theatre

CfP: ArtsPraxis Volume 8, Issue 1

ISSN: 1552-5236

ArtsPraxis Volume 8, Issue 1 looks to engage members of the global Educational Theatre community in dialogue around current research and practice. We welcome traditional academic research as well as narratives of practice.  This call for papers is released in concert with the publication of ArtsPraxis Volume 7, Issues 2a & 2b. The submission deadline for Volume 8, Issue 1 is January 15, 2021.

ArtsPraxis Volume 7, Issue 2a: https://sites.google.com/nyu.edu/artspraxis/2020/volume-7-issue-2a

The Wooden O Symposium is a cross-disciplinary conference exploring Medieval through Early Modern Studies, through the text and performance of Shakespeare’s plays. Scholars from all disciplines are encouraged to submit papers that offer insights and new ideas springing from the era of William Shakespeare. His plays are replete with the language, thoughts, and arts of the Renaissance and Western culture and represent an inexhaustible source for creative ideas and research.

The West Chester University Poetry Center 

Call for Proposals 

C.R.A.F.T.: West Chester University’s Virtual Poetry and Creative Arts Festival 

April 7-10, 2021 

Submission Deadline: January 15, 2021 

The West Chester University Poetry Center is excited to announce this Call for Presentations for C.R.A.F.T.: West Chester University’s Virtual Poetry and Creative Arts Festival, April 7-10, 2021.The theme for our inaugural gathering is The Healing Power of Empathy. Molly Peacock will be our Keynote Speaker. 

A Critical Companion to Julie Taymor

deadline for submissions: 

February 15, 2021

contact email: 

pgrayso1@tnstate.edu

Call For Papers: A Critical Companion to Julie Taymor

Deadline (abstract): 15 January 2021

Deadline (full manuscript): 30 July 2021

CFP: “Theatre-Fiction”

Seeking proposals for an edited book of chapters on “theatre-fiction”, i.e. novels and stories about theatre.

Newton and modern science, especially Mathematics and Physics, have completely changed the concepts of space and movement. Unlike other thinkers of that century, among whom Immanuel Kant stands for his remarkable thought, the new concepts of space and movement don’t seem to have influenced Diderot’s thinking effectively.

Call for Participants:

Syncopation, Synchrony, and the Art of Listening to Others

The Existential Psychology Group with the Performance Philosophy International Network seeks participants to create a Key Group for the 5th biennial Performance Philosophy conference, which will be held in Helsinki, Finland, from June 9-12, 2021.

The Performance Philosophy network aims to create a non-hierarchical and inclusive conference. Instead of individual keynote speakers, the conference invites proposals from key groups.

Deadline Extended for Call for Book Chapters for Edited Volume

‘The Gendered Subaltern and the Urban Theatre Space’

deadline for submissions: 

30 November, 2020

full name / name of organization: 

Dr Shuchi Sharma

contact email: 

shuchi.sharma@ipu.ac.in

Research articles are being invited for a peer reviewed edited book to be published by a reputed publisher tentatively in early 2021.   

The Gendered Subaltern and the Urban Theatre Space

CFP: Edited Book on “Theatre-Fiction”

Abstracts: November 1, 2020

Seeking proposals for an edited book of chapters on “theatre-fiction”, i.e. novels and stories about theatre.

Call for Well-Qualified Guest Reviewers

The international peer-reviewed Creative Industries Journal [CIJ] (Routledge/ Taylor and Francis), now in its 13th volume and approaching its 14th year, seeks to create a pool of guest reviewers, who possess the requisite expertise, to complement our Peer Review Board and Editorial team.

Just as the Greeks on the plains of Troy faced the plague-arrows of Apollo, the modern world currently stands before unprecedented challenges.  The present pandemic has forced us to face issues of mortality more closely than has been the case in recent decades. At the same time, the situation in which the academic world now finds itself is breaking down barriers in many areas: between home and work environments; between academics, students and the wider community; between teachers and pupils; between traditional disciplines; and between different methods of teaching. In fact, there has been a feeling amongst many for quite some time that winds of change are blowing through the corridors of academia.

The exploration of prison is not new in literature and theatre. It is one in which convicts tell their stories from the inside. Here, the detained locate their experiences and conditions of prison. According to Arnold Erickson, prison has been a fertile setting for Artists, Musicians and Writers alike. Prisoners have produced hundreds of works that encompassed a wide range of literature books describing the prison experience. Modernist literature and theatre with its eclecticism saw the upsurge in the prison narrative. While Tennessee Williams’ Not about Nightingales establishes the prison genre, John Herbert’s Fortune and Men’s Eyes focuses on the harsh treatment of imprisoned homosexuals.

Conference date: July 25-29, 2021

Critical Approaches to Arts Administration in the New Millenium 

Edited by Winter Phong, Ph.D. and Alicia Jay, Ph.D.