The Tennessee Williams Annual Review invites academic writing on all aspects of the Williams oeuvre, including his plays, poetry, prose, and correspondence. Studies of the productions of his plays and technical analyses of stagecraft and institutional issues are welcome, as is work on present-day productions of recently discovered and newly edited texts. The journal also routinely publishes brief texts that emerge from the ongoing examination of his literary records. Of particular interest is the history of the reception of Williams’s work and public persona in the postwar Broadway renaissance and in the period roughly from 1940 to 1980, along with scholarship on the lasting effects of Williams’s work on the cinema.
TheatreForum: International Theatre Journal, dedicated to documenting, discussing, and disseminating innovative and provocative theatrework is soliciting articles and playscripts for its upcoming issues to be published in December 2016 and June 2017.
Articles focus on performance and process. They are on an innovative company, production, or creators, but others subjects are possible. Articles on work produced internationally are encouraged. ~5,000 words and including high quality color photographs
This panel seeks proposals which address works (artistic, literary, historical, etc.) at the intersection of Catholicism and witchcraft (demons, devils, witches, magic, etc.) between 1500 and 1700 in England and/or Continental Europe. Of particular interest are works which link witchcraft and Catholicism; critique governmental or religious responses to witchcraft and/or Catholicism; and/or representations in literature or drama which compare witchcraft and/or Catholicism.
This session invites submissions of paper proposals on plays and/or performances under the broad category of modern drama. Comparative Drama as well as Drama in English papers are welcome. Papers on SAMLA's conference theme--Utopia/Dystopia: Whose Paradise Is It?--will be given special consideration.
By May 31, 2016, please submit a 300-word abstract, brief bio, and A/V requirements to Aaron Botwick, The Graduate Center, CUNY, at firstname.lastname@example.org.
12016 Pacific Ancient and Modern Language Association (PAMLA) Annual Conference
Asian Literature Session
Nov. 11-13, 2016
We invite papers (15-20 minutes) for the Asian Literature session of the 114th Pacific Ancient and Modern Language Association (PAMLA) annual conference that will take place over the November 11-13, 2016 weekend at Westin Pasadena in Pasadena, CA.
Confirmed keynote speakers:
David Kornhaber (University of Texas at Austin)
Martin Middeke (University of Augsburg)
Kerstin Schmidt (University of Eichstätt-Ingolstadt)
Tragedy as a dramatic genre, theatrical practice, and mode of affect is defined by its longevity and rich tradition and has developed into an extraordinarily dynamic genre, firstly as a mode of narration, secondly as a phenomenon of transition and transformation between text and embodied performance that implies the crossing of medial boundaries, and thirdly in a transnational sense that implies the crossing of geographical borders.
Gwyneth Shanks, UCLA
Areum Jeong, UCLA
Lilia Adriana Perez Limon, University of Wisconsin Madison
NEW LOCATION, EXTENDED DEADLINE
This section of the academic journal "Sinestesieonline" is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.
"Il Parlaggio" is the name created by Gabriele d'Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the "neverending show".