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CFP: Reimagining the Victim in Post-1970s Horror Media

updated: 
Tuesday, June 15, 2021 - 12:49pm
Amsterdam University Press
deadline for submissions: 
Thursday, July 1, 2021

Deadline July 1st

CFP: Reimagining the Victim in Post-1970s Horror Media

Editors: Madelon Hoedt, Marko Lukic

 

REMINDER: Modern Drama issue -- Teaching Modern Drama -- abstracts due 6/15

updated: 
Thursday, June 10, 2021 - 7:01pm
Jen Buckley / University of Iowa
deadline for submissions: 
Tuesday, June 15, 2021

CFP: Modern Drama special issue -- 'Teaching Modern Drama'Abstracts due June 15 Send abstracts of ~ 300 words to guest editor Jennifer Buckley (jennifer-buckley@uiowa.edu)Since its founding in 1958, Modern Drama has offered innovative scholarship on dramatic literature to higher education professionals in theatre, literature, language, and adjacent disciplines.

Shakespeare and Gender

updated: 
Thursday, June 10, 2021 - 6:59pm
Societe Française Shakespeare
deadline for submissions: 
Wednesday, September 1, 2021

CFP: Annual Congress of the French Shakespeare Society “Shakespeare and Gender”March 17-19, 2022 Fondation Deutsch de la Meurthe, Cité Internationale, Paris 14e 

CALL FOR PAPERS OMNES: The Journal of Multicultural Society, 11(2) (Extension date: ~ June 25)

updated: 
Thursday, June 10, 2021 - 11:28am
Research Institute of Asian Women
deadline for submissions: 
Friday, June 25, 2021

CALL FOR PAPERS

OMNES: The Journal of Multicultural Society, 11(2)

ISSN: 2093-5498 (Print) / 2671-969X (Online)

 

We are currently accepting manuscripts for OMNES: The Journal of Multicultural Society Vol.11 No.2 that will be published on July 31, 2021. To be considered for the upcoming issue, OMNES 11(2), please submit your manuscript by May 30, 2021.

 

About the Journal

International Conference: "Play, Masks and Make-believe: Ritual Representations"

updated: 
Tuesday, June 8, 2021 - 11:20am
https://masks.lcir.co.uk/
deadline for submissions: 
Tuesday, August 31, 2021

Through the centuries, humans have often shaped their social life by fictional moments and by taking part in fictional events: carnivals, representations, role plays, society plays, structured and semi-structured collective and singular moments where strictly coded contexts organize specific worlds and cultural dimensions. Play, in its wide acception and in its nature of artificial and coded mechanism, reflects historically the symbolic work by which human societies have elaborated, explained and organized the world.

4th World Conference on Social Sciences and Humanities(SHCONF)

updated: 
Tuesday, June 8, 2021 - 11:19am
Acavent
deadline for submissions: 
Friday, February 25, 2022

The 4th World Conference on Social Sciences and Humanities is returning in 2022! Having reviewed the feedback from our attendees, we knew that this event is here to stay. We have received an overwhelming amount of praise for the quality of the content at the 2021 event and are excited to launch the next edition of SHCONF.

The Idea of the Shakespearean Actor

updated: 
Friday, June 4, 2021 - 11:15am
Sally Barnden, Emer McHugh, Miranda Fay Thomas
deadline for submissions: 
Thursday, September 30, 2021

Call for Papers

The Idea of the Shakespearean Actor 

An edited collection

Eds. Sally Barnden, Emer McHugh, and Miranda Fay Thomas 

 

 

 

What comes to mind when we think about the Shakespearean actor, or Shakespearean acting? What do actors past, present, and future consider ‘Shakespearean acting’ to be? Is the idea of the Shakespearean actor helpful, or does it limit and restrict the notion of what Shakespearean performance can be? 

 

Literature and the Other Arts In-Person Conference Panel

updated: 
Friday, June 4, 2021 - 11:15am
Pacific Ancient and Modern Language Association
deadline for submissions: 
Wednesday, June 30, 2021

This session is open to any proposal that explores the intersection of literature and some other art. However, in accordance with the conference theme "City of God, City of Destruction," we welcome papers that explore the cross-sections between literature and the other arts in connection to issues of the urban, cityscapes, the postmodern, noir, gothic, or religious spaces or architecture, or religious or spiritual painting or sculpture.

 

In Vivo Arts - Pilot issue

updated: 
Tuesday, June 1, 2021 - 4:25pm
In Vivo Arts
deadline for submissions: 
Saturday, July 31, 2021

PILOT ISSUE of the research platform In VIVO: “CRISIS”

(for French see below)

In Vivo (http://invivoarts.fr/) is a bilingual online platform (French and English) specialized in multidisciplinary research on contemporary artistic creation, with an (almost) exclusive preoccupation with Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.

DEADLINE APPROACHING: ReFocus: The Films of David Mamet

updated: 
Thursday, May 20, 2021 - 11:05am
University of Edinburgh Press
deadline for submissions: 
Monday, May 31, 2021

DEADLINE APPROACHING - 5/31/2021

Call For Papers – ReFocus: The Films of David Mamet

We are seeking abstracts of 250-500 words for essays to be included in a book-length anthology on David Mamet to appear in late 2022. We have received a number of strong proposals already, but looking for a few more to add to the volume’s lineup. The intended scope of the work is to analyze Mamet’s unique position as an artist of note in both the theatre and the cinema, as well as his very specific ideas about dramatic structure, performance style, and economical visual storytelling. It will argue, for the first time, that Mamet’s film work is an essential, but underappreciated dimension of his artistic career.

Call for Book Chapters - 'Bondian Drama' and Young Audience

updated: 
Tuesday, May 11, 2021 - 12:29pm
Vernon Press
deadline for submissions: 
Sunday, August 15, 2021

Call For Book Chapters: ‘Bondian Drama’ and Young Audience

Edward Bond is one of the most controversial and prolific playwrights of British theatre. Throughout his writing career; the playwright has challenged the conservative standpoint of theatre and education institutions which, he believes, alienate human beings ‒ especially children ‒ from their inner self. He reveals the cultural, psychological, social and individual conflicts of human beings between their inner self and outer world by exploring the effects of violent acts in his plays some of which were staged at more than 60 countries all over the world.

Women in French Panel at SAMLA Conference (November 4-6, 2021)

updated: 
Tuesday, May 11, 2021 - 11:51am
Women in French / South Atlantic Modern Language Association
deadline for submissions: 
Wednesday, June 30, 2021

This panel is one of five Women in French sessions at the 2021 South Atlantic Modern Language Association annual conference, taking place this year in Atlanta, Georgia from November 4-6.

 

Presenters must be current members of Women in French and the South Atlantic Modern Language Association.

 

From Socially Marginalized Women to Thriving Writers: Overcoming Class- and Gender Barriers through Literary Networking-Success Stories from Nineteenth-Century French Actresses

 

Women in French Panel at SAMLA Conference (November 4-6, 2021)

updated: 
Tuesday, May 11, 2021 - 11:51am
Women in French / South Atlantic Modern Language Association
deadline for submissions: 
Wednesday, June 30, 2021

This panel is one of five Women in French sessions at the 2021 South Atlantic Modern Language Association annual conference, taking place this year in Atlanta, Georgia from November 4-6.

 

Presenters must be current members of Women in French and the South Atlantic Modern Language Association.

 

Complicated French and Francophone Women

 

The Banshee: The Journal for Women Who Scream

updated: 
Friday, April 30, 2021 - 10:37am
The Banshee Journal/The University of Oxford
deadline for submissions: 
Friday, June 18, 2021

The Banshee is the leading magazine for women who scream.*

It is a journal for women who scream, by women who scream, about women who scream, and about screaming in all its forms. Screams of laughter; screams of rage, fear, and delight. A journal for supernatural yelllers, emphatic prophets of doom, and all those who adhere to the Japanese theme-park credo in this time of respiratory pandemic: please scream inside your hearts.

 

If you scream inside your heart, or anywhere else, please write for The Banshee.

 

Ebook: Drawing and Performance: Creating Scenography

updated: 
Friday, April 30, 2021 - 10:36am
Institute of Ethnomusicology – Center for Studies in Music and Dance (INET-md
deadline for submissions: 
Wednesday, June 30, 2021

Following the online international conference Drawing and Performance: Creating Scenographyorganised by the Institute of Ethnomusicology – Center for Studies in Music and Dance (INET-md), we are calling all who wish to submit their papers for the upcoming peer-reviewed Ebook

Ecofeminist Drama: Environment, Gender, and Theatre

updated: 
Thursday, April 29, 2021 - 12:34am
Douglas Vakoch, PhD / CIIS
deadline for submissions: 
Wednesday, April 28, 2021

Chapter proposals are invited for Ecofeminist Drama: Environment, Gender, and Theatre. The editors of the book series Methuen Drama Agitations: Text, Politics and Performances, published by Bloomsbury, have expressed strong interest in publishing Ecofeminist Drama. All proposals must have a strong ecofeminist focus. Interested authors should send a 300- to 500-word abstract, 200-word biography, and sample of a previously published chapter or article to Dr.

Shakespeare’s Politics – Politicising Shakespeare

updated: 
Wednesday, April 28, 2021 - 11:33am
Shakespeare Seminar 2021
deadline for submissions: 
Tuesday, June 15, 2021

In Roland Emmerich’s Anonymous, the playwriting Earl of Oxford looks on from the galleries of the Globe as a performance of his/Shakespeare’s Henry V whips up a large crowd of groundlings, just as the Earl had intended it. Earlier the Earl had already enthused over a match of tennis about the possibilities of theatre – “That’s power.” This year’s Shakespeare Seminar seeks to discuss the countless ways in which Shakespeare, his works, early modern culture as well as later performances of Shakespeare’s works are political or have been politicised. To what extent can his plays be seen to endorse certain power politics? Are politics in Shakespeare ultimately a question of genre?

United Beyond Borders Hear Thalia’s Daughters Laughing

updated: 
Thursday, April 22, 2021 - 11:37am
Dr. Catalina Florina Florescu
deadline for submissions: 
Friday, December 31, 2021

United Beyond Borders Hear Thalia’s Daughters Laughing

Coordinated by Dr. Catalina Florina Florescu

This international volume is hoped to be multi-lingual, thus giving each playwright a chance to submit a short piece in their mother tongue and its translated into English version. Submissions from the United
States/UK/Australia/Nigeria/etc. shall remain in original unless the author knows and speaks fluently another language or can work with a translator.

FYI:

  1. the play must be a comedy (because the doctor is in the house and she has

    prescribed laughter),

  2. the script must be written by a female identified playwright (because the

Special issue on "Hamilton and the Poetics of America"

updated: 
Thursday, April 15, 2021 - 12:42pm
Special issue of the European Journal of American Studies (EJAS)
deadline for submissions: 
Saturday, July 31, 2021

European Journal of American Studies (EJAS)

Call for Papers

Hamilton and the Poetics of America

“‘Game Over!’: U.S. Drama and Theater and the End(s) of an American Idea(l)”

updated: 
Thursday, April 15, 2021 - 12:40pm
6th International Conference on American Drama and Theater
deadline for submissions: 
Friday, October 15, 2021

CALL FOR PAPERS

6th International Conference on American Drama and Theater

“‘Game Over!’: U.S. Drama and Theater and the
End(s) of an American Idea(l)

Universidad Autónoma de Madrid (Spain)

1–3 June 2022

Abstracts due 15 October 2021

Conference website: https://sites.google.com/view/americandramaconfmadrid2022

 

Cities of Sound: Podcasting as Public Texts, Media, and Performances

updated: 
Tuesday, April 6, 2021 - 4:43pm
Pacific Ancient and Modern Language Association (PAMLA)
deadline for submissions: 
Thursday, April 15, 2021

PAMLA 2021- Las Vegas NV - November 11-15, 2021

 

This is a call for a VIRTUAL panel. Both in-person and virtual attendees are welcome. 

Cities of Sound: Podcasting as Public Texts, Media, and Performances

Theatre and Popular Culture in the English Restoration and 18th Century

updated: 
Tuesday, April 6, 2021 - 10:26am
Department of English and American Studies, Masaryk University
deadline for submissions: 
Monday, May 10, 2021

The English theatre culture from the early Restoration to the early 18th century witnessed a marked shift towards increased commercialization and popularization of theatre. Gone were the post-1660 close association with the court, royalist productions, and prominently elite (well-off and upper-class) audiences. Instead, the experimentation with new genres, opening of new theatres, and a growing differentiation of the theatre programme into mainpieces, entr’acte entertainments and afterpieces revolutionized the established cultural hierarchies of the period.

Shakespeare, the Contemporary and the Postmodern Stage

updated: 
Monday, March 29, 2021 - 8:57am
Sorbonne Université
deadline for submissions: 
Thursday, July 15, 2021

 

Project Emergence ClioS: “Clios on Stage – Immediate history on the British Stage”

« Shakespeare, the Contemporary and the Postmodern Stage »

 Sorbonne Université, Maison de la recherche

 11-12 February 2022

 

UVA Wise Medieval/Renaissance, Sept. 16-18, 2021 (Undergrad) (proposals by June 21, 2021)

updated: 
Monday, March 29, 2021 - 8:57am
University of Virginia's College at Wise
deadline for submissions: 
Monday, June 21, 2021

UVA Wise Medieval-Renaissance Conference XXXIV

Undergraduate Sessions

The University of Virginia’s College at Wise

September 16-18, 2021

 

Keynote Address:  

“A Saint for One Season, or Who Was Mary Magdalen?”—Elizabeth Rhodes, Boston College.

Posthuman Drag (Edited Collection)

updated: 
Friday, March 26, 2021 - 4:40pm
Kai Prins (University of Wisconsin-Madison, United States) and Florian Zitzelsberger (University of Passau, Germany)
deadline for submissions: 
Monday, April 5, 2021

Is drag separable from gender? A preponderance of self-described "drag things" (versus drag kings and queens) specializing in performances of non-human entities and appearing everywhere from stages in local gay bars to digital platforms like Instagram and YouTube would suggest so; however, when we speak of drag in academic literature, we hew closely to notions of drag as demonstrating gender performativity above all else. This collection therefore seeks to theorize a previously underrepresented form of drag performance that does not necessarily play with gender so much as it plays with humanness:We call this "posthuman drag."

Reading Shakespeare from a Multidisciplinary Approach

updated: 
Friday, March 26, 2021 - 10:51am
LITINFINITE JOURNAL
deadline for submissions: 
Saturday, May 15, 2021

Call for PapersLitinfinite Journal JULY, 2021(Volume-III, Issue-I)

On

Reading Shakespeare from a Multidisciplinary Approach

E-ISSN: 2582-0400 | CODEN: LITIBR

www.litinfinite.com

Last date of submission of manuscripts: 15thMay, 2021

Output in the Interstice: Performance and Product in Times of Hiatus

updated: 
Friday, March 26, 2021 - 10:51am
University at Buffalo, SUNY
deadline for submissions: 
Tuesday, April 20, 2021

Output in the Interstice: Performance and Product in Times of Hiatus

A Virtual Symposium, May 22, 2021

 

The University at Buffalo Theatre and Dance Graduate Student Association welcomes proposals for papers and performances from scholars and artists from all disciplines and methodologies who engage with performance as a practice and/or as a means of knowing.

The Laughter Effect: Satire, Comedy and Humor (Panel/In person

updated: 
Friday, March 26, 2021 - 10:48am
Judith Saunders/Pacific Ancient and Modern Language Association
deadline for submissions: 
Saturday, May 1, 2021

Special SessionPrimary Area / Secondary AreaGenres and Audiences / Historical and Political StudiesPresiding Officer(s)

Judith Saunders (Independent Scholar)
judi@****.com (Log-in to reveal)

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