aura” in a digital age.

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