We are seeking scholars of literature and drugs to contribute to a handbook on the topic. The book will provide “a comprehensive, must-have survey of a core sub-discipline,” and will be a resource for students and scholars who are seeking to work in this field. According to the proposed publisher, “The main goal of each handbook is to survey a topic or area of the field, explaining why the issue or area is important, and critically discussing the leading views in the area.”
The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in cooperation with the Gerald R. Sherratt Library and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
CALL FOR PROPOSALS FOR TOPICAL ISSUESOPEN CULTURAL STUDIES vol. 2022 Open Cultural Studies (degruyter.com/culture) invites groups of researchers, conference organizers and individual scholars to submit their proposals of edited volumes to be considered for publication as topical issues of the journal. To submit your proposal please contact Dr Katarzyna Tempczyk at firstname.lastname@example.org Proposals will be collected by October 31, 2021. ABOUT THE JOURNAL Open Cultural Studies is a peer-reviewed, scholarly journal that explores the fields of Humanities, Social Sciences and Arts.
PILOT ISSUE of the research platform In VIVO: “CRISIS”
New deadline: 31st October 2021
(for French see below)
In Vivo (http://invivoarts.fr/) is a bilingual online platform (French and English) specialized in multidisciplinary research on contemporary artistic creation, with an (almost) exclusive preoccupation with Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.
NeMLA 2022, 10th-13th March 2022 (Baltimore, Maryland)
The Aesthetics of Humanity. The Influence of Literature on the Concept of Human Rights (Panel 19345)
Chair: Isabella Dr. Ferron (Università “La Sapienza”, Rome)
What is disability? What is care?
Disability Scholar Margaret Price provides the following guidelines for care:
“It means giving more when one has the ability to do so, and accepting help when that is needed. It does not mean knowing exactly what another’s pain feels like, but it does mean respecting each person’s pain as real and important… [C]are must emerge between subjects considered to be equally valuable... and it must be participatory in nature, that is, developed through the desires and needs of all participants” (2015).
(Session of Papers; Session ID: 2568)
Call for Papers: Roundtable at ASECS 2022, Talking with the Dead (and the Living): Dialogues des morts et des vivants in Enlightenment-Era France (Roundtable)
Where: 52nd ASECS Annual Meeting, Baltimore, MD
When: March 31 – April 2, 2022
Deadline for abstract submissions: September 17, 2021
Roundtable Organizer: Charlee Bezilla, Northern Virginia Community College, email@example.com
Recent work on Shakespeare has shown the myriad ways in which the plays can be used productively to think through contemporary cultural and political issues. Books like Shakespeare and Latinidad (Trevor Boffone and Carla Della Gatta, eds.), Shakespeare and the Shades of Racism (Ruben Espinosa), Shakespeare and the 99% (Sharon O’Dair and Timothy Francisco, eds.), and Teaching Social Justice Through Shakespeare (Hilary Eklund and Wendy Beth Hyman, eds.) have demonstrated the relevance of Shakespeare to modern discourses of race, ethnicity, sexuality, colonialism, bilingualism, economic justice, social justice, education, and politics.
The CALL FOR PAPERS for the 32nd issue of SEDERI (2022) is out! The deadline for submissions is October 31st 2021.
CALL FOR PAPERS
Life Narratives: Prismatic World of the Author and Beyond
CFP (peer-reviewed journal) Caliban 68 décembre 2022 / December 2022
Clermont-Ferrand, France. 7 July 2022.
Newton and modern science, especially Mathematics and Physics, have completely changed the concepts of space and movement. Unlike other thinkers of that century, among whom Immanuel Kant stands for his remarkable thought, the new concepts of space and movement don’t seem to have influenced Diderot’s thinking effectively.
What remains in the aftermath the overarching deconstruction theory for the fields of literary criticism and literary practice? Did the humanities find their vocation in the field of (meta)-theory and did literary practice abandon its traditional craft for good? Or does the advent of theory spell out a crisis of the humanities, and the "literature of replenishment" has been replaced by the "literature of exhaustion" (John Barth)? These are some of the questions we will try to address in the third issue of the Romanian online magazine In Spatele Blocului (www.inspateleblocului.ro), together with discerning new ways of configuring the craft of literary practice in general.
Proceeding from the beginning to the end of time, occurring in a ritual space, and focusing on moments of extraordinary joy, suffering, humor, and election, medieval drama maps worlds of vulnerability and interconnectedness. Its scope has continued to inspire re-enactment and adaptation from Passion Plays and the Mormon Hill Cumorah pageants to Yiimimangaliso, a South African version of the Chester mystery plays stressing truth and reconciliation, and Brandon Jacob-Jenkins’ reworking of the medieval morality play Everyman as Everybody.
We envision this seminar as an opportunity to further reflect on the changes in pedagogy and performance praxis that have germinated from the changes brought about by the global health crisis and social justice movements. As Shakespeareans working across the disciplinary lines of literary and theatre pedagogy and performance, we invite colleagues to present papers critically discussing the experience of reading, teaching, performing, and appreciating Shakespeare in text and in performance.
CfP: ArtsPraxis Volume 8, Issue 2
ArtsPraxisVolume 8, Issue 2 looks to engage members of the global Educational Theatre community in dialogue around current research and practice. We welcome traditional academic research as well as narratives of practice. This call for papers is released in concert with the publication of ArtsPraxis Volume 8, Issue 1. The submission deadline for Volume 8, Issue 2 is September 1, 2021.
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
An international journal devoted to the study
of German culture and literature
Published annually in the autumn
Hosted by Università degli Studi di Milano under OJS
Editor-in-chief: Fausto Cercignani
Co-Editor: Marco Castellari
Call for Papers
Conference: Women’s Rights and Global Adaptations of Shakespeare
November 25-26, 2021
Freie Universität Berlin
The 49th annual Louisville Conference on Literature & Culture since 1900 will be held at the University of Louisville, February 24-26, 2022. Critical papers may be submitted on any topic that addresses literary works published since 1900, and/or their relationship with other arts and disciplines (film, journalism, opera, music, pop culture, painting, architecture, law, philosophy, performance, digital media, and theatre). Work by creative writers is also invited. We also accept critical-creative panel submissions that address issues of poetics, craft, or writing practices. Title of panel should highlight the issue addressed.
This collection will consider relationships between performances and archives, and the impact of race, gender, sexuality, and class on how performance is documented. It will ask what is remembered and forgotten by theatre archives, how archives supplement and occasionally supplant memories of performances, and how those memories and omissions carry into later performances.
JNR invites proposals for a special issue, edited by Lynsey McCulloch and Emily Winerock, on ‘Dance of the Northern Renaissance’. Dance was a key cultural practice of the early modern period: it was integral to theatrical representation; it was a significant element of court ritual; and it fulfilled an important social function. But how might we characterise the particular dance practices of Northern Europe? French, Spanish and Italian traditions have dominated histories of Renaissance dance. However, more recent accounts have challenged the conflation of North and South in discussions of early European dance, drawing attention to the myriad regional and national variations at work.
Research centre S:PAM (Studies in Performing Arts & Media) of Ghent University (Belgium) is delighted to announce From the Scenic Essay to the Essay-Exhibition. Expanding the Essay Form in the Arts after Literature and Film, an international conference from 27th-29th of April 2022 in Ghent (Belgium) and the corresponding call for proposals to contribute to this event.
Theme of the conference:
NeMLA's 53rd CONVENTION
March 10-13, 2022
Solo Theater and Performance is visualized as an edited anthology of critical essays encompassing contemporary practices, issues and methods, prominent figures, and historical contexts in the domain of one-person theater and performance. Research scholars and academics interested in the area are welcome to contribute to the proposed volume.
Chinese Creative Writing Studies
Call for Papers (2nd Round)
Call for papers for July - December Issue.
(All reviewed and accepted papers will be published free)