theatre

Things that go Bump in the Night: Premodern Narratives and Depictions of Spirit Visitation

IMC Leeds 2020

Sponsor: MEARCSTAPA

Organizers: Asa Simon Mittman and Thea Tomaini

This Regular Session for the South Atlantic Modern Language Association conference welcomes submissions on any aspect of Modern Drama. Proposals addressing the SAMLA 91 conference theme—Languages: Power, Identity, Relationships—particularly as it relates to intersectional identity formations, are especially welcome.

By June 10, 2019, please submit a typed abstract of 250-300 words, a brief bio, and any A/V requests to Ms. Kimber Wiggs, University of South Florida (kimberwiggs@mail.usf.edu) and Mr. Will Forde-Mazrui, University of South Florida (willfordemaz@mail.usf.edu). 

Performance, Religion, and Spirituality

                                                                   prs-jorunal.org                   

Call for Papers for a special issue, vol. 2, no. 2:

Healing and Reconciliation in Performance and Religion

EXTENDED DEADLINE Call for Papers:

ADAPTATION

2019 Midwest Popular Culture Association Conference

Thursday-Sunday, Oct. 10-13

Cincinnati, OH                          

151 West Fifth Street

Cincinnati, OH 45202

Deadline: May 15 2019

submissions.mpcaaca.org

This session aims at reflecting on the interrelation between theater, performance, diplomacy, and politics. Since theater became theater, plays and performances have reflected, reacted, rejected, denounced, and embraced political turmoil. This panel welcomes papers presenting an interdisciplinary or theoretically grounded analysis of the ways in which theater and/or theatrical audiences react to political turmoil and/or feed institutional discourses that endorse National politics. The multifarious nature of theater escapes unidirectional readings and categorizations: performers, directors, and the very nature of a performance's dialogic form often complicates the way in which jokes, comedy, and meaning are endorsed.

S. Randolph Edmonds Young Scholars Competition

In recognition of Black Theatre scholar and educator, S. Randolph Edmonds, The Black Theatre Network instituted the S. Randolph Edmonds Young Scholars Competition in 1988.

This competition seeks to encourage research and scholarship in Black Theatre. The competition supports the overall mission of BTN: to expose the beauty and complexity of the inherited theatre work of our African American ancestors as well as preserve and develop Black Theatre’s unique art form. 

REQUIREMENTS 

CFP: Shakespeare and Utopia

The 11th Annual World Shakespeare Congress, Singapore: Shakespeare Circuits 19-23 July 2021

Shakespeare Nations

The 43rd Annual Ohio Valley Shakespeare Conference Marietta College (Ohio)

June 28·30, 2019

Extended Deadline for Proposals: Monday, May 6, 2019

Call for papers for the 2020 Société Française Shakespeare conference
Paris, Fondation Deutsch de la Meurthe, 9-11 January 2020

Call for papers

BECKETT & ITALY

“old chestnuts”, new occasions

University of Reading (7-8 November 2019)

“Sapienza” Università di Roma (May 2020)

Can’t conceive by what stretch of ingenuity my work could be placed under the sign of italianità… There are a number of Italian elements [in my work]…

(SB to AJ Leventhal, 21 April 1958)

ArtsPraxis Volume 6, Issue 2

ISSN: 1552-5236

ArtsPraxis Volume 6, Issue 2 looks to engage members of the global Educational Theatre community in dialogue around current research and practice. This call for papers is released in conjunction with the release of ArtsPraxis Volume 5, Issue 2. The submission deadline for Volume 6, Issue 2 is June 1, 2019.

Submissions should fall under the category of Theatre and Health.

Call for Papers

Papers should be no longer than 4,000 words, must be accompanied by a 200 word abstract and 100 word biographies for the author(s), and conform to APA style manual. Submissions must be received by June 1, 2019.

REALITY CHECK: Representing Real Bodies in Performance 2019

Univerisity of York, Department of Theatre, Film and Television, UK

A Postgraduate led conference exploring Representations of Real Bodies in Performance

CONFERENCE DATE AND VENUE:

June 20th 2019 (09.30 - 18.00) 

Univeristy of York, Department of Theatre, Film and Television

Baird Lane, Heslignton East Campus

York,

North Yorkshire,

YO10 5GB

From abolitionist literature to antiwar painting, from documentary photography to committed filmmaking, the arts have been tools of resistance to dominant ideologies. Artistic practices provide people with a means of dissent in democratic and/or authoritarian societies. Under the cover of visual or poetic metaphors, artists imagine alternative realities that can be read as arts of resistance. The world has witnessed in the postwar era a proliferation of artistic trends, a constant re-evaluation of what constitutes a work of art, a multiplicity of experimentations and explorations, not to mention an ever-increasing diversity of media available to express the artist’s ideas.

The “Shakespeare and Shakespearean Criticism” permanent section of the 2019 Midwest Modern Language Association invites proposals that engage with this year’s conference theme of “Duality, Doubles, and Doppelgangers.” Scholarship that explores issues of duality in Shakespeare’s literature, and in early modern culture broadly, from myriad perspectives will be considered.

Exploring doubling in Shakespeare’s works might begin with attention to any of the following list of topics:

· Duality of texts and paratexts

· Double-meanings (linguistics, semantics, multiple interpretations)

· Double entendre

· Twins, doubles in drama

· Doubled literary sources