theory

Shakespeare is now fundamentally digital. The technologies, resources and cultures of the digital age influence how we humans variously read, watch, research, and teach Shakespeare. This influence occurs in both apparent but also unseen ways since digital technologies include hidden processes, or non-human actors such as algorithms. In fact, the thing we call “Shakespeare” is the consequence of the interaction of agential humans and digital, non-human actors. The Special Issue of Humanities explores this technogenic dynamic and its significance for understandings of Shakespeare’s works and their cultural afterlives.

MORAL MACHINES? THE ETHICS AND POLITICS OF THE DIGITAL WORLD 6–8 March 2019, Helsinki Collegium for Advanced Studies, University of Helsinki, Finland With confirmed keynotes from N. Katherine Hayles (Duke University, USA) and Bernard Stiegler (IRI: Institut de Recherche et d’Innovation at the Centre Pompidou de Paris) As our visible and invisible social reality is getting increasingly digital, the question of the ethical, moral and political consequences of digitalization is ever more pressing. Such issue is too complex to be met only with instinctive digiphilia or digiphobia. No technology is just a tool, all technologies mark their users and environments.

In the American cultural imagination, the Midwest embodies the “home” or “heart” of the nation associated with frontier and rural values of promise, fertility, order, and stability, according to Joanna Jacobson in “The Idea of the Midwest.” Jacobson argues that the Midwest has come to symbolize the quintessentially “American,” speaking to “the impulse to invent a myth of commonality rooted in the physical landscape at the center of the continent and for the insufficiency of that myth as a response to the conditions of urban industrial culture.” While the idea and image of the Midwest in American culture serve as resources of recovery and refuge from the ill effects of urban industrialism, it is increasingly evident that these visions of a pastor

Postcolonial Interventions has been striving consistently to explore new frontiers of knowledge in the field of postcolonial studies which remains characterised by fluidity, plurality and consistent refashioning of disciplinary boundaries. The next issue of Postcolonial Interventions will be an Open Issue that will hope to testify to this ever-expanding variety, especially by focusing on recent literary, cultural and socio-political phenomena with greater theoretical richness and dexterity.

Submission Guidelines:

International Conference on Landscape and Cinema

December 3 and 4, 2018

School of Arts and Humanities, University of Lisbon

CFP